ROLAND BARTHES was born in 1915 and studied French literature and classics at the University of Paris. After teaching French at universities in Romania and Egypt, he joined the Centre National de Recherche Scientifique, where he devoted himself to research in sociology and lexicology. He was a professor at the colege de France until his death in 1980.
These essays, as selected and translated by Stephen Heath, are among the finest writings Barthes ever published on film and photography, and on the phenomena of sound and image. The classic pieces "Introduction to the Structural Analysis of Narrative" and "The Death of the Author" are also included.
I've been reading this book for hours and don't understand a thing yet... A textbook for my contemporary film theory class at the U of Iowa. A collection of Roland Barthes' most influential essays translated into English.
评分I've been reading this book for hours and don't understand a thing yet... A textbook for my contemporary film theory class at the U of Iowa. A collection of Roland Barthes' most influential essays translated into English.
评分读起来十分愉悦,书的用纸也很舒服。但翻译质量一般,很多人名和名词有问题。 p5 (介质数码化后的有限度,离散。但通过想象,映射,对世界获得无穷性和连续性) p44 显义与晦义 p47 爱森斯坦式的意义摧毁含混性。 p62 古希腊戏剧(巴特对于古希腊戏剧的这篇研究是极其重要...
评分羅蘭巴特在這本書中提出了一個著名的口號:“作者已死”。在他以及很多解構主義擁躉看來,理應為文本附加意義的,是文本的閱讀者而非創造者。這觀點和文學理論中“文本開敞性”相似,都在相當大地程度上否認作者對文本的解釋權,而給予後來的閱讀者相當大的參與討論和決策權。...
评分羅蘭巴特在這本書中提出了一個著名的口號:“作者已死”。在他以及很多解構主義擁躉看來,理應為文本附加意義的,是文本的閱讀者而非創造者。這觀點和文學理論中“文本開敞性”相似,都在相當大地程度上否認作者對文本的解釋權,而給予後來的閱讀者相當大的參與討論和決策權。...
那么多年过去了我仍然很难喜欢结构主义,但也不得不承认这本书的纲领性作用……
评分除了收录了最有名的“作家之死”,罗兰巴特重读拉康signifier和自己的学生兼同事Kristeva的signifiance的文章短小精悍,the obtuse meaning和the Text的概念非常适合用来重新解读诗歌,他的解读有助于理解Kristeva的semiotic. 如巴特所说,language is always vague and conflicting. 而作为学者和老师,我们其实应该是可以发现floating, suspensions, layers of meanings in language而不是将自己假设为权威或者是one meaning的卫道士。The teacher is not the analyst but the analyzed.
评分Rhetoric of the Image Death of the author
评分Rhetoric of the Image Death of the author
评分兜兜转转,还是要回到罗兰巴特
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