Sculpting in Time

出版者:University of Texas Press

作者:Andrey Tarkovsky

页数:256

译者:Kitty Hunter-Blair

出版时间:1989

价格:USD 29.95

装帧:Paperback

isbn号码:9780292776241

具体描述

Andrey Tarkovsky, the genius of modern Russian cinema - hailed by Ingmar Bergman as "the most important director of our time" - died an exile in Paris in December 1986. In Sculpting in Time, he has left his artistic testament, a remarkable revelation of both his life and work. Since Ivan's Childhood won the Golden Lion at the Venice Film Festival in 1962, the visionary quality and totally original and haunting imagery of Tarkovsky's films have captivated serious movie audiences all over the world, who see in his work a continuation of the great literary traditions of nineteenth-century Russia. Many critics have tried to interpret his intensely personal vision, but he himself always remained inaccessible. In Sculpting in Time, Tarkovsky sets down his thoughts and his memories, revealing for the first time the original inspirations for his extraordinary films - Ivan's Childhood, Andrey Rublyov, Solaris, The Mirror, Stalker, Nostalgia, and The Sacrifice. He discusses their history and his methods of work, he explores the many problems of visual creativity, and he sets forth the deeply autobiographical content of part of his oeuvre - most fascinatingly in The Mirror and Nostalgia. The closing chapter on The Sacrifice, dictated in the last weeks of Tarkovsky's life, makes the book essential reading for those who already know or who are just discovering his magnificent work.

作者简介

安德烈·塔可夫斯基：一九三二年生于俄罗斯札弗洛塞镇，是诗人阿尔谢尼伊·塔可夫斯基之子。曾就学于苏联电影学院，一九六一年毕业。他的电影曾经赢得多项国际性大奖；第一部长故事片《伊万的童年》于一九六二年获得威尼斯影展金狮奖。其最后一部作品《牺牲》荣获一九八六年夏纳影展评审团特别奖，同年十二月，塔可夫斯基因肺癌病逝于巴黎，享年五十四岁。

读后感

一位艺术家坦诚的心路历程， 一位同道在艺术道路上的指导，一本应该随时带在身边的书。 逐字逐句读完序言和第一篇，便迫不及待的要写点儿什么。 也许因为我把自己放在一个创作者的角度，所以觉得从这本书中吸取了太多难以言表的氧份，感激之情汹涌澎湃。 首先是塔氏的序言，在...  

媒介与内容 每一种媒体，都有属于自己的内容。或者说，每一种内容，都有自己独有的载体。比如文字与思想。没有文字的思想是不可想象的。塔可夫斯基说，电影要完全与文学脱离。电影是一种独立的艺术形式。真是太和我意了。电影就应该表达一些只有电影才能表达，而其他的艺术无...  

如果安德烈·塔可夫斯基在世，并且来到中国，当他看到几乎遍布于每个城市的“雕刻时光”咖啡馆以及种种以这四个字命名的店铺、书籍、网站时，不知会做何感想。但我们知道的是，喜欢“雕刻时光”这个动宾短语的人很多，知道《雕刻时光》这本书的人不多，了解塔可夫斯基的人就更...  

一位艺术家坦诚的心路历程， 一位同道在艺术道路上的指导，一本应该随时带在身边的书。 逐字逐句读完序言和第一篇，便迫不及待的要写点儿什么。 也许因为我把自己放在一个创作者的角度，所以觉得从这本书中吸取了太多难以言表的氧份，感激之情汹涌澎湃。 首先是塔氏的序言，在...  

#一 为什么把拍电影叫做**雕刻时光**？在塔可夫斯基的论述中，电影可以类比于雕塑，雕塑是雕塑家面对一块大理石，一点点剔所有多余的部分。而电影人呢， >电影人同样从包含海量生活事实的时间巨快中提出所有不需要的部分，只留下能成为电影要素的部分，只留下能清晰描述电影形...  

用户评价

Not a theorist but precisely such that makes him great. The true artist is a rare being, while great art calls for one's character within.

他让我明白：我们摄取影像的同时要寻找影像背后的“第二落点”：只有深入于人的精神世界才能完成的哲学思考

雕刻时光

你也是一个技艺入化的勤恳铁匠，同样会烙下印记。

对读快乐！