安德烈·塔可夫斯基:一九三二年生於俄羅斯劄弗洛塞鎮,是詩人阿爾謝尼伊·塔可夫斯基之子。曾就學於蘇聯電影學院,一九六一年畢業。他的電影曾經贏得多項國際性大奬;第一部長故事片《伊萬的童年》於一九六二年獲得威尼斯影展金獅奬。其最後一部作品《犧牲》榮獲一九八六年夏納影展評審團特彆奬,同年十二月,塔可夫斯基因肺癌病逝於巴黎,享年五十四歲。
Andrey Tarkovsky, the genius of modern Russian cinema - hailed by Ingmar Bergman as "the most important director of our time" - died an exile in Paris in December 1986. In Sculpting in Time, he has left his artistic testament, a remarkable revelation of both his life and work. Since Ivan's Childhood won the Golden Lion at the Venice Film Festival in 1962, the visionary quality and totally original and haunting imagery of Tarkovsky's films have captivated serious movie audiences all over the world, who see in his work a continuation of the great literary traditions of nineteenth-century Russia. Many critics have tried to interpret his intensely personal vision, but he himself always remained inaccessible. In Sculpting in Time, Tarkovsky sets down his thoughts and his memories, revealing for the first time the original inspirations for his extraordinary films - Ivan's Childhood, Andrey Rublyov, Solaris, The Mirror, Stalker, Nostalgia, and The Sacrifice. He discusses their history and his methods of work, he explores the many problems of visual creativity, and he sets forth the deeply autobiographical content of part of his oeuvre - most fascinatingly in The Mirror and Nostalgia. The closing chapter on The Sacrifice, dictated in the last weeks of Tarkovsky's life, makes the book essential reading for those who already know or who are just discovering his magnificent work.
發表於2024-06-14
Sculpting in Time 2024 pdf epub mobi 電子書 下載
1. 在物欲橫流的世界,站起來做一個理想主義者。怎麼樣?那很酷的。 都說英雄時代已經過去。古希臘羅馬時期的英雄們,帶著神話色彩,讓我們神往。為推翻三座大山,中國人民革命中湧現齣的烈士,錶現他們的電影和歌麯,讓我們激動。比如《英雄兒女》中的王成。 塔可夫斯基給我...
評分2012是我讀書最多的一年,即使是大學的每一年也沒有今年讀瞭那麼多的書,閱讀讓我保持清醒的頭腦,使我沒有沉浸在科技互聯網的信息泡沫中,那些看似是知識的信息其實不是,我們都被它們僞裝的外錶所迷惑,以為自己學到的就是知識,就是思想,其實不是。索爾仁尼琴說:讀書不能...
評分寫這篇文章的時候,終於下瞭決心讀完瞭《時光中的時光》最後幾十頁,也就是塔爾科夫斯基(注1)最後三年的日記。一直不願讀完,就像一直留著他最初兩部短片《今天不離去》和《殺手》一直不願去看一樣,無論是開始還是結束,都想在觸手可及的地方,再留下那麼一點可以想念的“未...
評分如果把這本書僅僅作為一本有關電影藝術的隨筆,我想是會辜負塔可夫斯基良苦用心的。書看完瞭很久,也看瞭很多遍,但終不敢提筆評論之,實在是因為塔可夫斯基的博大深沉,一如他的先賢陀思妥耶夫斯基,包含並測量瞭人類對藝術、政治、社會、生命的全部深度和廣度。隻不過,...
圖書標籤: AndreyTarkovsky 電影 電影理論 Cinema 文藝理論 導演 電影 精神秘密
他讓我明白:我們攝取影像的同時要尋找影像背後的“第二落點”:隻有深入於人的精神世界纔能完成的哲學思考
評分讀的是1986版的
評分Not a theorist but precisely such that makes him great. The true artist is a rare being, while great art calls for one's character within.
評分外緣讀物,因為寫書的塔可夫斯基到底比拍電影的他囉嗦些,但自作聰明的理論傢那麼多,又怎能沒有一本現身說法的創作論?他反對將電影視為符號係統的觀念,認為那是文學批評的錯置。——那麼基耶斯洛夫斯基《藍白紅》的顔色符號又如何?(綠色封麵,導演椅上的3/4背影。)
評分他讓我明白:我們攝取影像的同時要尋找影像背後的“第二落點”:隻有深入於人的精神世界纔能完成的哲學思考
Sculpting in Time 2024 pdf epub mobi 電子書 下載