安德烈·塔可夫斯基:一九三二年生於俄羅斯劄弗洛塞鎮,是詩人阿爾謝尼伊·塔可夫斯基之子。曾就學於蘇聯電影學院,一九六一年畢業。他的電影曾經贏得多項國際性大奬;第一部長故事片《伊萬的童年》於一九六二年獲得威尼斯影展金獅奬。其最後一部作品《犧牲》榮獲一九八六年夏納影展評審團特彆奬,同年十二月,塔可夫斯基因肺癌病逝於巴黎,享年五十四歲。
Andrey Tarkovsky, the genius of modern Russian cinema - hailed by Ingmar Bergman as "the most important director of our time" - died an exile in Paris in December 1986. In Sculpting in Time, he has left his artistic testament, a remarkable revelation of both his life and work. Since Ivan's Childhood won the Golden Lion at the Venice Film Festival in 1962, the visionary quality and totally original and haunting imagery of Tarkovsky's films have captivated serious movie audiences all over the world, who see in his work a continuation of the great literary traditions of nineteenth-century Russia. Many critics have tried to interpret his intensely personal vision, but he himself always remained inaccessible. In Sculpting in Time, Tarkovsky sets down his thoughts and his memories, revealing for the first time the original inspirations for his extraordinary films - Ivan's Childhood, Andrey Rublyov, Solaris, The Mirror, Stalker, Nostalgia, and The Sacrifice. He discusses their history and his methods of work, he explores the many problems of visual creativity, and he sets forth the deeply autobiographical content of part of his oeuvre - most fascinatingly in The Mirror and Nostalgia. The closing chapter on The Sacrifice, dictated in the last weeks of Tarkovsky's life, makes the book essential reading for those who already know or who are just discovering his magnificent work.
發表於2025-03-10
Sculpting in Time 2025 pdf epub mobi 電子書 下載
寫這篇文章的時候,終於下瞭決心讀完瞭《時光中的時光》最後幾十頁,也就是塔爾科夫斯基(注1)最後三年的日記。一直不願讀完,就像一直留著他最初兩部短片《今天不離去》和《殺手》一直不願去看一樣,無論是開始還是結束,都想在觸手可及的地方,再留下那麼一點可以想念的“未...
評分 評分十多年前,碟市剛剛興起,文藝青年、骨灰級影迷一路猛追歐洲電影大師,各類電影書也一時紙貴,塔可夫斯基的《雕刻時刻》也曾應時齣版,因為封麵太醜(誰叫咱是封麵控)、排版紙張都不理想,而且是轉譯,所以沒買,隻是簡單翻瞭翻。今年的新版在俄文原書直譯的基礎上,對版式、...
評分我飽受精神飢渴的摺磨, 在陰晦的荒野踽踽獨行———— 一位六翼天使 在十字路口對我現身。 他以夢境般輕柔的手指 觸摸我的眼睛。 我睜開能預見未來的雙眼, 猶如飽受驚嚇的雄鷹。 他碰觸我的耳朵———— 耳朵充滿喧囂和聲音: 於是我聽見蒼穹在戰慄, 山上的天使在飛翔, 深...
評分如果安德烈·塔可夫斯基在世,並且來到中國,當他看到幾乎遍布於每個城市的“雕刻時光”咖啡館以及種種以這四個字命名的店鋪、書籍、網站時,不知會做何感想。但我們知道的是,喜歡“雕刻時光”這個動賓短語的人很多,知道《雕刻時光》這本書的人不多,瞭解塔可夫斯基的人就更...
圖書標籤: AndreyTarkovsky 電影 電影理論 Cinema 文藝理論 導演 電影 精神秘密
讀的是1986版的
評分The faith responsibility and meaning from life back to poetry.
評分到手 不是這個版本
評分外緣讀物,因為寫書的塔可夫斯基到底比拍電影的他囉嗦些,但自作聰明的理論傢那麼多,又怎能沒有一本現身說法的創作論?他反對將電影視為符號係統的觀念,認為那是文學批評的錯置。——那麼基耶斯洛夫斯基《藍白紅》的顔色符號又如何?(綠色封麵,導演椅上的3/4背影。)
評分買到Texas版本辣!
Sculpting in Time 2025 pdf epub mobi 電子書 下載