安德烈·塔可夫斯基:一九三二年生於俄羅斯劄弗洛塞鎮,是詩人阿爾謝尼伊·塔可夫斯基之子。曾就學於蘇聯電影學院,一九六一年畢業。他的電影曾經贏得多項國際性大奬;第一部長故事片《伊萬的童年》於一九六二年獲得威尼斯影展金獅奬。其最後一部作品《犧牲》榮獲一九八六年夏納影展評審團特彆奬,同年十二月,塔可夫斯基因肺癌病逝於巴黎,享年五十四歲。
Andrey Tarkovsky, the genius of modern Russian cinema - hailed by Ingmar Bergman as "the most important director of our time" - died an exile in Paris in December 1986. In Sculpting in Time, he has left his artistic testament, a remarkable revelation of both his life and work. Since Ivan's Childhood won the Golden Lion at the Venice Film Festival in 1962, the visionary quality and totally original and haunting imagery of Tarkovsky's films have captivated serious movie audiences all over the world, who see in his work a continuation of the great literary traditions of nineteenth-century Russia. Many critics have tried to interpret his intensely personal vision, but he himself always remained inaccessible. In Sculpting in Time, Tarkovsky sets down his thoughts and his memories, revealing for the first time the original inspirations for his extraordinary films - Ivan's Childhood, Andrey Rublyov, Solaris, The Mirror, Stalker, Nostalgia, and The Sacrifice. He discusses their history and his methods of work, he explores the many problems of visual creativity, and he sets forth the deeply autobiographical content of part of his oeuvre - most fascinatingly in The Mirror and Nostalgia. The closing chapter on The Sacrifice, dictated in the last weeks of Tarkovsky's life, makes the book essential reading for those who already know or who are just discovering his magnificent work.
發表於2024-12-26
Sculpting in Time 2024 pdf epub mobi 電子書 下載
當時光之無形可謂鏡像下之情狀,則他終成為舉刀纂刻之人,於碎屑裏拼貼萬韆奇跡。 ——題記 在認識塔爾科夫斯基之前,我對於電影的認識之淺俗,理解之單薄,往往讓如今的自己想來,常常也覺得汗顔。 電...
評分觀看塔可夫斯基的電影是一項“痛並快樂”的活動。其作品篇幅的冗長、內容的復雜讓人“痛苦”,然而詩一般的美感又讓人欲罷不能。塔可夫斯基在《雕刻時光》中寫道:“藝術的影像永遠是個代號,其中物體彼此替代,大小互有更迭。藝術傢可以用死亡來錶現生命,用有限來陳述無極。...
評分1. 在物欲橫流的世界,站起來做一個理想主義者。怎麼樣?那很酷的。 都說英雄時代已經過去。古希臘羅馬時期的英雄們,帶著神話色彩,讓我們神往。為推翻三座大山,中國人民革命中湧現齣的烈士,錶現他們的電影和歌麯,讓我們激動。比如《英雄兒女》中的王成。 塔可夫斯基給我...
評分 評分寫這篇文章的時候,終於下瞭決心讀完瞭《時光中的時光》最後幾十頁,也就是塔爾科夫斯基(注1)最後三年的日記。一直不願讀完,就像一直留著他最初兩部短片《今天不離去》和《殺手》一直不願去看一樣,無論是開始還是結束,都想在觸手可及的地方,再留下那麼一點可以想念的“未...
圖書標籤: AndreyTarkovsky 電影 電影理論 Cinema 文藝理論 導演 電影 精神秘密
他讓我明白:我們攝取影像的同時要尋找影像背後的“第二落點”:隻有深入於人的精神世界纔能完成的哲學思考
評分到手 不是這個版本
評分比中文版好懂多瞭
評分(中英譯本差彆好大
評分雕刻時光
Sculpting in Time 2024 pdf epub mobi 電子書 下載