Nobuyoshi Araki

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Akiko Miki is a curator at the Palais de Tokyo, Paris and contributor to art magazines including Bijutsu Techo, Studio Voice, Tema Celeste and Exit Express.

Yoshiko Isshiki has been working with Araki for over 10 years and has been closely involved in all exhibitions of Araki's work in Europe.

Tomoko Sato is a curator at the Barbican Art Gallery, London, where she has organized and curated a wide range of exhibitions. She has edited and published a number of books and catalogues.

Kotaro Iizawa is a photography critic and writer. He is the author of many books on Japanese photography, including Araki!: The Legacy of a Prodigy (1994). He was also the founder of Déjà-vu magazine (1990).

Ian Jeffrey is a photography writer, lecturer and curator. His books include Magnum Landscape (1997) and Shomei Tomatsu (2001), also published by Phaidon.

Hans Ulrich Obrist is a curator (at Musée d'Art Moderne de la Ville de Paris), writer, editor and interviewer.

Yuko Tanaka is Professor at Hosei University, Tokyo, and has written extensively on Japanese literature and culture during the Edo period (1600-1868).

Jonathan Watkins is Director of the Ikon Gallery, Birmingham. He was the Artistic Director of the 11th Sydney Biennale (1998) and has curated many exhibitions, including 'Nobuyoshi Araki: Tokyo Still Life' (2001).

出版者:Phaidon Press
作者:Edited by Akiko Miki, Yoshiko Isshiki and Tomoko Sato
出品人:
頁數:720
译者:
出版時間:2007
價格:£45.00
裝幀:Hardback
isbn號碼:9780714845555
叢書系列:
圖書標籤:
  • 荒木經惟 
  • 攝影 
  • 日本 
  • photography 
  • 荒木經惟 
  • NobuyoshiAraki 
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Nobuyoshi Araki is the most controversial photographer working in the world today. To his critics, he is no more than a pornographer and a misogynist; to his supporters he is a radical and a revolutionary, a figure who has challenged not just artistic limits, but social limits in post-war Japan. At home, he is a national celebrity. In the West he is considerably less understood. This is the book that will explain Araki. In its sheer range of text and images, it is also the most comprehensive volume ever to be published on his life's work.

具體描述

讀後感

評分

Araki是一個高産的的日本攝影大師,印象裏好多日本攝影師多很高産,一年齣好幾本攝影集,森山大道也是其中之一,如果你想追著他們的齣版物買,那將是一個非常痛苦的事情,而且不是每一本攝影集多值得買,在亞馬遜的whish list裏收藏瞭大半年後,我終於決心買下這本攝影集的限量...

評分

Araki是一個高産的的日本攝影大師,印象裏好多日本攝影師多很高産,一年齣好幾本攝影集,森山大道也是其中之一,如果你想追著他們的齣版物買,那將是一個非常痛苦的事情,而且不是每一本攝影集多值得買,在亞馬遜的whish list裏收藏瞭大半年後,我終於決心買下這本攝影集的限量...

評分

書好沉,我用一隻手很用力地抓住書的一角,穿過一個個地鐵站穿過街道,迴到公寓的電梯,電梯裏還有一位小個子女生,也許她隻能用一個擁抱的姿勢把這本書帶迴傢,想到這裏,居然有點沾沾自喜。 荒木經惟。《Nobuyoshi Araki》。一個晚上的時間,我把它翻瞭一遍,這麼草率的翻閱...  

評分

書好沉,我用一隻手很用力地抓住書的一角,穿過一個個地鐵站穿過街道,迴到公寓的電梯,電梯裏還有一位小個子女生,也許她隻能用一個擁抱的姿勢把這本書帶迴傢,想到這裏,居然有點沾沾自喜。 荒木經惟。《Nobuyoshi Araki》。一個晚上的時間,我把它翻瞭一遍,這麼草率的翻閱...  

評分

書好沉,我用一隻手很用力地抓住書的一角,穿過一個個地鐵站穿過街道,迴到公寓的電梯,電梯裏還有一位小個子女生,也許她隻能用一個擁抱的姿勢把這本書帶迴傢,想到這裏,居然有點沾沾自喜。 荒木經惟。《Nobuyoshi Araki》。一個晚上的時間,我把它翻瞭一遍,這麼草率的翻閱...  

用戶評價

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66磅還有少 早知我就下手買瞭

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66磅還有少 早知我就下手買瞭

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重的可以砸死人

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