Before becoming the patron of Lost Generation artists, Gertrude Stein established her reputation as an innovative author whose style was closer to painting than literature. Stein’s strong influence on 20th-century literature is evident in this 1915 work of highly original prose rendered in thought-provoking experimental techniques.
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There was a time when I could recite most of the first page because there was no way of telling what kind of book I was reading other than quoting its own words.
评分太痛苦了
评分psychedelic modernism & formalism par excellence，大概能代表High Modernism的实验精神，但Keene所说的“10-20年代的文学成就最终是属于乔伊斯和普鲁斯特而非斯坦因和路易阿拉贡的”也许不无道理，可能spectacular failure仍是最恰切的形容。和二十多年后FW做的事相似而不同，Stein没有艾略特和乔伊斯的encylopedist野心，语言实验主要关注语法，词汇反而相当简约。想读Autobiography of ABT
评分A poetic mimesis not of the ordinary objects but of the perceptual process. Very playful. A series of interior monologues. Words don't arouse our sensations anymore. Words themselves become our sensations or vise versa. The content isn't necessarily important anymore; the meaning is the making process itself.
评分感觉好cult
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