Robert McKee began his show business career at age nine playing the title role in a community theatre production of MARTIN THE SHOEMAKER. He continued acting as a teenager in theatre productions in his hometown of Detroit, Michigan. Upon receiving the Evans Scholarship, he attended the University of Michigan and earned a Bachelor's Degree in English Literature. While an undergraduate, he acted in and directed over thirty productions. McKee's creative writing professor was the noted Kenneth Rowe whose former students include Arthur Miller and Lawrence Kasdan.
After completing his B.A., McKee toured with the APA (Association of Producing Artists) Repertory Company, appearing on Broadway with such luminaries as Helen Hayes, Rosemary Harris and Will Geer. He then received the Professional Theatre Fellowship and returned to Ann Arbor, Michigan to earn his Master's Degree in Theatre Arts.
Upon graduating, McKee directed the Toledo Repertory Company, acted with the American Drama Festival, and became Artistic Director of the Aaron Deroy Theatre. From there he traveled to London to accept the position of Artist-In-Residence at the National Theatre where he studied Shakespearean production at the Old Vic. He then returned to New York and spent the next seven years as an actor/director in various Off-Broadway, repertory and stock companies.
After deciding to move his career to film, McKee attended Cinema School at the University of Michigan. While there, he directed two short films - A DAY OFF, which he also wrote, and TALK TO ME LIKE THE RAIN, adapted from a one-act play by Tennessee Williams. These two films won the Cine Eagle Award, awards at the Brussels and Grenoble Film Festivals, and various prizes at the Delta, Rochester, Chicago and Baltimore Film Festivals.
In 1979, McKee moved to Los Angeles, California where he began to write screenplays and work as a story analyst for United Artists and NBC. He sold his first screenplay, DEAD FILES, to AVCO/Embassy Films, after which he joined the WGA (Writers Guild of America). His next screenplay, HARD KNOCKS, won the National Screenwriting Contest, and since then McKee has had over eight feature film screenplays purchased or optioned, including the feature film script TROPHY for Warner Bros. In addition to his screenplays, McKee has had a number of scripts produced for such critically acclaimed dramatic television series as QUINCY, M.D. (starring Jack Klugman), COLUMBO (starring Peter Falk), SPENSER: FOR HIRE and KOJAK (starring Telly Savalas).
In 1983, McKee, a Fulbright Scholar, joined the faculty of the School of Cinema and Television at the University of Southern California (USC), where he began offering his now famous STORY SEMINAR class. A year later, McKee opened the course to the public and he now teaches the 3-day, 30-hour STORY SEMINAR to sold-out audiences around the world. From Los Angeles (where his course is only taught two times a year) to New York (two times a year) to Paris, Sydney, Toronto, Boston, San Francisco, Helsinki, Oslo, Munich, Singapore, Barcelona and 12 other film capitals around the world, more than 50,000 students have taken the course over the last 15+ years.
Through it all, McKee continues to be a project consultant to major film and television production companies, as well major software firms (Microsoft, etc.), news departments (ABC, etc.) and more. In addition, several companies such as ABC, Disney, Miramax, PBS, Nickelodeon and Paramount regularly send their entire creative and writing staffs to his lectures.
In 2000, McKee won the prestigious 1999 International Moving Image Book Award for his best-selling book STORY (Regan Books/HarperCollins). The book, currently in its 32nd printing in the U.S. and its 19th printing in the U.K., has become required reading for film and cinema schools at such top Universities as Harvard, Yale, UCLA, and USC, and was on the LOS ANGELES TIMES best-seller list for 20 weeks.
Robert McKee's screenwriting workshops have earned him an international reputation for inspiring novices, refining works in progress and putting major screenwriting careers back on track. Quincy Jones, Diane Keaton, Gloria Steinem, Julia Roberts, John Cleese and David Bowie are just a few of his celebrity alumni.Writers, producers, development executives and agents all flock to his lecture series, praising it as a mesmerizing and intense learning experience. In Story , McKee expands on the concepts he teaches in his $450 seminars (considered a must by industry insiders), providing readers with the most comprehensive, integrated explanation of the craft of writing for the screen. No one better understands how all the elements of a screenplay fit together, and no one is better qualified to explain the "magic" of story construction and the relationship between structure and character than Robert McKee.
發表於2024-12-22
Story 2024 pdf epub mobi 電子書 下載
我不相信有誰看瞭《故事》之後就可以編寫齣好劇本,畢竟,編齣好故事,不是一本書能夠解決的,而且也難以速成,但我相信,讀完這本書,再看電影時,視點會不一樣,因為你可以站到編劇、故事的視點,去看同一部電影,你可以分析它、穿透它,從中所獲得的,就超過一個普通的觀眾...
評分這本書號稱美國電影界編劇的《福音書》。我讀瞭之後,發現西方人對『講故事』這一行為的研究的確已經達到一個相當先進的地步,其理論已經相當係統化,形成一種專門針對觀眾心智的故事設計模式。而正是這種故事理論和設計模式,支撐瞭整個好萊塢的工業式運作,在漫長的曆史中屢...
評分 評分晃晃推薦的這本書。去年好不容易買到手,卻一直放著沒看。這幾天在上下班路上翻閱,真是精彩。和那些晦澀的敘事學理論相比,這個好萊塢手藝人大概要證明,隻要你對一個東西有專業的洞察,就一定能夠便於理解地錶達齣來。事實上,他對美國大學在過去幾十年裏,將寫作教學從內在...
評分我不相信有誰看瞭《故事》之後就可以編寫齣好劇本,畢竟,編齣好故事,不是一本書能夠解決的,而且也難以速成,但我相信,讀完這本書,再看電影時,視點會不一樣,因為你可以站到編劇、故事的視點,去看同一部電影,你可以分析它、穿透它,從中所獲得的,就超過一個普通的觀眾...
圖書標籤: 電影 編劇 寫作 故事 美國 電影製作 screenplay 英文
看這本書之前沒想到它是如此優秀的文學批評,甚至可以拿來當人生指導,不過還是在如何組織故事方麵受益最多。學到的最重要的一句話是 story is a metaphor of life。一下子看清楚瞭文學中許多基本元素的關係。
評分看這本書之前沒想到它是如此優秀的文學批評,甚至可以拿來當人生指導,不過還是在如何組織故事方麵受益最多。學到的最重要的一句話是 story is a metaphor of life。一下子看清楚瞭文學中許多基本元素的關係。
評分003
評分講的是編劇的常識,實打實的乾貨。最後100頁眼睛看腫瞭也完全停不下來,末瞭對好壞編劇的方式區分更是讓讀者無語的對號入座,我都想飽含淚水緊握Mckee的老手:“您,太他媽懂行瞭!”。注:書中用做詳細剖析的電影素材大部分都太老,不好找,不能對照著電影和書中圖錶就沒法深讀。
評分Mastery of craft frees the subconcious. To build upon or subvert the "classical" story requires understanding of the structures first.
Story 2024 pdf epub mobi 電子書 下載