Robert McKee began his show business career at age nine playing the title role in a community theatre production of MARTIN THE SHOEMAKER. He continued acting as a teenager in theatre productions in his hometown of Detroit, Michigan. Upon receiving the Evans Scholarship, he attended the University of Michigan and earned a Bachelor's Degree in English Literature. While an undergraduate, he acted in and directed over thirty productions. McKee's creative writing professor was the noted Kenneth Rowe whose former students include Arthur Miller and Lawrence Kasdan.
After completing his B.A., McKee toured with the APA (Association of Producing Artists) Repertory Company, appearing on Broadway with such luminaries as Helen Hayes, Rosemary Harris and Will Geer. He then received the Professional Theatre Fellowship and returned to Ann Arbor, Michigan to earn his Master's Degree in Theatre Arts.
Upon graduating, McKee directed the Toledo Repertory Company, acted with the American Drama Festival, and became Artistic Director of the Aaron Deroy Theatre. From there he traveled to London to accept the position of Artist-In-Residence at the National Theatre where he studied Shakespearean production at the Old Vic. He then returned to New York and spent the next seven years as an actor/director in various Off-Broadway, repertory and stock companies.
After deciding to move his career to film, McKee attended Cinema School at the University of Michigan. While there, he directed two short films - A DAY OFF, which he also wrote, and TALK TO ME LIKE THE RAIN, adapted from a one-act play by Tennessee Williams. These two films won the Cine Eagle Award, awards at the Brussels and Grenoble Film Festivals, and various prizes at the Delta, Rochester, Chicago and Baltimore Film Festivals.
In 1979, McKee moved to Los Angeles, California where he began to write screenplays and work as a story analyst for United Artists and NBC. He sold his first screenplay, DEAD FILES, to AVCO/Embassy Films, after which he joined the WGA (Writers Guild of America). His next screenplay, HARD KNOCKS, won the National Screenwriting Contest, and since then McKee has had over eight feature film screenplays purchased or optioned, including the feature film script TROPHY for Warner Bros. In addition to his screenplays, McKee has had a number of scripts produced for such critically acclaimed dramatic television series as QUINCY, M.D. (starring Jack Klugman), COLUMBO (starring Peter Falk), SPENSER: FOR HIRE and KOJAK (starring Telly Savalas).
In 1983, McKee, a Fulbright Scholar, joined the faculty of the School of Cinema and Television at the University of Southern California (USC), where he began offering his now famous STORY SEMINAR class. A year later, McKee opened the course to the public and he now teaches the 3-day, 30-hour STORY SEMINAR to sold-out audiences around the world. From Los Angeles (where his course is only taught two times a year) to New York (two times a year) to Paris, Sydney, Toronto, Boston, San Francisco, Helsinki, Oslo, Munich, Singapore, Barcelona and 12 other film capitals around the world, more than 50,000 students have taken the course over the last 15+ years.
Through it all, McKee continues to be a project consultant to major film and television production companies, as well major software firms (Microsoft, etc.), news departments (ABC, etc.) and more. In addition, several companies such as ABC, Disney, Miramax, PBS, Nickelodeon and Paramount regularly send their entire creative and writing staffs to his lectures.
In 2000, McKee won the prestigious 1999 International Moving Image Book Award for his best-selling book STORY (Regan Books/HarperCollins). The book, currently in its 32nd printing in the U.S. and its 19th printing in the U.K., has become required reading for film and cinema schools at such top Universities as Harvard, Yale, UCLA, and USC, and was on the LOS ANGELES TIMES best-seller list for 20 weeks.
Robert McKee's screenwriting workshops have earned him an international reputation for inspiring novices, refining works in progress and putting major screenwriting careers back on track. Quincy Jones, Diane Keaton, Gloria Steinem, Julia Roberts, John Cleese and David Bowie are just a few of his celebrity alumni.Writers, producers, development executives and agents all flock to his lecture series, praising it as a mesmerizing and intense learning experience. In Story , McKee expands on the concepts he teaches in his $450 seminars (considered a must by industry insiders), providing readers with the most comprehensive, integrated explanation of the craft of writing for the screen. No one better understands how all the elements of a screenplay fit together, and no one is better qualified to explain the "magic" of story construction and the relationship between structure and character than Robert McKee.
發表於2025-02-02
Story 2025 pdf epub mobi 電子書 下載
第一次想讀《故事》這本書,是因為一本電影雜誌上的文章,那是一篇對羅伯特.麥基的專訪,其中自然提到瞭他這本代錶性的著作,眾所周知,麥基在美國舉辦瞭一個專門教人如何“講故事”的講習班,手下的學生中也不乏一些如雷貫耳的名字,《阿甘正傳》、《空軍一號》、《迴到未來》...
評分在讀過十數本關於虛構文學的創意寫作參考書籍之後,我終於可以宣布,未來的讀者們隻要買上其中的兩本就足夠瞭。甚至,對於時間緊迫的人,隻要一本就足夠瞭。對,僅一本足矣。 當然這些書還不是完全相同,其中異類如斯蒂芬金的《寫作這迴事》,完全是他一個人沾沾自喜的絮叨,...
評分什麼是故事?作者說故事就是變化。 用什麼來劃分場景?作者說場景以價值的轉變為休止符。 什麼是大情節?那是人持之以恒地對抗外部世界。 …… 這是著名電影人撰寫的劇作教材,圍繞著“故事”這一劇本的核心,把故事層層剝開,用他獨創的結構體係完全重塑...
評分1,講述怎麼有效 2,講述的事永恒,普遍的形式,但不是公式 3,講述的是原型,而不是陳規俗套 4,講述的是全麵徹底,始終如一,而不是捷徑 5,講述的是現實 6,精通這門藝術,而不是去揣摩市場 故事要領 :偉大的故事總是具有現實意義,能在長時間裏不斷獲得新解釋,因為其中...
評分圖書標籤: 電影 編劇 寫作 故事 美國 電影製作 screenplay 英文
Mastery of craft frees the subconcious. To build upon or subvert the "classical" story requires understanding of the structures first.
評分Mastery of craft frees the subconcious. To build upon or subvert the "classical" story requires understanding of the structures first.
評分經典之作
評分字字珠璣,精彩絕倫
評分Mastery of craft frees the subconcious. To build upon or subvert the "classical" story requires understanding of the structures first.
Story 2025 pdf epub mobi 電子書 下載