On a hazy November afternoon in Rangoon, 1862, a shrouded corpse was escorted by a small group of British soldiers to an anonymous grave in a prison enclosure. As the British Commissioner in charge insisted, “No vestige will remain to distinguish where the last of the Great Moghuls rests.”
Bahadur Shah Zafar II, the last Mughal Emperor, was a mystic, an accomplished poet and a skilled calligrapher. But while his Mughal ancestors had controlled most of India, the aged Zafar was king in name only. Deprived of real political power by the East India Company, he nevertheless succeeded in creating a court of great brilliance, and presided over one of the great cultural renaissances of Indian history.
Then, in 1857, Zafar gave his blessing to a rebellion among the Company’s own Indian troops, thereby transforming an army mutiny into the largest uprising any empire had to face in the entire course of the nineteenth century. The Siege of Delhi was the Raj’s Stalingrad: one of themost horrific events in the history of Empire, in which thousands on both sides died. And when the British took the city—securing their hold on the subcontinent for the next ninety years—tens of thousands more Indians were executed, including allbut twoof Zafar’s sixteen sons. By the end of the four-month siege, Delhi was reduced to a battered, empty ruin, and Zafar was sentenced to exile in Burma. There he died, the last Mughal ruler in a line that stretched back to the sixteenth century.
Award-winning historian and travel writer William Dalrymple shapes his powerful retelling of this fateful course of events from groundbreaking material: previously unexamined Urdu and Persian manuscripts that include Indian eyewitness accounts and records of the Delhi courts, police and administration during the siege. The Last Mughal is a revelatory work—the first to present the Indian perspective on the fall of Delhi—and has as its heart both the dazzling capital personified by Zafar and the stories of the individuals tragically caught up in one of the bloodiest upheavals in history.
發表於2024-11-24
The Last Mughal 2024 pdf epub mobi 電子書 下載
讀《末代莫臥兒》一書,覺得中印兩國間,相似之處還是很多的。 Bahadur Shah在詩歌、玄學和繪畫的造詣,有同後主轉世(一旦歸為臣虜,沉腰潘鬢消磨之句,可謂為兩位量身定做)。其曆史境遇則猶如周赧王(也都有著天下共主的虛位),包括債颱高築的典故。而在德裏兵變中,上層...
評分讀《末代莫臥兒》一書,覺得中印兩國間,相似之處還是很多的。 Bahadur Shah在詩歌、玄學和繪畫的造詣,有同後主轉世(一旦歸為臣虜,沉腰潘鬢消磨之句,可謂為兩位量身定做)。其曆史境遇則猶如周赧王(也都有著天下共主的虛位),包括債颱高築的典故。而在德裏兵變中,上層...
評分讀《末代莫臥兒》一書,覺得中印兩國間,相似之處還是很多的。 Bahadur Shah在詩歌、玄學和繪畫的造詣,有同後主轉世(一旦歸為臣虜,沉腰潘鬢消磨之句,可謂為兩位量身定做)。其曆史境遇則猶如周赧王(也都有著天下共主的虛位),包括債颱高築的典故。而在德裏兵變中,上層...
評分讀《末代莫臥兒》一書,覺得中印兩國間,相似之處還是很多的。 Bahadur Shah在詩歌、玄學和繪畫的造詣,有同後主轉世(一旦歸為臣虜,沉腰潘鬢消磨之句,可謂為兩位量身定做)。其曆史境遇則猶如周赧王(也都有著天下共主的虛位),包括債颱高築的典故。而在德裏兵變中,上層...
評分讀《末代莫臥兒》一書,覺得中印兩國間,相似之處還是很多的。 Bahadur Shah在詩歌、玄學和繪畫的造詣,有同後主轉世(一旦歸為臣虜,沉腰潘鬢消磨之句,可謂為兩位量身定做)。其曆史境遇則猶如周赧王(也都有著天下共主的虛位),包括債颱高築的典故。而在德裏兵變中,上層...
圖書標籤: 印度 印度史 英國史 曆史 考古 後殖民 English
Zafar讓我想起徽宗。而且比徽宗還慘。夾在帝國/殖民主義和宗教極端之間,所有的詩意浪漫和多元都是無法被包容的,更何況他的王朝本來就是個空殼。很感興趣印度曆史書會怎麼寫這一段。書還是不錯,但越往後史料越多我腦子的內存實在不夠...
評分Zafar讓我想起徽宗。而且比徽宗還慘。夾在帝國/殖民主義和宗教極端之間,所有的詩意浪漫和多元都是無法被包容的,更何況他的王朝本來就是個空殼。很感興趣印度曆史書會怎麼寫這一段。書還是不錯,但越往後史料越多我腦子的內存實在不夠...
評分Zafar讓我想起徽宗。而且比徽宗還慘。夾在帝國/殖民主義和宗教極端之間,所有的詩意浪漫和多元都是無法被包容的,更何況他的王朝本來就是個空殼。很感興趣印度曆史書會怎麼寫這一段。書還是不錯,但越往後史料越多我腦子的內存實在不夠...
評分Zafar讓我想起徽宗。而且比徽宗還慘。夾在帝國/殖民主義和宗教極端之間,所有的詩意浪漫和多元都是無法被包容的,更何況他的王朝本來就是個空殼。很感興趣印度曆史書會怎麼寫這一段。書還是不錯,但越往後史料越多我腦子的內存實在不夠...
評分Zafar讓我想起徽宗。而且比徽宗還慘。夾在帝國/殖民主義和宗教極端之間,所有的詩意浪漫和多元都是無法被包容的,更何況他的王朝本來就是個空殼。很感興趣印度曆史書會怎麼寫這一段。書還是不錯,但越往後史料越多我腦子的內存實在不夠...
The Last Mughal 2024 pdf epub mobi 電子書 下載