Forbidden Music

Michael Haas is director of research at the Jewish Music Institute’s Centre for Suppressed Music, based at Royal Holloway, University of London. He lives in London.

出版者:Yale University Press

作者:Michael Haas

页数:376

出版时间:2013-6-18

价格:USD 38.00

装帧:Hardcover

isbn号码:9780300154306

图书标签:音乐社会学古典音乐

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Winner in the 2014 Association for Recorded Sound Collections Awards for Excellence for the best historical Research in Classical Music category.

With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation.

Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment.

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讲纳粹如何在文化领域“自我隔绝”。 读起来像辛酸满满的欧洲近代史

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讲纳粹如何在文化领域“自我隔绝”。 读起来像辛酸满满的欧洲近代史