发表于2025-03-26
Sentimental Fabulations, Contemporary Chinese Films 2025 pdf epub mobi 电子书
尋根、懷古、日常、遷徙、同性戀、宗族、亂倫、、、從電影的語言,華人社會的情感結構如何呈現? 旅美作家、教授周蕾分析當代九位華人大導:陳凱歌、王家衛、張藝謀、許鞍華、陳可辛、王穎、李安、李楊、蔡明亮的作品,說明中國當代電影描寫人類細膩情感的手法。
评分尋根、懷古、日常、遷徙、同性戀、宗族、亂倫、、、從電影的語言,華人社會的情感結構如何呈現? 旅美作家、教授周蕾分析當代九位華人大導:陳凱歌、王家衛、張藝謀、許鞍華、陳可辛、王穎、李安、李楊、蔡明亮的作品,說明中國當代電影描寫人類細膩情感的手法。
评分尋根、懷古、日常、遷徙、同性戀、宗族、亂倫、、、從電影的語言,華人社會的情感結構如何呈現? 旅美作家、教授周蕾分析當代九位華人大導:陳凱歌、王家衛、張藝謀、許鞍華、陳可辛、王穎、李安、李楊、蔡明亮的作品,說明中國當代電影描寫人類細膩情感的手法。
评分尋根、懷古、日常、遷徙、同性戀、宗族、亂倫、、、從電影的語言,華人社會的情感結構如何呈現? 旅美作家、教授周蕾分析當代九位華人大導:陳凱歌、王家衛、張藝謀、許鞍華、陳可辛、王穎、李安、李楊、蔡明亮的作品,說明中國當代電影描寫人類細膩情感的手法。
评分尋根、懷古、日常、遷徙、同性戀、宗族、亂倫、、、從電影的語言,華人社會的情感結構如何呈現? 旅美作家、教授周蕾分析當代九位華人大導:陳凱歌、王家衛、張藝謀、許鞍華、陳可辛、王穎、李安、李楊、蔡明亮的作品,說明中國當代電影描寫人類細膩情感的手法。
图书标签: 电影 周蕾 海外中国研究 文化研究 中国电影 电影研究 cultural-studies Film
What is the sentimental? How can we understand it by way of the visual and narrative modes of signification specific to cinema and through the manners of social interaction and collective imagining specific to a particular culture in transition? What can the sentimental tell us about the precarious foundations of human coexistence in this age of globalization? Rey Chow explores these questions through nine contemporary Chinese directors (Chen Kaige, Wong Kar-wai, Zhang Yimou, Ann Hui, Peter Chan, Wayne Wang, Ang Lee, Li Yang, and Tsai Ming-liang) whose accomplishments have become historic events in world cinema. Approaching their works from multiple perspectives, including the question of origins, nostalgia, the everyday, feminine "psychic interiority," commodification, biopolitics, migration, education, homosexuality, kinship, and incest, and concluding with an account of the Chinese films' epistemic affinity with the Hollywood blockbuster Brokeback Mountain, Chow proposes that the sentimental is a discursive constellation traversing affect, time, identity, and social mores, a constellation whose contours tends to morph under different historical circumstances and in different genres and media. In contemporary Chinese films, she argues, the sentimental consistently takes the form not of revolution but of compromise, not of radical departure but of moderation, endurance, and accommodation. By naming these films sentimental fabulations--screen artifacts of cultural becoming with irreducible aesthetic, conceptual, and speculative logics of their own--Chow presents Chinese cinema first and foremost as an invitation to the pleasures and challenges of critical thinking.
many insights, but not consistent as a monograph. Sentimentalism is not the grand narrative
评分读过春光乍泄的一章,援引拉康的他者理论和弗洛伊德的压抑说,依然存在理论超越文本的问题,理论功夫了得,文本分析却不是我想看到的社会学分析。
评分读过春光乍泄的一章,援引拉康的他者理论和弗洛伊德的压抑说,依然存在理论超越文本的问题,理论功夫了得,文本分析却不是我想看到的社会学分析。
评分感觉大湿&friends都喜欢抓着一个概念就开始跳大神 没有细致描述 概念分类和解释也不清楚 然后一到heidegger与那些炫耀自己读过ontotheology的学者也没拉出太多距离 (原子弹那篇heidegger那部分真的很多余, 具体论点也都很obvious)
评分明显比《妇女与中国现代性》更容易理解,因为先读过张英进对周蕾的批评,所以读过以后比预期高一些。
Sentimental Fabulations, Contemporary Chinese Films 2025 pdf epub mobi 电子书