发表于2024-11-21
Sentimental Fabulations, Contemporary Chinese Films 2024 pdf epub mobi 电子书
尋根、懷古、日常、遷徙、同性戀、宗族、亂倫、、、從電影的語言,華人社會的情感結構如何呈現? 旅美作家、教授周蕾分析當代九位華人大導:陳凱歌、王家衛、張藝謀、許鞍華、陳可辛、王穎、李安、李楊、蔡明亮的作品,說明中國當代電影描寫人類細膩情感的手法。
评分尋根、懷古、日常、遷徙、同性戀、宗族、亂倫、、、從電影的語言,華人社會的情感結構如何呈現? 旅美作家、教授周蕾分析當代九位華人大導:陳凱歌、王家衛、張藝謀、許鞍華、陳可辛、王穎、李安、李楊、蔡明亮的作品,說明中國當代電影描寫人類細膩情感的手法。
评分尋根、懷古、日常、遷徙、同性戀、宗族、亂倫、、、從電影的語言,華人社會的情感結構如何呈現? 旅美作家、教授周蕾分析當代九位華人大導:陳凱歌、王家衛、張藝謀、許鞍華、陳可辛、王穎、李安、李楊、蔡明亮的作品,說明中國當代電影描寫人類細膩情感的手法。
评分尋根、懷古、日常、遷徙、同性戀、宗族、亂倫、、、從電影的語言,華人社會的情感結構如何呈現? 旅美作家、教授周蕾分析當代九位華人大導:陳凱歌、王家衛、張藝謀、許鞍華、陳可辛、王穎、李安、李楊、蔡明亮的作品,說明中國當代電影描寫人類細膩情感的手法。
评分尋根、懷古、日常、遷徙、同性戀、宗族、亂倫、、、從電影的語言,華人社會的情感結構如何呈現? 旅美作家、教授周蕾分析當代九位華人大導:陳凱歌、王家衛、張藝謀、許鞍華、陳可辛、王穎、李安、李楊、蔡明亮的作品,說明中國當代電影描寫人類細膩情感的手法。
图书标签: 电影 周蕾 海外中国研究 文化研究 中国电影 电影研究 cultural-studies Film
What is the sentimental? How can we understand it by way of the visual and narrative modes of signification specific to cinema and through the manners of social interaction and collective imagining specific to a particular culture in transition? What can the sentimental tell us about the precarious foundations of human coexistence in this age of globalization? Rey Chow explores these questions through nine contemporary Chinese directors (Chen Kaige, Wong Kar-wai, Zhang Yimou, Ann Hui, Peter Chan, Wayne Wang, Ang Lee, Li Yang, and Tsai Ming-liang) whose accomplishments have become historic events in world cinema. Approaching their works from multiple perspectives, including the question of origins, nostalgia, the everyday, feminine "psychic interiority," commodification, biopolitics, migration, education, homosexuality, kinship, and incest, and concluding with an account of the Chinese films' epistemic affinity with the Hollywood blockbuster Brokeback Mountain, Chow proposes that the sentimental is a discursive constellation traversing affect, time, identity, and social mores, a constellation whose contours tends to morph under different historical circumstances and in different genres and media. In contemporary Chinese films, she argues, the sentimental consistently takes the form not of revolution but of compromise, not of radical departure but of moderation, endurance, and accommodation. By naming these films sentimental fabulations--screen artifacts of cultural becoming with irreducible aesthetic, conceptual, and speculative logics of their own--Chow presents Chinese cinema first and foremost as an invitation to the pleasures and challenges of critical thinking.
回家の诱惑。很喜欢玩片名互换的游戏(我的父亲母亲和花样年华,甜蜜蜜和喜宴等),但只能冷笑,因为真的好无聊哦 !在喜宴的解读中,周结合福柯“生命政治”概念,发展了patriarchal flexibility,认为Wei Wei的存在只是为了替高家绵延子嗣,而同性恋与否在Chinese tradition中着实不算问题——Simon其实就是传统家庭不会生养的儿媳,而不是儿子的同性爱人。这一解读比高父为同性恋更加能够说服我,说出了全球化过程里,中国传统和全球资本主义的共谋——进一步物化女性,将女性的子宫变成可以交易的商品。The world is still governed by patriarchal anxiety about reproductive prospects.
评分有点生硬
评分many insights, but not consistent as a monograph. Sentimentalism is not the grand narrative
评分继承穆尔维等人的理论、精神分析和海德格尔,电影课必读书目。
评分周蕾我的女神。。
Sentimental Fabulations, Contemporary Chinese Films 2024 pdf epub mobi 电子书