Wen C. Fong is professor emeritus of Chinese art history at Princeton University, where he taught from 1954 to 1999, established the country's first PhD program in Chinese and Japanese art and archaeology, and served for many years as faculty curator of Asian art at the Princeton University Art Museum. He also served as consultative chairman of the Department of Asian Art at the Metropolitan Museum of Art for three decades before retiring in 2000. His many books include "Images of the Mind", "Beyond Representation", and "Possessing the Past".
发表于2024-12-31
Beyond Representation 2024 pdf epub mobi 电子书
本来可以出版成五十块钱一本的好书,为何要做成680来“要挟”众多学子呢?有些人、有些出版社到底是在想些什么?! 出版社的这种行为,真是无良之举!有悖学术的初衷。 有人说是版权费贵。但即使版权费很贵也不会如此,况且很多学术著作的版权费都是属于赠送的,或者不多的版权...
评分The book is undoubtedly an essential reading for Chinese painting studies but what a truly sb the Chinese publisher is! Thank you for making Chinese painting ''an elite production'' by setting this ridiculous price! I'm sure it will be a joke soon in the we...
评分本来可以出版成五十块钱一本的好书,为何要做成680来“要挟”众多学子呢?有些人、有些出版社到底是在想些什么?! 出版社的这种行为,真是无良之举!有悖学术的初衷。 有人说是版权费贵。但即使版权费很贵也不会如此,况且很多学术著作的版权费都是属于赠送的,或者不多的版权...
评分The book is undoubtedly an essential reading for Chinese painting studies but what a truly sb the Chinese publisher is! Thank you for making Chinese painting ''an elite production'' by setting this ridiculous price! I'm sure it will be a joke soon in the we...
评分本来可以出版成五十块钱一本的好书,为何要做成680来“要挟”众多学子呢?有些人、有些出版社到底是在想些什么?! 出版社的这种行为,真是无良之举!有悖学术的初衷。 有人说是版权费贵。但即使版权费很贵也不会如此,况且很多学术著作的版权费都是属于赠送的,或者不多的版权...
图书标签: 艺术史 方闻 海外中国研究 书画 英文原版 藝術史 宋 中国艺术史
This book presents a survey of Chinese painting from the eighth to the 14th century, a period during which the nature of China's pictorial art changed dramatically. Illustrated by works in the collection of The Metropolitan Museum of Art, New York, the author begins by describing the advent toward the end of the Bronze Age of figural representation in Chinese art, and next traces the development of Chinese landscape painting from the third to the tenth century. He then moves on to discuss the art of the Sung dynasty, when the imperial government was increasingly absolute and repressive. In this period artists shifted from a realistic rendition of nature to more symbolic representation of single flowers, rocks and trees. By the time of the Yuan dynasty, following the Mongol conquest of 1279, objective representation in art had been replaced by imagery that drew on the artist's inner response to his world. Because it was believed that the meaning of a painted subject, made complex by personal and symbolic associations, could no longer be expressed without language, the painter began to inscribe poems and incorporate calligraphy in his works, the multiple relationships among word, image and calligraphy forming the basis of a new art. At this stage Chinese art entered its richest and most diverse stage f development.
好讀;脈絡清晰;解釋不算太含糊;很適合拿來複習山水畫基礎知識
评分W.F's writing always reminds me of the biology professor who always talked about yin and yang in class...
评分读过中文版
评分以大都會博物館藏品為基礎,展示繪畫和書法的緊密聯繫。
评分以大都會博物館藏品為基礎,展示繪畫和書法的緊密聯繫。
Beyond Representation 2024 pdf epub mobi 电子书