Tis

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出版者:Simon & Schuster
作者:Frank McCourt
出品人:
页数:480
译者:
出版时间:2000-6
价格:81.00元
装帧:Paperback
isbn号码:9780743200981
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图书标签:
  • Frank_McCourt
  • 英文
  • 小说
  • 奇幻
  • 冒险
  • 魔法
  • 成长
  • 异世界
  • 轻小说
  • 架空世界
  • 少年
  • 战斗
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Book Description

Frank McCourt's glorious childhood memoir, Angela's Ashes, has been loved and celebrated by readers everywhere for its spirit, its wit, and its profound humanity. It won the National Book Critics Circle Award, the Los Angeles Times Book Award, and the Pulitzer Prize. And now we have 'Tis, the story of Frank's American journey from impoverished immigrant to brilliant teacher and raconteur. The same vulnerable but invincible spirit that captured the hearts of readers in Angela's Ashes comes of age. Frank McCourt's 'Tis is one of the most eagerly awaited books of our time, and it is a masterpiece.

Amazon.com

The sequel to Frank McCourt's memoir of his Irish Catholic boyhood, Angela's Ashes, picks up the story in October 1949, upon his arrival in America. Though he was born in New York, the family had returned to Ireland due to poor prospects in the United States. Now back on American soil, this awkward 19-year-old, with his "pimply face, sore eyes, and bad teeth," has little in common with the healthy, self-assured college students he sees on the subway and dreams of joining in the classroom. Initially, his American experience is as harrowing as his impoverished youth in Ireland, including two of the grimmest Christmases ever described in literature. McCourt views the U.S. through the same sharp eye and with the same dark humor that distinguished his first memoir: race prejudice, casual cruelty, and dead-end jobs weigh on his spirits as he searches for a way out. A glimpse of hope comes from the army, where he acquires some white-collar skills, and from New York University, which admits him without a high school diploma. But the journey toward his position teaching creative writing at Stuyvesant High School is neither quick nor easy. Fortunately, McCourt's openness to every variety of human emotion and longing remains exceptional; even the most damaged, difficult people he encounters are richly rendered individuals with whom the reader can't help but feel uncomfortable kinship. The magical prose, with its singing Irish cadences, brings grandeur and beauty to the most sorrowful events, including the final scene, set in a Limerick graveyard.

                                --Wendy Smith

Amazon.com Audiobook Review

'Tis a blessing that the author narrates his own work. McCourt follows up his Audie Award-winning performance in Angela's Ashes with another brilliant reading as he chronicles his return to post-World War II New York. Like all good storytellers, McCourt has good stories to tell; 'Tis pulses with grim adversity and quiet triumphs--character-shaping moments that gain the listener's empathy. What makes McCourt a great storyteller is his ability to give these moments just the right amount of humor and perspective. His lyrical tones are wise but not weary; he's survived life's challenges to tell his tale. And while it may be trite to credit McCourt's verbal skills to his Irish heritage, these war stories were undoubtedly polished amongst friends in the pubs. 'Tis is Grammy material, and a perfect example of how an author's voice can enhance the written word. (Running time: 6 hours, 4 cassettes)

                                 --Rob McDonald

From Publishers Weekly

The appeal of McCourt as a reader of his own memoirs (Angela's Ashes flourished commercially on audio, in both abridged and unabridged formats) lies in his ability to express a sustained sense of wonder at the world around him. Also, his brogue is classic, an Irish species unto itself. Here he takes up where he left off in his last book, arriving in America. He is first guided by an Irish bartender who tells him to go to the New York Public Library and read Samuel Johnson. Thus assimilated, he becomes a supply clerk for the army, stationed in postwar Germany, then a warehouse laborer living in a rooming house, before earning a college degree at NYU and settling down as a teacher at a rowdy vocational high school in Staten Island. Along the way come romance and immigrant's-eye life observations aplenty, and a growing sense of knowingness develops even as McCourt's hopes are dashed against disillusions. Simultaneous release with the Scribner hardcover. Also available unabridged and on CD. (Sept.)

From Library Journal

'Tis, the sequel to Angela's Ashes, furthers the story of McCourt, beginning with his arrival in America in 1949 at the age of 19. Continuing the tough life he had in Ireland, he also finds it difficult to make a living in New York. His first job is as a busboy at the Biltmore Hotel, where he admires and envies the young folks he serves, with their college educations and comfortable lives. After floating from one dead-end job to another, he joins the army during the Korean War, where he learns to type--a skill that helps him when he returns to civilian life. McCourt narrates his story with the same biting awareness and lyrical turn of phrase that are the hallmarks of his previous book. Despite a sluggish start and an initial tendency toward whininess, McCourt captures once again the drudgery, cruelty, and hardships poor people face; his insight into the human soul is remarkable. A masterful storyteller, McCourt has an Irish brogue that makes this an enchanting listening experience. Highly recommended for all libraries.

                               -Gloria Maxwell, Penn Valley Community Coll., Kansas City, MO

From Booklist

The second installment in McCourt's fluent and bewitchingly candid memoir will be eagerly embraced by a reading public madly in love with the first, the award-winning and best-selling Angela's Ashes (1996). Here McCourt, still simultaneously voluble and precise, chronicles his return to New York, the city of his birth. A high-school dropout with a thick brogue, terrible teeth and skin, and red and infected eyes, he is easy pickings for a priest who helps him get settled, then attempts to molest him. This distressing introduction to the perversity of life in America kicks off an almost unbelievable series of humiliations and hardships as McCourt works soul-crushingly menial jobs for pittance and is confronted both with vicious anti-Irish prejudice and tedious Irish pride--nearly everyone he meets recounts their Irish genealogy and tells him to stick to his own kind. McCourt stubbornly dreams of becoming a teacher and writer but often retreats from the demands of college and work into the comforting haze of alcohol, the bane of his family. Finally, after a stint in the army and years of being mocked for his bookish ways, he succeeds in becoming a teacher, and his riveting accounts of his crazy classroom experiences in a Staten Island vocational high school at the height of McCarthyism are not to be missed. His family is present, too, of course. His mother, Angela, remains depressed even under her sons' solicitous care. His father is impossible right up to the day he dies, and McCourt's brothers, Malachy (who has also written a memoir) and Mike, live "bright carefree" lives, while he does everything the hard way, the only way he knows how, and, frankly, the only approach to life he fully respects.

                                    Donna Seaman

From AudioFile

Leaving Limerick, "the city of gray miseries," behind, Frank McCourt picks up his family story, started in ANGELA'S ASHES , on board the boat to America in 1949. McCourt is a consummate storyteller, interweaving his wry sense of absurdity to leaven the misfortunes and unhappiness that plague the McCourt family. America, the promised land, is fraught with trials for the newly arrived immigrant. McCourt's direct writing style and engaging delivery make this a treat for listeners. Punctuated by soulful fiddle tunes, the abridgment is better developed in McCourt's early years in New York, moving quickly through the last few years before the McCourt sons actually spread Angela's ashes in the Limerick graveyard in 1985. Frank McCourt said in an interview after recording 'TIS that he never anticipated a sequel to ANGELA'S ASHES, nor does he feel that one needs to read, or listen to, the earlier book. This is modesty, perhaps, because 'TIS is an American immigrant's story without the dream that is the brilliant focus and redemption of ANGELA'S ASHES. McCourt seems fully absorbed in the parts of 'TIS that touch on earlier years and have the luminous humanity that distinguish the earlier book. ANGELA is available on audio, in both unabridged and abridged formats, and having McCourt read it to you is an ultimate treat. An interesting production note on this recording--the abridgment was edited from the full-length text. McCourt worked in the Simon & Schuster studios with producer/director Karen Frillman to record the entire work. Mindful of the transitions needed to produce the edited version, Frillman was able to suggest and adjust the segues needed to keep the abridgment smooth and fluid. R.F.W.

From Kirkus Reviews

While not as tightly structured as his Pulitzer Prizewinning Angela's Ashes (1996), the irrepressible McCourt's follow-up memoir has the same driving rhythm, charm, and infectious humor that so captivated readers of the earlier installment. The story picks up in 1949 as McCourt, aged 19, sails to America to seek his fortune. Befriended by a priest who helps him settle in New York City, he's shocked when the man makes a drunken pass at him. His life in New York becomes one of seedy boarding houses, menial labor on the docks and warehouses, and, always, heavy drinking, often with his brothers Malachy and Michael. Conditionally admitted to New York University (he had no high school diploma), he's thrilled to show off his textbooks on the subway but bored with the class work. He'd rather read Sean O'Casey, ``the first Irish writer I ever read who writes about rags, dirt, hunger, babies dying. . . . '' He falls in love with and eventually marries Alberta ``Mike'' Small, a beautiful Episcopalian from New England. It's a marriage that will ``become a sustained squabble.'' His early years as a high school teacher, first at a vocational school on Staten Island, later at the prestigious Stuyvesant High School, are humorously and revealingly retold. His first words as a teacher? ``Stop throwing sandwiches.'' McCourt occasionally interrupts his chronological narrative with lengthy, if funny, portraits of characters he's met along the way. Angela, who has moved back to New York to be near her sons, has become a difficult, sickly woman upon whose death McCourt would write: ``I thought I'd know the grief of the grown man. . . . I didn't know I'd feel like a child cheated.'' Those whose hearts went out to the little boy who suffered so in Limerick might be put off by the hard-drinking, carousing grownup. But there's no denying McCourt's engaging wit. Is it as rewarding as Angela's Ashes? `Tis. (First serial to the New Yorker; Literary Guild main selection; author tour)

Book Dimension

length: (cm)17.1                 width:(cm)10.4

好的,这是一份关于一本名为《时间的织锦》的虚构图书的详细介绍: --- 《时间的织锦》 一部关于记忆、遗忘与不朽的史诗级巨著 作者:亚历山大·文森特(Alexander Vincent) 导言:破碎的镜像与永恒的追寻 《时间的织锦》并非一本简单的历史记录,它是一场横跨世纪的哲学探险,一次对人类存在本质的深刻叩问。亚历山大·文森特以其精湛的叙事技巧和对人性的洞察力,构建了一个宏大而又细腻的世界观,探讨了我们如何通过记忆来定义自我,以及当记忆开始瓦解时,何为真实。 本书的核心围绕着一个虚构的、存在于时间夹缝中的“档案馆”——克罗诺斯之室(The Chronos Vault)。这个地方并非储存纸质文献,而是储存着人类集体记忆的“回声”。每一次重大的历史事件,每一个被遗忘的个体生命,都在那里留下了一道转瞬即逝的光影。 文森特通过两条交织的叙事线索,引领读者进入这场追寻之旅。 --- 第一部分:守夜人的困境 故事始于公元23世纪,一个科技高度发达,但情感日益疏离的未来社会。我们的主角,伊利亚·凡斯(Elias Vance),是“记忆校准局”的一名资深“守夜人”。守夜人的职责,是监测并“平滑”历史记录,确保社会对过去的认知保持稳定和“高效”。 然而,伊利亚发现了一个令人不安的现象:一些关键的历史“节点”正在以一种无法解释的方式模糊不清,仿佛有人在幕后用橡皮擦擦去了重要的篇章。他开始秘密调查,并偶然接触到一套古老的、被禁止的文献,这些文献暗示了克罗诺斯之室并非如官方所宣称的那样是一个被动的存储库,而是一个活跃的、具有自我意识的实体。 文森特在此部分细致描绘了未来社会的冰冷美学和精神真空。伊利亚的个人生活充满了疏离感,他与自己的伴侣之间,更像是两个拥有共享数据库的终端。他对记忆的“精确性”的执着,源于他童年时一次未解的创伤——他坚信,只要能重构事件的每一个微小细节,就能找到失去的慰藉。 第二部分:被遗忘的织工 与伊利亚的未来视角形成鲜明对比的,是书中穿插的、来自18世纪末欧洲的旁线故事。主角是塞拉菲娜·莫奈(Séraphine Monet),一位身处法国大革命前夕的巴黎,以修复珍贵挂毯为生的工匠。 塞拉菲娜的生活是感官的盛宴——羊毛的粗糙、染料的芬芳、织机规律的咔哒声。她不仅仅是在复制图案,而是在“编织意义”。在一次偶然的机会中,她发现自己能“听见”那些她正在修复的古老挂毯上描绘的场景的“回声”。这些回声带领她窥见了远古文明的兴衰,以及那些被主流历史刻意忽略的女性和工匠的声音。 塞拉菲娜的线索引入了本书的哲学核心:记忆不仅是被记录的,它还是被“创造”和“遗忘”的。她发现,那些强大的历史叙事,往往是以牺牲无数细微、私人化的“针脚”为代价的。她的追寻,是从微观的丝线到宏大叙事的解构。 第三部分:交汇与幻象 随着故事的推进,伊利亚深入到档案馆系统的最深处,并学会了如何暂且“脱离”时间流,进入克罗诺斯之室的非线性空间。他发现,塞拉菲娜时代的记忆碎片,正以一种异常清晰的方式在那里回响。 他意识到,历史并非一条单向河流,而是一张由无数相互连接的、有时相互矛盾的“织锦”构成的复杂网络。他遇到的“异常”并非错误,而是被系统性压制、但仍试图挣脱束缚的真实片段。 在档案馆深处,伊利亚遇到了一个神秘的“档案管理员”——一个声称自己是自人类开始记录以来所有“遗忘”的集合体的存在。这个管理员向伊利亚展示了“大遗忘”的真相:历史的稳定并非源于偶然,而是源于一次精心策划的“净化”,目的是为了防止人类被无尽的悲伤和未解决的冲突所淹没。 第四部分:重新上色 高潮部分,伊利亚面临一个终极抉择:是维护他所知道的、稳定但虚假的“现在”,还是释放那些被压抑的、可能导致社会结构崩溃的“真实回声”。 他最终决定不再做“校准者”,而是成为“重织者”。他利用自己的技术,不再试图抹平偏差,而是开始将那些被塞拉菲娜所代表的工匠们发现的、被遗忘的视角,重新“编织”进现有的历史织锦中。 这并不是一场暴力革命,而是一场微妙的、意识层面的重塑。伊利亚明白,不朽并非在于永不消亡,而是在于你所留下的影响,即便形式改变,本质依然存在。他最终选择放弃自己对“完美记忆”的执念,拥抱记忆的混乱、矛盾和美。 总结:未完成的画布 《时间的织锦》以一种开放而深刻的方式结束。伊利亚没有“拯救”世界,他只是选择不再参与对记忆的单向定义。他将档案室的控制权交还给了那些“回声”本身,让它们在新的、更具包容性的结构中自由交织。 文森特成功地将硬科幻的设定、法国大革命时期的细腻描绘,以及深刻的后现代哲学思辨融为一体。本书探讨了这样一个核心问题:如果我们的身份建立在记忆之上,那么一个被精心编辑的记忆,还能称之为“我”吗? 这是一部需要读者反复品读的作品,它迫使我们审视自己日常生活中那些被视为理所当然的历史碎片,并思考:今天我们所坚信的“事实”,明天又将以何种形式,成为下一代人遗忘的养分。它是一曲献给所有被历史低语遗漏之人的赞歌。 --- 图书特点: 叙事结构: 复杂的双线交织叙事,横跨两个截然不同的历史时期。 核心主题: 记忆的客观性与主观性,历史的构建与权力关系。 文风: 冷峻的未来主义描写与感性、复古的感官细节描述完美平衡。 哲学深度: 对海德格尔的“时间性”概念和波德里亚的“拟像”理论进行了文学层面的探索。

作者简介

弗兰克·迈考特(Frank McCourt)美国著名作家,教师,普利策文学奖获得者。主要作品有《安琪拉的灰烬》、《就是这儿》、《教书匠》等。

1930年出生于美国纽约,4岁举家迁回爱尔兰故乡,在贫民窟度过苦难的童年。13岁辍学。19岁心怀“美国梦”只身重返纽约,做过酒店勤杂工、码头工人、打字员,当过兵,后来考入大学。毕业后成为一名教师,前后教过12000多名学生,并荣获美国教育界最高荣誉“全美最佳教师”奖,被誉为“老师中的老师”。1987年退休,开始正式写作。1996年,处女作《安琪拉的灰烬》出版,一举获得普利策文学奖、全美书评奖、洛杉矶时报图书奖、美国年度好书奖等重要奖项。系列第二部《就是这儿》、第三部《教书匠》分别于1999年、2005年出版。2009年6月,病逝于纽约。

目录信息

读后感

评分

but this is the third book of his I read, and although the rhythm is still there and the little dark cloud over his head still touches me, but it's far less powerful a book than "Angela's Ashes". Interesting to read though. And I can't help but wonder, what...  

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梦想总是激动人心。更好的生活,更高的社会地位,温暖、舒适、安全、富裕,被人羡慕,获得尊重。这一系列东西,恐怕没有谁不想要。至少对于俗世的你我他来说,我们都希望梦想成真,也都在为梦想成真的那一天而努力。 《安琪拉的灰烬》系列之二《纽约,我来了!》中,小弗兰克...  

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梦想总是激动人心。更好的生活,更高的社会地位,温暖、舒适、安全、富裕,被人羡慕,获得尊重。这一系列东西,恐怕没有谁不想要。至少对于俗世的你我他来说,我们都希望梦想成真,也都在为梦想成真的那一天而努力。 《安琪拉的灰烬》系列之二《纽约,我来了!》中,小弗兰克...  

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评分

梦想总是激动人心。更好的生活,更高的社会地位,温暖、舒适、安全、富裕,被人羡慕,获得尊重。这一系列东西,恐怕没有谁不想要。至少对于俗世的你我他来说,我们都希望梦想成真,也都在为梦想成真的那一天而努力。 《安琪拉的灰烬》系列之二《纽约,我来了!》中,小弗兰克...  

用户评价

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这本《Tis》的书脊在书架上默默伫立了很久,我每次经过都会被它那略显朴素却又带着某种沉静气质的书名吸引。终于,在一个慵懒的午后,我将它从尘封的角落里请了出来。初翻开,一股淡淡的纸张混合着油墨的清香扑鼻而来,这是老书特有的味道,像是在诉说着一个久远的故事。我并非抱着某种特别的期待,只是想在文字的海洋里随波逐流,寻找片刻的宁静。书中的每一个章节都如同一个个精心打磨的珍珠,串联起一段段或细腻、或磅礴的情感。我尤其喜欢作者描绘人物内心世界的手法,那种不动声色的深刻,没有大张旗鼓的铺陈,却能轻易触动人心最柔软的角落。那些细微的观察,那些不经意的细节,都仿佛是作者在用心血浇灌,让笔下的人物鲜活欲滴,仿佛就生活在我身边,与我一同呼吸,一同感受。读到某个情节时,我甚至会不自觉地放慢呼吸,生怕惊扰了书中角色的世界。

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《Tis》这本书,就像是一次漫长而奇妙的旅程。我并非抱着明确的目的踏上这段旅程,只是被一种莫名的吸引力驱使着,想要去探索未知的风景。在这本书的世界里,没有惊心动魄的冒险,没有宏大壮阔的史诗,只有对生活细致入微的观察,对人物内心深处的挖掘。作者的文字像是一把锋利的解剖刀,却又带着温柔的触感,精准地剖析着人性的光辉与阴暗。我尤其欣赏作者对于细节的处理,那些微不足道的日常片段,在他笔下却能焕发出别样的生命力,折射出深刻的哲学意味。读这本书,就像是在品味一杯香醇的咖啡,需要慢慢地啜饮,才能体会到那浓郁的醇厚和悠长的回甘。它不会让你瞬间激动,但却会在你的心底留下深深的烙印。

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《Tis》这本书,给我的感觉就像是在一个阴郁的天气里,突然走进了某个古老而温暖的宅邸。光线透过布满灰尘的玻璃窗,在空气中投下斑驳的光影,一切都显得那么的沉寂,又那么的充满故事感。我并非是那种追求快节奏、情节跌宕起伏的读者,我更偏爱那些需要静下心来品味的文字。而《Tis》恰恰满足了我这一点。它不像市面上很多畅销书那样,用华丽的辞藻或者惊悚的悬念来吸引眼球。相反,它的语言朴实无华,却处处透着一股不动声色的力量,就像陈年的老酒,越品越有滋味。作者在对环境的描写上,也极其用心,那些静谧的乡村风光,那些充满历史痕迹的建筑,都勾勒出了一个立体而鲜活的世界,让我仿佛置身其中,感受到微风拂过脸颊,听到远处传来的鸟鸣。

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初次接触《Tis》,它给我的第一印象是那种不张扬的、内敛的气质。它不像那些一眼就能抓住眼球的书籍,而是需要你主动去靠近,去了解。而一旦你打开了它的门扉,便会发现其中蕴含着一个别样的世界。作者的笔触细腻且富有张力,他善于用平实的语言勾勒出复杂的情感,用琐碎的生活片段串联起深刻的哲理。我非常享受在阅读过程中那种“顿悟”的时刻,当那些看似不经意的描述,突然间意义豁然开朗,你会惊叹于作者的巧思。书中的人物塑造也尤为成功,他们并非完美无瑕的英雄,而是充满了人性的弱点和矛盾,这使得他们更加真实可信,也更容易引起读者的共鸣。我常常在合上书本后,还会久久地回味书中的某些场景和对话,仿佛它们已经渗透进了我的生活。

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说实话,我是在朋友的强烈推荐下才拿起《Tis》的。起初,我以为这会是一本读起来有些费力的书,毕竟“Tis”这个名字本身就带着一种古老和疏离感。然而,当我真正沉浸其中时,才发现我的担忧是多余的。作者的叙事方式非常独特,他没有采用传统意义上的线性叙事,而是像一个经验丰富的说书人,将不同的时间线、不同的视角巧妙地编织在一起。这需要读者具备一定的耐心和专注力,但一旦你跟上了作者的节奏,就会发现其中蕴含的精妙之处。那些看似零散的线索,最终会汇聚成一幅宏大的画卷,展现出人性的复杂和命运的无常。尤其是在描绘人物情感的细微之处,作者更是将功力发挥到了极致,那些欲说还休的留白,那些欲盖弥彰的暗示,都比直白的倾诉更能触动人心。

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看完了Angela's Ashes,就想读这本,总想晓得他到纽约后的故事,看这本就都明了了

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Angela’s Ashes的续篇 又丧又温情的典范 在海边躺椅上看完的一本 依然有很多令人感动的瞬间

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看完了Angela's Ashes,就想读这本,总想晓得他到纽约后的故事,看这本就都明了了

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Angela’s Ashes的续篇 又丧又温情的典范 在海边躺椅上看完的一本 依然有很多令人感动的瞬间

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看完了Angela's Ashes,就想读这本,总想晓得他到纽约后的故事,看这本就都明了了

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