“If my story were ever to be written down truthfully from start to finish, it would amaze everyone,” wrote Henri Matisse. It is hard to believe today that Matisse, whose exhibitions draw huge crowds worldwide, was once almost universally reviled and ridiculed. His response was neither to protest nor to retreat; he simply pushed on from one innovation to the next, and left the world to draw its own conclusions. Unfortunately, these were generally false and often damaging. Throughout his life and afterward people fantasized about his models and circulated baseless fabrications about his private life.
Fifty years after his death, Matisse the Master (the second half of the biography that began with the acclaimed The Unknown Matisse ) shows us the painter as he saw himself. With unprecedented and unrestricted access to his voluminous family correspondence, and other new material in private archives, Hilary Spurling documents a lifetime of desperation and self-doubt exacerbated by Matisse’s attempts to counteract the violence and disruption of the twentieth century in paintings that now seem effortlessly serene, radiant, and stable.
Here for the first time is the truth about Matisse’s models, especially two Russians: his pupil Olga Meerson and the extraordinary Lydia Delectorskaya, who became his studio manager, secretary, and companion in the last two decades of his life.
But every woman who played an important part in Matisse’s life was remarkable in her own right, not least his beloved daughter Marguerite, whose honesty and courage surmounted all ordeals, including interrogation and torture by the Gestapo in the Second World War.
If you have ever wondered how anyone with such a tame public image as Matisse could have painted such rich, powerful, mysteriously moving pictures, let alone produced the radical cut-paper and stained-glass inventions of his last years, here is the answer. They were made by the real Matisse, whose true story has been written down at last from start to finish by his first biographer, Hilary Spurling.
From the Hardcover edition.
發表於2025-01-06
Matisse the Master 2025 pdf epub mobi 電子書 下載
曾經有人說,所有的畫傢都喜歡盯著陽光,因為對於他們來說,陽光就是上帝。但是馬蒂斯,似乎壟斷瞭這一特權。正如畢加索所說:“馬蒂斯腹中自有陽光。” 在普法戰爭爆發前夜,亨利•馬蒂斯(Henri Matisse)齣生於法國東北部的小鎮波安。這個地方以紡織製造業為主,根本不...
評分曾經有人說,所有的畫傢都喜歡盯著陽光,因為對於他們來說,陽光就是上帝。但是馬蒂斯,似乎壟斷瞭這一特權。正如畢加索所說:“馬蒂斯腹中自有陽光。” 在普法戰爭爆發前夜,亨利•馬蒂斯(Henri Matisse)齣生於法國東北部的小鎮波安。這個地方以紡織製造業為主,根本不...
評分曾經有人說,所有的畫傢都喜歡盯著陽光,因為對於他們來說,陽光就是上帝。但是馬蒂斯,似乎壟斷瞭這一特權。正如畢加索所說:“馬蒂斯腹中自有陽光。” 在普法戰爭爆發前夜,亨利•馬蒂斯(Henri Matisse)齣生於法國東北部的小鎮波安。這個地方以紡織製造業為主,根本不...
評分曾經有人說,所有的畫傢都喜歡盯著陽光,因為對於他們來說,陽光就是上帝。但是馬蒂斯,似乎壟斷瞭這一特權。正如畢加索所說:“馬蒂斯腹中自有陽光。” 在普法戰爭爆發前夜,亨利•馬蒂斯(Henri Matisse)齣生於法國東北部的小鎮波安。這個地方以紡織製造業為主,根本不...
評分曾經有人說,所有的畫傢都喜歡盯著陽光,因為對於他們來說,陽光就是上帝。但是馬蒂斯,似乎壟斷瞭這一特權。正如畢加索所說:“馬蒂斯腹中自有陽光。” 在普法戰爭爆發前夜,亨利•馬蒂斯(Henri Matisse)齣生於法國東北部的小鎮波安。這個地方以紡織製造業為主,根本不...
圖書標籤: 馬蒂斯 傳記
Matisse the Master 2025 pdf epub mobi 電子書 下載