安雅蘭( JULIA F. ANDREWS ), 美國加州大學博士,其導師為高居翰。現任美國俄亥俄州大學藝術史係教授,中國繪畫及現代中國藝術研究專傢。她的第一部專著《中華人民共和國的畫傢與政治》(1994),被亞洲研究協會評選為當年度現代中國研究的最佳專著,她因此獲約瑟夫·列文森奬。
Julia Andrews's extraordinary study of art, artists, and artistic policy during the first three decades of the People's Republic of China makes a major contribution to our understanding of modern China. From 1949 to 1979 the Chinese government controlled the lives and work of the country's artists—these were also years of extreme isolation from international artistic dialogue. During this period the Chinese Communist Party succeeded in eradicating most of the artistic styles and techniques it found politically repugnant. By 1979, traditional landscape painting had been replaced by a new style and subject that was strikingly different from both contemporary Western art and that of other Chinese areas such as Taiwan, Hong Kong, and Singapore.
Through vivid firsthand accounts, Andrews recreates the careers of many individual artists who were forced to submit to a vacillating policy regarding style, technique, medium, and genre. She discusses the cultural controls that the government used, the ways in which artists responded, and the works of art that emerged as a result. She particularly emphasizes the influence of the Soviet Union on Chinese art and the problems it created for the practice of traditional painting.
This book opens the way to new, stimulating comparisons of Western and Eastern cultures and will be welcomed by art historians, political scientists, and scholars of Asia.
發表於2024-12-22
Painters and Politics in the People's Republic of China, 1949-1979 2024 pdf epub mobi 電子書 下載
編者按:對於建國至改革開放這一段的美術,當代人大多持以不屑的態度,覺得這些作品無非是革命化的標簽,因此在研究上也就沒有引起足夠的重視。然而如果我們超越齣審美品評的眼光,對於這段曆史能有一個更嚴肅、更深入的迴望,那麼這無疑將會加深我們對於當代藝術文化轉型的認...
評分國立藝術院 National Academy of Art (Guoli Yishu Yuan) 國立杭州藝專 National Hangzhou Academy of Art (Guoli Hangzhou Yizhuan) 國立北平藝專 National Peking Academy of Art (Guoli Beiping Yizhuan) 中央美術學院 Central Academy of Fine Arts 中國美術學院 China Aca...
評分編者按:對於建國至改革開放這一段的美術,當代人大多持以不屑的態度,覺得這些作品無非是革命化的標簽,因此在研究上也就沒有引起足夠的重視。然而如果我們超越齣審美品評的眼光,對於這段曆史能有一個更嚴肅、更深入的迴望,那麼這無疑將會加深我們對於當代藝術文化轉型的認...
評分國立藝術院 National Academy of Art (Guoli Yishu Yuan) 國立杭州藝專 National Hangzhou Academy of Art (Guoli Hangzhou Yizhuan) 國立北平藝專 National Peking Academy of Art (Guoli Beiping Yizhuan) 中央美術學院 Central Academy of Fine Arts 中國美術學院 China Aca...
評分國立藝術院 National Academy of Art (Guoli Yishu Yuan) 國立杭州藝專 National Hangzhou Academy of Art (Guoli Hangzhou Yizhuan) 國立北平藝專 National Peking Academy of Art (Guoli Beiping Yizhuan) 中央美術學院 Central Academy of Fine Arts 中國美術學院 China Aca...
圖書標籤: 藝術史 海外中國研究 美術史 文化史 列文森中國研究書籍奬 安雅蘭 中國 中國政治
Very comprehensive and thoughtful
評分Re-read!!!
評分Chapters.1, 5, 6
評分可以和Kraus(高樂)《Brushes with Power: Modern Politics and the Chinese Art of Calligraphy》比照閱讀
評分華國鋒那段兒實在是有趣。。。
Painters and Politics in the People's Republic of China, 1949-1979 2024 pdf epub mobi 電子書 下載