Japonisme and the Rise of the Modern Art Movement

作者:Irvine, Gregory 编

页数:240

出版时间:2013-11

价格:$ 84.75

isbn号码:9780500239131

图书标签:艺术史日本Art&Museum近现代美术史

From the 1860s through to the early 20th century the rise of Japonisme and the Art Nouveau movement meant that few could ignore or resist the obsession with all things Japanese. Superbly crafted and often highly decorated Japanese objects lacquer, metalwork, ceramics, enamels and other decorative items excited, stimulated and inspired Western artists and craftsmen to produce their own works. Arts of the Meiji period (18681912) were displayed at international exhibitions, galleries of influential dealers and at fashionable stores in London, Paris and Vienna. This book includes many examples of the superlatively designed and executed decorative arts of the Meiji periods from the Khalili Collection, the greatest collection of Meiji period art in the world. Artists such as Van Gogh, Whistler, Monet, Manet, Klimt and Schiele were all, to varying degrees, influenced by the arts of Japan. Van Gogh said that he owed his inspiration to Japanese art, but even he was probably not aware of just how much art in Europe had already been greatly influenced by that of Japan.

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对比impressionism和japan woodcut有点勉强 artists 创作不可能仅凭一个reference。 Vinnese的展大放异彩 喜欢最后的器物和screens religion渗透在美 或者美凝于form

对比impressionism和japan woodcut有点勉强 artists 创作不可能仅凭一个reference。 Vinnese的展大放异彩 喜欢最后的器物和screens religion渗透在美 或者美凝于form

对比impressionism和japan woodcut有点勉强 artists 创作不可能仅凭一个reference。 Vinnese的展大放异彩 喜欢最后的器物和screens religion渗透在美 或者美凝于form

对比impressionism和japan woodcut有点勉强 artists 创作不可能仅凭一个reference。 Vinnese的展大放异彩 喜欢最后的器物和screens religion渗透在美 或者美凝于form

对比impressionism和japan woodcut有点勉强 artists 创作不可能仅凭一个reference。 Vinnese的展大放异彩 喜欢最后的器物和screens religion渗透在美 或者美凝于form