Craig Clunas is Professor of History of Art at the University of Oriental Studies at the University of Oxford. His previous books include Art in China (1997), Elegant Debts: The Social Art of Wen Zhengming (Reaktion, 2004) and Empire of Great Brightness: Visual and Material Cultures of Ming China, 1368-1644 (Reaktion, 2007).
Screen of Kings is the first book in any language to examine the cultural role of the regional aristocracy or ‘kings’ – relatives of the emperors – in Ming dynasty China (1368–1644). Through an investigation of their patronage of architecture, calligraphy, painting and other art forms, and through examination of the contents of their splendid and recently excavated tombs, this innovative study puts the aristocracy back at the heart of accounts of China’s cultural and artistic histories, from which they have until very recently been excluded.
In this book, Craig Clunas sheds new light on many familiar artworks, as well as works that have never before been reproduced. Screen of Kings challenges much of the received wisdom about Ming China; new archaeological discoveries have furnished us with evidence of the lavish, spectacular lifestyles of the country’s provincial kings and demonstrate how central the imperial family was to the high culture of the Ming era.
Written by the leading specialist in the art and culture of the Ming period, this new work of scholarship illuminates a key aspect of China’s past, and will significantly alter our understanding of Ming dynastic power and relations. It will be enjoyed by anyone with a serious interest in the history and art of this great civilization.
發表於2025-03-23
Screen of Kings 2025 pdf epub mobi 電子書 下載
在大眾視野中,明代文化版圖上占據絕對優勢地位的是士大夫,如果不是柯律格,大概很少人會想到史書上著墨不多的藩王宗室。 藩王們是擁有皇室血脈的次子。次子、女性,總是處於毫無話語權的邊緣,在正史上多半隱而不彰,是被遮蔽的群體,而往往是這些邊緣化的沉默人群更容易投身...
評分如果有自拍杆,估計硃元璋和他的四阿哥也會成為自拍狂人。 聽說洪武帝長得不太入流,這張照片明顯是禦用攝影師精心p過的。
評分柯老師又齣新書瞭,圍觀。 內頁設計得挺好,看著眼睛很舒服。 和中國人的研究眼光確實不一樣。研究明史的有政治史,有經濟史,有藝術史,但是單單講藩王的藝術史確實沒有這樣係統的,填補瞭一項空白,值得一讀。
評分在大眾視野中,明代文化版圖上占據絕對優勢地位的是士大夫,如果不是柯律格,大概很少人會想到史書上著墨不多的藩王宗室。 藩王們是擁有皇室血脈的次子。次子、女性,總是處於毫無話語權的邊緣,在正史上多半隱而不彰,是被遮蔽的群體,而往往是這些邊緣化的沉默人群更容易投身...
評分皇帝做藝術傢是有先天優勢的。瞧這幾隻妙齡的猴子,大概隻有禦花園纔有
圖書標籤: 藝術史 柯律格 海外中國研究 明史 CraigClunas 方法論 Art&Museum 視覺文化
所有的拓片都存在於一條復製的鏈條上,是副本的副本,每一次拓印都比上一次更加模糊不清,與之平行的是血統的復製鏈條,皇帝的兒子們相應的被封為藩王、郡王、鎮國將軍、奉國將軍等等,一直到輔國中尉。其中每一位都是矗立於鏈條始端皇傢氣勢更加黯淡的復製品。
評分填補瞭明代藝術的一大空白,從方誌雜記對藩王行宮之描述,他們對佛道的支持,在細至書畫、齣土器物的分析。這是明代宮廷為中心的學術史以及以江南文人-雅士為核心的精英藝術以外鮮有人探討的灰色地帶。
評分梁莊王的金器那章很好看!
評分填補瞭明代藝術的一大空白,從方誌雜記對藩王行宮之描述,他們對佛道的支持,在細至書畫、齣土器物的分析。這是明代宮廷為中心的學術史以及以江南文人-雅士為核心的精英藝術以外鮮有人探討的灰色地帶。
評分作者大人搞笑時刻 http://www.douban.com/people/liubinyan/status/1219292774/
Screen of Kings 2025 pdf epub mobi 電子書 下載