Simone Weil (1909-1943) was one of the first female graduates of the École Normale Supérieure. A Socialist, she volunteered to fight against the Fascists in the Spanish Civil War. In 1938, a mystical vision led her to convert to Roman Catholicism, though she refused the sacrament of baptism. She fled to the United States in 1942, where, in solidarity with the people of occupied France, she drastically limited her intake of food, so hastening her early death from tuberculosis. War and the Iliad by Weil and Rachel Despaloff, and translated by Mary McCarthy, is published by NYRB Classics. Simon Leys's (1935-2014) writing has appeared in The New York Review of Books, Le Monde, Le Figaro Littéraire, and other periodicals. Among his books are Chinese Shadows, The Death of Napoleon (forthcoming from NYRB Classics), Other People's Thoughts, and The Wreck of the Batavia & Prosper. In 2013, New York Review Books Classics published The Hall of Uselessness, a volume of his collected essays. Czeslaw Milosz (1911-2004) was born in Lithuania. Among his published books are works of criticism (The Captive Mind), fiction (The Issa Valley), memoir (Native Realm), and many volumes of poetry. In 1980 he was awarded the Nobel Prize in Literature.
An NYRB Classics Original Simone Weil--philosopher, activist, mystic--is one of the most uncompromising of modern spiritual masters. In "On the Abolition of All Political Parties" she challenges the foundation of the modern liberal political order, making an argument that has particular resonance today, when the apathy and anger of the people and the self-serving partisanship of the political class present a threat to democracies all over the world. Dissecting the dynamic of power and propaganda caused by party spirit, the increasing disregard for truth in favor of opinion, and the consequent corruption of education, journalism, and art, Weil forcefully makes the case that a true politics can only begin where party spirit ends. This volume also includes an admiring portrait of Weil by the great poet Czeslaw Milosz and an essay about Weil's friendship with Albert Camus by the translator Simon Leys.
發表於2024-12-23
On the Abolition of All Political Parties 2024 pdf epub mobi 電子書 下載
圖書標籤: 政治學 Weil 政治科學 @譯本 李剋曼 文學 政黨 politics
“A collectivity has no tongue and no pen. All the organs of expression are individual.”
評分“A collectivity has no tongue and no pen. All the organs of expression are individual.”
評分“A collectivity has no tongue and no pen. All the organs of expression are individual.”
評分幾點感想:1,薇伊的智慧是追索真理的智慧,她可以說是20世紀最偉大的思想傢。這本小小的書,邊讀邊想眼前這世界的現實,太深刻,無比的勇氣,真實是通嚮真理的階梯。但是現實中誰要它?2,我相信大多數嚷嚷喜歡崇拜薇伊的人的崇拜喜歡都是假的,看看言行就知道瞭。3,讀這本書的過程中,我不時想到巴特寫中國,他看70年代的中國時,說形式和語言一切都太西方瞭,哪裏是中國?可是如果想想類似錢穆的中國政治史,很難否定有另外一個中國的結構和錶現。薇伊所批評的極權是歐洲大陸法國的體係-自然延伸到蘇俄和中國,和英美體係可對比。但是在這錶麵運行的框架和語言係統下,相信還有另外的不相符閤,像血液肌肉精神一樣的本土的東西。也就是說,極權不能徹底毒害的人的東西。這一方麵,薇伊基本沒有涉及,至少在這本書裏。
評分“A collectivity has no tongue and no pen. All the organs of expression are individual.”
On the Abolition of All Political Parties 2024 pdf epub mobi 電子書 下載