Craig Clunas is Professor of the History of Art at the University of Oxford. His books include Screen of Kings: Royal Art and Power in Ming China, Empire of Great Brightness: Visual and Material Culture and Social Status in Early Modern China, an
What is Chinese painting? When did it begin? And what are the different associations of this term in China and the West? In Chinese Painting and Its Audiences, which is based on the A. W. Mellon Lectures in the Fine Arts given at the National Gallery of Art, leading art historian Craig Clunas draws from a wealth of artistic masterpieces and lesser-known pictures, some of them discussed here in English for the first time, to show how Chinese painting has been understood by a range of audiences over five centuries, from the Ming Dynasty to today. Richly illustrated, Chinese Painting and Its Audiences demonstrates that viewers in China and beyond have irrevocably shaped this great artistic tradition.
Arguing that audiences within China were crucially important to the evolution of Chinese painting, Clunas considers how Chinese artists have imagined the reception of their own work. By examining paintings that depict people looking at paintings, he introduces readers to ideal types of viewers: the scholar, the gentleman, the merchant, the nation, and the people. In discussing the changing audiences for Chinese art, Clunas emphasizes that the diversity and quantity of images in Chinese culture make it impossible to generalize definitively about what constitutes Chinese painting.
Exploring the complex relationships between works of art and those who look at them, Chinese Painting and Its Audiences sheds new light on how the concept of Chinese painting has been formed and reformed over hundreds of years.
發表於2024-11-24
Chinese Painting and Its Audiences 2024 pdf epub mobi 電子書 下載
圖書標籤: 藝術史 海外中國研究 柯律格 書畫 藝術 藝術史 中國研究 history
The genealogy of "Chinese painting," questioning the "Chineseness" in writing Chinese art history from both domestic and outside through the 15th century towards today, by tracing the construction of the concept of "painting" in China。關心的問題並不新穎瞭,對“Chineseness”的提問也不前言瞭,但在藝術史領域一直沒有這樣的寫作也是奇怪。柯律格運用大量史料和物證,分析大量繪畫來證明他的論點。一次有趣的閱讀體驗。
評分Super exciting and fruitful reading. Reflecting on the field of Chinese painting and the construction of "painting" in China, with bold arguments meticulously structured and solidly grounded by social historical, textual, visual evidences.
評分"Chinese Painting"解構大法:turn the attention away from an attempt to define the essence of what makes “Chinese painting,” and to look at some of the ways that works have been viewed, over a relatively long span of time.
評分Super exciting and fruitful reading. Reflecting on the field of Chinese painting and the construction of "painting" in China, with bold arguments meticulously structured and solidly grounded by social historical, textual, visual evidences.
評分Would make interesting pairing with Ten Thousand Things (Ledderose's Mellon lectures from 1998) for a historiography seminar.
Chinese Painting and Its Audiences 2024 pdf epub mobi 電子書 下載