約翰·班維爾

1945年齣生於愛爾蘭，著名小說傢、編劇。班維爾的小說以精準、冷酷、辯證的散文風格著稱，作品曾獲布剋奬、弗朗茨·卡夫卡奬、愛爾蘭圖書奬、愛爾蘭筆會奬、歐洲文學奬、《衛報》小說奬等眾多文學奬項。他的主要作品有《哥白尼博士》《開普勒》《證據之書》《海》《藍色吉他》等。

From the Man Booker Prize-winning author of The Sea and Ancient Light, a new novel--at once trenchant, witty, and shattering--about the intricacies of artistic creation and theft, and about the ways in which we learn to possess one another, and to hold on to ourselves.

Equally self-aggrandizing and self-deprecating, our narrator, Oliver Otway Orme, is a painter of some renown, and a petty thief who does not steal for profit and has never before been caught. But he's pushing fifty, feels like a hundred, and things have not been going so well lately. Having recognized the "man-killing crevasse" that exists between what he sees and any representation he might make of it--any attempt to make what he sees his own--he's stopped painting. And his last purloined possession--aquired the last time he felt the "secret shiver of bliss" in thievery--has been discovered. The fact that it was the wife of the man who was, perhaps, his best friend, has compelled him to run away: from his mistress, his home, his wife, from whatever remains of his impulse to paint and from the tragedy that haunts him, and to sequester himself in the house where he was born, trying to uncover in himself the answer to how and why things have turned out as they did. Excavating memories of family, of places he's called home, and of the way he has apprehended the world around him ("no matter what else is going on, one of my eyes is always swivelling towards the world beyond"), Ollie reveals the very essence of a man who, in some way, has always been waiting to be rescued from himself.