Bad New Days

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Hal Foster is Townsend Martin Professor of Art and Archaeology at Princeton University and a 2014–15 fellow at the Cullman Center for S cholars and Writers at the New York Public Library. A co-editor of October magazine and books, he is the editor of The Anti-Aesthetic and the author of Design and Crime, Recording, The Return of the Real, Compulsive Beauty and The Art-Architecture Complex.

出版者:Verso
作者:Hal Foster
出品人:
页数:208
译者:
出版时间:2015-9-8
价格:USD 26.95
装帧:Hardcover
isbn号码:9781784781453
丛书系列:
图书标签:
  • 艺术理论 
  • 艺术 
  • HalFoster 
  • 艺术史 
  • 英文版 
  • 英文 
  • 艺术批评 
  • 好东西 
  •  
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Bad New Days examines the evolution of art and criticism in Western Europe and North America over the last twenty-five years, exploring their dynamic relation to the general condition of emergency instilled by neoliberalism and the war on terror.

Considering the work of artists such as Thomas Hirschhorn, Tacita Dean, and Isa Genzken, and the writing of thinkers like Jacques Rancière, Bruno Latour, and Giorgio Agamben, Hal Foster shows the ways in which art has anticipated this condition, at times resisting the collapse of the social contract or gesturing toward its repair; at other times burlesquing it.

Against the claim that art making has become so heterogeneous as to defy historical analysis, Foster argues that the critic must still articulate a clear account of the contemporary in all its complexity. To that end, he offers several paradigms for the art of recent years, which he terms “abject,” “archival,” “mimetic,” and “precarious.”

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Foster還是很能寫

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Foster還是很能寫

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12.14-12.15 文笔佳,非常专业,非常具有问题意识,非常具有社会政治关心。虽然没有看过谈到的一些当代艺术家的作品无法论喜好,但喜欢foster的批评,第一章关于拉康的gaze和image screen;第二章关于archival art(展现历史的另一面);第三章关于三个艺术家用其装置艺术mimetic后911美国社会和政治中的媚俗;第四章讲艺术家Thomas Hirschhorn艺术中的四个概念;第五章关于艺术批评的现状;最后一章是performative art。

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@2018-02-13 20:55:50

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推荐给策展相关的朋友们。质量很高(包括文笔和印刷质量),很当下。

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