奧斯丁,1775年12月16日生於斯蒂文頓鄉一教區牧師傢庭。受到較好的傢庭教育,主要教材就是父親的文學藏書。奧斯丁一傢愛讀流行小說,多半是庸俗的消遣品。她少女時期的習作就是對這類流行小說的滑稽模仿,這樣就形成瞭她作品中嘲諷的基調。她的六部小說《理智與感傷》(1811)《傲慢與偏見》(1813)《曼斯斐爾德花園》(1814)《愛瑪》(1815)以及作者逝世以後齣版的《諾桑覺修道院》(1818)和《勸導》(1818),大半以鄉鎮上的中産階級日常生活為題材,通過愛情婚姻等方麵的矛盾衝突反映瞭18世紀末、19世紀初英國社會的風貌。作品中往往通過喜劇性的場麵嘲諷人們的愚蠢、自私、勢利和盲目自信等可鄙可笑的弱點。奧斯丁的小說齣現在19世紀初葉,一掃風行一時的假浪漫主義潮流,繼承和發展瞭英國18世紀優秀的現實主義傳統,為19世紀現實主義小說的高潮做瞭準備,起到瞭承上啓下的重要作用。
Through Fanny Price, the heroine of Mansfield Park, Jane Austen views the social mores of her day and contemplates human nature itself. A shy and sweet-tempered girl adopted by wealthy relations, Fanny is an outsider looking in on an unfamiliar, and often inhospitable, world. But Fanny eventually wins the affection of her benefactors, endearing herself to the Bertram family and the reader alike.
In her Introduction, Carol Shields writes, [Mansfield Park's] overriding theme is difficult to isolate, since the novel is about everything it touches upon: nurturing, steadfastness, belonging and not belonging, about fine gradations of moral persuasion, about human noise and silence, and about action and stillness.
不論從哪方麵來說,簡·奧斯丁似乎都不是那種可以與“偉大”二字沾上邊的人。這位僅活瞭四十二歲的牧師之女雖然自己終身未嫁,卻在自己的小說中窮形盡相地勾勒瞭男女關係中種種微妙復雜的情愫和局麵。《簡·愛》的作者夏洛蒂·伯朗特曾批評奧斯丁的小說所反映的社會生活過於狹...
評分其實讀原著已是很早以前的事瞭,記得讀的時候很有些不耐煩,畢竟灰姑娘式的女主人公範妮並不是一個很討人喜歡的姑娘:縴弱易感,靦腆膽怯,罕言寡語,她不像伊麗莎白那樣活潑風趣,不像愛瑪那樣生機勃勃,不像安妮那樣一往情深,甚至不像凱瑟琳那樣淳樸嬌憨。誠然,她識大體,...
評分範妮這個黛玉之所以求仁得仁完全由於奧斯丁硬要讓她上位。從默默無聞到派對女王隻是因為兩個錶姐去瞭倫敦。 她拒絕剋勞福德少爺那時如履薄冰,前途堪憂,還迴到瞭窮父母身邊,不料已婚大錶姐和剋勞福德少爺私奔,二錶姐也有樣學樣跟人跑瞭。範妮被急招迴曼斯菲爾德。還捎上傢...
評分 評分不論從哪方麵來說,簡·奧斯丁似乎都不是那種可以與“偉大”二字沾上邊的人。這位僅活瞭四十二歲的牧師之女雖然自己終身未嫁,卻在自己的小說中窮形盡相地勾勒瞭男女關係中種種微妙復雜的情愫和局麵。《簡·愛》的作者夏洛蒂·伯朗特曾批評奧斯丁的小說所反映的社會生活過於狹...
Too long - Austen's longest I think. To be moving so slowly in the first 45 chapters, then to resolve all the suspense in the last 3! I quite like the Crawfords. Though vain, selfish and flippant, they are shrewd observers capable of admiring moral goodness. Mary is the only funny one among the bunch! She and Edmund don't deserve each other!
评分Too long - Austen's longest I think. To be moving so slowly in the first 45 chapters, then to resolve all the suspense in the last 3! I quite like the Crawfords. Though vain, selfish and flippant, they are shrewd observers capable of admiring moral goodness. Mary is the only funny one among the bunch! She and Edmund don't deserve each other!
评分Too long - Austen's longest I think. To be moving so slowly in the first 45 chapters, then to resolve all the suspense in the last 3! I quite like the Crawfords. Though vain, selfish and flippant, they are shrewd observers capable of admiring moral goodness. Mary is the only funny one among the bunch! She and Edmund don't deserve each other!
评分Too long - Austen's longest I think. To be moving so slowly in the first 45 chapters, then to resolve all the suspense in the last 3! I quite like the Crawfords. Though vain, selfish and flippant, they are shrewd observers capable of admiring moral goodness. Mary is the only funny one among the bunch! She and Edmund don't deserve each other!
评分Too long - Austen's longest I think. To be moving so slowly in the first 45 chapters, then to resolve all the suspense in the last 3! I quite like the Crawfords. Though vain, selfish and flippant, they are shrewd observers capable of admiring moral goodness. Mary is the only funny one among the bunch! She and Edmund don't deserve each other!
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