JO NESBØ is a musician, songwriter, and economist, as well as a writer. His Harry Hole novels include The Redeemer, The Snowman, The Leopard and Phantom, and he is also the author of several stand-alone novels and the Doctor Proctor series of children's books. He is the recipient of numerous awards, including the Glass Key for best Nordic crime novel.
The murder victim, a self-declared Tinder addict. The one solid clue—fragments of rust and paint in her wounds—leaves the investigating team baffled.
Two days later, there’s a second murder: a woman of the same age, a Tinder user, an eerily similar scene.
The chief of police knows there’s only one man for this case. But Harry Hole is no longer with the force. He promised the woman he loves, and he promised himself, that he’d never go back: not after his last case, which put the people closest to him in grave danger.
But there’s something about these murders that catches his attention, something in the details that the investigators have missed. For Harry, it’s like hearing “the voice of a man he was trying not to remember.” Now, despite his promises, despite everything he risks, Harry throws himself back into the hunt for a figure who haunts him, the monster who got away.
尤・耐斯博是一位比较复杂的作者。首先他是个摇滚乐手、他拥有正式金融分析师执照,接着他又是个犯罪文学作家。其次,北欧的三观与中国大不相同。在北欧的性产业合法,在北欧坐牢还享人道待遇,就单以奥斯陆而言,其岛上居民至少有三分之一坐过牢(在耐斯博里的小说里曾提过...
评分 评分 评分 评分也许所有的犯罪小说(可能也包括悬疑)的作者都会想到这样的问题:怎样让作品不给人以瞎编的赶脚?怎样从大主干上结出枝干,并且让这个枝干看起来不是没有意义?以及,怎样在足够邪乎的同时覆盖住类型小说无关现实的根骨——让作品看起来复杂高深一些?于是有些写法就被创造出...
the revealing part is too dramatic, borderlining on ridiculous
评分请不要在短评里剧透!请不要在短评里剧透!请不要在短评里剧透! 只是想来看下简介,你给剧透了好么!奉劝没看完书还是别来豆瓣查了,总有人想秀自己读完了有意思么
评分请不要在短评里剧透!请不要在短评里剧透!请不要在短评里剧透! 只是想来看下简介,你给剧透了好么!奉劝没看完书还是别来豆瓣查了,总有人想秀自己读完了有意思么
评分请不要在短评里剧透!请不要在短评里剧透!请不要在短评里剧透! 只是想来看下简介,你给剧透了好么!奉劝没看完书还是别来豆瓣查了,总有人想秀自己读完了有意思么
评分一开始就怀疑幕后黑手了,但还是被中间的烟雾弹迷惑了一下,大多数人物的生活情感都有点让人厌倦了,最鲜活的还是Truls,最后的故意悬念也是老梗,Nesbo肯定是要写到12本,不过12本也够了
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