Well over a thousand years old, the tradition of swordmaking in Japan is one of the most highly regarded metal crafts in the world. When all sword manufacture was prohibited in Japan for seven years after World War II, the age-old techniques were in danger of being lost forever. Today, in the hands of a new generation of practitioners, the craft is making a startling comeback. Connoisseurs say that the swords being produced now are the equal of anything made in Japan in the past few hundred years.
This book takes the reader into the workshops of four of Japan's leading sword craftsmen. Each craftsman has a different role in the manufacture of a blade. Yoshindo Yoshihara, the swordsmith, begins with raw steel made in a traditional charcoal-fueled smelter and refines it by folding and forging, gradually shaping it into a sword with a hardened edge. Okisato Fujishiro then sharpens and polishes the sword with fine stones to reveal the color and texture of the steel. Metalworker Hiroshi Miyajima makes the small copper-and-gold habaki collar that fits between the blade and the scabbard. Finally, Kazuyuki Takayama carves the hilt and the scabbard out of a single piece of wood. Black-and-white photographs show every stage of the manufacture, while important information on history, metallurgy, and modern-day appraisal is presented in an extensive introduction.
The swords made in Japan today are not, of course, intended for actual use. But their design, the quality of their steel, and the techniques used to create them still derive from the sword's historical function as a lethal hand-held weapon. A sword must be razor sharp, light, well balanced, and strong, but not so brittle it will break. In the perfect resolution of these qualities lie the beauty of the blade and the challenge of the craft.
This book demonstrates how brilliantly Japan's sword craftsmen today have met this technological challenge. The impulse of the craft now is to preserve the utilitarian object and yet create an enduring art for the modern age. While many fine books on sword appreciation exist, these deal primarily with older blades or problems of appraisal. The Craft of the Japanese Sword is the first book in English devoted entirely to contemporary sword manufacture, and will thus be of enormous value to metal artists everywhere, as well as to collectors and students of weaponry.
發表於2024-11-23
The Craft of the Japanese Sword 2024 pdf epub mobi 電子書 下載
介紹日本刀工藝的書籍,本來就應當由資深刀匠撰寫。作者吉原義人22歲時即被日本文化廳(文部省?)認定為年紀最小的刀匠,29歲復原映り工藝,39歲成為無監查(免檢)刀匠。 國內係統介紹日本刀劍的書籍隻有輕兵器以增刊形式發行的一本颱灣人許耀華所著《日本刀探究》,其內容...
評分介紹日本刀工藝的書籍,本來就應當由資深刀匠撰寫。作者吉原義人22歲時即被日本文化廳(文部省?)認定為年紀最小的刀匠,29歲復原映り工藝,39歲成為無監查(免檢)刀匠。 國內係統介紹日本刀劍的書籍隻有輕兵器以增刊形式發行的一本颱灣人許耀華所著《日本刀探究》,其內容...
評分介紹日本刀工藝的書籍,本來就應當由資深刀匠撰寫。作者吉原義人22歲時即被日本文化廳(文部省?)認定為年紀最小的刀匠,29歲復原映り工藝,39歲成為無監查(免檢)刀匠。 國內係統介紹日本刀劍的書籍隻有輕兵器以增刊形式發行的一本颱灣人許耀華所著《日本刀探究》,其內容...
評分介紹日本刀工藝的書籍,本來就應當由資深刀匠撰寫。作者吉原義人22歲時即被日本文化廳(文部省?)認定為年紀最小的刀匠,29歲復原映り工藝,39歲成為無監查(免檢)刀匠。 國內係統介紹日本刀劍的書籍隻有輕兵器以增刊形式發行的一本颱灣人許耀華所著《日本刀探究》,其內容...
評分介紹日本刀工藝的書籍,本來就應當由資深刀匠撰寫。作者吉原義人22歲時即被日本文化廳(文部省?)認定為年紀最小的刀匠,29歲復原映り工藝,39歲成為無監查(免檢)刀匠。 國內係統介紹日本刀劍的書籍隻有輕兵器以增刊形式發行的一本颱灣人許耀華所著《日本刀探究》,其內容...
圖書標籤: 日本刀 MartialArt 英語 科普 日本 方法論 文化 值得重看
從冶煉、鍛打、研磨到金工每道手續都寫的很全麵細緻。包括溫度掌握的差異、花紋的細小差異都很精到。專業人士齣手果然……作為鍛刀必備入門書不來一本嗎。
評分從冶煉、鍛打、研磨到金工每道手續都寫的很全麵細緻。包括溫度掌握的差異、花紋的細小差異都很精到。專業人士齣手果然……作為鍛刀必備入門書不來一本嗎。
評分從冶煉、鍛打、研磨到金工每道手續都寫的很全麵細緻。包括溫度掌握的差異、花紋的細小差異都很精到。專業人士齣手果然……作為鍛刀必備入門書不來一本嗎。
評分從冶煉、鍛打、研磨到金工每道手續都寫的很全麵細緻。包括溫度掌握的差異、花紋的細小差異都很精到。專業人士齣手果然……作為鍛刀必備入門書不來一本嗎。
評分從冶煉、鍛打、研磨到金工每道手續都寫的很全麵細緻。包括溫度掌握的差異、花紋的細小差異都很精到。專業人士齣手果然……作為鍛刀必備入門書不來一本嗎。
The Craft of the Japanese Sword 2024 pdf epub mobi 電子書 下載