Staging Revolution 2024 pdf epub mobi 电子书

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Staging Revolution 2024 pdf epub mobi 电子书著者简介

Xing Fan is assistant professor in Asian theatre and performance studies at the Centre for Drama, Theatre and Performance Studies at the University of Toronto.

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发表于2024-12-26

Staging Revolution 2024 pdf epub mobi 电子书

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出版者:Hong Kong University Press

作者:Xing Fan

出品人:

页数:316

译者:

出版时间:2018-5-1

价格:USD 65.00

装帧:Hardcover

isbn号码:9789888455812

丛书系列:

图书标签: 海外中国研究样板戏共和国社会学文革政治美学中国政治社会科学

Staging Revolution 2024 pdf epub mobi 电子书图书描述

Staging Revolution refutes the deep-rooted notion that art overtly in the service of politics is by definition devoid of artistic merits. As a prominent component shaping the culture of the Cultural Revolution, model Beijing Opera (jingju) is the epitome of art used for political ends. Arguing against commonly accepted interpretations, Xing Fan demonstrates that in a performance of model jingju, political messages could only be realized through the most rigorously formulated artistic choices and conveyed by performers possessing exceptional techniques. Fan contextualizes model jingju at the intersection of history, artistry, and aesthetics. Integral to jingju’s interactions with politics are the practitioners’ constant artistic experimentations to accommodate the modern stories and characters within the jingju framework and the eventual formation of a new sense of beauty. Therefore, a thorough understanding of model jingju demands close attention to how the artists resolved actual production problems, which is a critical perspective missing in earlier studies. This book provides exactly this much-needed dimension of analysis by scrutinizing the decisions made in the real, practical context of bringing dramatic characters to life on stage, and by examining how major artistic elements interacted with each other, sometimes harmoniously, sometimes antagonistically. Such an approach necessarily places jingju artists center stage. Making use of first person accounts of the creative process, including numerous interviews conducted by the author, Fan presents a new appreciation of a lived experience that, on a harrowing journey of coping with political interference, was also filled with inspiration and excitement.

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对于表演本位的京剧来说，改革意味着牵一发（如剧本）而动全身，因此形式即内容。戏改的议题包括：反映旧时代的形式如何用来表现当代生活（反之则非驴非马）以及如何面对观众对传统题材的偏爱。将样板戏的诞生放置在长时段（从延安到文革）中，指出其政治效应建立在特定的美学价值上；从上场下场到分幕分场的剧作结构转换；行当、流派、旧格式的「三打破」、相互借鉴乃至重组；假嗓和大嗓的调整，对应发声的刚柔力度；伴奏乐器的中西结合，鼓师与乐队指挥协调控场；调式与板式的重组产生新的气氛和情绪，实现了旧音乐呈现新社会生活节奏的理想；布景一面趋向写实，一面仍留出足够空间给做打；富贵衣和劳动人民服饰上的补丁；行政干预导演，重视角色和潜台词分析，调度一面以圆为尚，一面加入直线路径；崇高美学造成感性分配的失衡，而标准化意味着僵化。

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