As public interest in modern art continues to grow, as witnessed by the spectacular success of Tate Modern and the Bilbao Guggenheim, there is a real need for a book that will engage general readers, offering them not only information and ideas about modern art, but also explaining its contemporary relevance and history. This book achieves all this and focuses on interrogating the idea of 'modern' art by asking such questions as: What has made a work of art qualify as modern (or fail to)? How has this selection been made? What is the relationship between modern and contemporary art? Is 'postmodernist' art no longer modern, or just no longer modernist - in either case, why, and what does this claim mean, both for art and the idea of 'the modern'? Cottington examines many key aspects of this subject, including the issue of controversy in modern art, from Manet's Dejeuner sur L'Herbe (1863) to Picasso's Les Demoiselles, and Tracey Emin's Bed, (1999); and the role of the dealer from the main Cubist art dealer Kahnweiler to Charles Saatchi.
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better to be called Modern Art Com-modification
评分＃没电视看坐13个小时飞机干了什么＃这个书到后来根本不是讲modern art讲的是modern art market啊。
评分art history is not something suitable to be included in very short introduction series, coz' there's no way to cut all the pictures and simply introduce their names... but overall the book's insightful
评分art history is not something suitable to be included in very short introduction series, coz' there's no way to cut all the pictures and simply introduce their names... but overall the book's insightful
评分better to be called Modern Art Com-modification
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