As public interest in modern art continues to grow, as witnessed by the spectacular success of Tate Modern and the Bilbao Guggenheim, there is a real need for a book that will engage general readers, offering them not only information and ideas about modern art, but also explaining its contemporary relevance and history. This book achieves all this and focuses on interrogating the idea of 'modern' art by asking such questions as: What has made a work of art qualify as modern (or fail to)? How has this selection been made? What is the relationship between modern and contemporary art? Is 'postmodernist' art no longer modern, or just no longer modernist - in either case, why, and what does this claim mean, both for art and the idea of 'the modern'? Cottington examines many key aspects of this subject, including the issue of controversy in modern art, from Manet's Dejeuner sur L'Herbe (1863) to Picasso's Les Demoiselles, and Tracey Emin's Bed, (1999); and the role of the dealer from the main Cubist art dealer Kahnweiler to Charles Saatchi.
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现代艺术的基本关系是艺术家与观众的关系。打破所谓传统试图把艺术大众化，矛盾的是现代艺术说白了是个人主义精英主义的诉求，所以最后你还是end up in decadent capitalism。死亡再一次的还是the final destination. 切。
评分现代艺术的基本关系是艺术家与观众的关系。打破所谓传统试图把艺术大众化，矛盾的是现代艺术说白了是个人主义精英主义的诉求，所以最后你还是end up in decadent capitalism。死亡再一次的还是the final destination. 切。
评分＃没电视看坐13个小时飞机干了什么＃这个书到后来根本不是讲modern art讲的是modern art market啊。
评分museum, curator and art dealer
评分art history is not something suitable to be included in very short introduction series, coz' there's no way to cut all the pictures and simply introduce their names... but overall the book's insightful
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