Suspensions of Perception 2024 pdf epub mobi 电子书

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Jonathan Crary is Meyer Schapiro Professor of Modern Art and Theory at Columbia University. A founding editor of Zone Books, he is the author of Techniques of the Observer (MIT Press, 1990) and coeditor of Incorporations (Zone Books, 1992). He has been the recipient of Guggenheim, Getty, Mellon, and National Endowment for the Arts fellowships and was a member of the Institute for Advanced Study in Princeton.

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发表于2024-11-22

Suspensions of Perception 2024 pdf epub mobi 电子书

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一八一〇至一八四〇年，在欧洲和北美科学与哲学界出现了对于视觉主观性的大量研究与讨论。人们不再用暗箱模式来理解视觉，对视觉的物理光学解释模式此时让位于生理学解释模式。身体不再是一个透明的窗口，而是一个自身带着其物质属性的能动介质。人类的知觉与认识在身体中重新...

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出版者:The MIT Press

作者:Jonathan Crary

出品人:

页数:416

译者:

出版时间:2001-10-1

价格:USD 40.95

装帧:Paperback

isbn号码:9780262531993

丛书系列:

图书标签: 艺术史艺术 Visual/Art Jonathan_Crary Jonathan 视觉文化史历史

Suspensions of Perception 2024 pdf epub mobi 电子书图书描述

Is human vision universal and largely unchanging, or historically conditioned? What happened to the Western understanding of vision when the camera obscuraAa simple pinhole camera popular in the 17th and 18th centuriesAgave way to the Kodak? Columbia University art historian Crary brings a multidisciplinary approach to such questions, and though his work is densely written for an academic audience, it can be fun to read if only for the illustrations of such wacky 19th-century optical toys and devices as the phenakistiscope and the Kaiserpanorama. The book's focus is the cultural function and meaning of an ideal of "attentiveness," which reveals that the contemporary prognosis of "attention deficit disorder" has roots in much earlier anxieties about the failure of concentrated perception. Examining a vast range of scientific writings, works of art and objects from the world of early mass entertainment, Crary argues that 19th-century European culture became obsessed with a perceived breakdown in attentionAas focus and concentration seemed to give way to trance, reverie, monomania and hypnosis. At well over twice the length of Crary's earlier book (1990's elegant Techniques of the Observer), this volume is comparatively unfocused and loosely organized. Extended analysis of three central oil paintings by Manet, Seurat and C?zanne promisesAbut never quite managesAto unify all the heterogeneous material into a coherent whole.

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