Whatever might have been be the basis for this dubious book, it must have been a question of the utmost importance and charm, as well as a deeply personal one. Testimony to that effect is the time in which it arose (in spite of which it arose), that disturbing era of the Franco-Prussian war of 1870-71. While the thunderclap of the Battle of Worth was reverberating across Europe, the meditative lover of enigmas whose lot it was to father this book sat somewhere in a corner of the Alps, extremely reflective and perplexed (thus simultaneously very distressed and carefree) and wrote down his thoughts concerning the Greeks, the kernel of that odd and difficult book to which this later preface (or postscript) should be dedicated.
讀書時我就瘋狂著迷尼采的思想和作品,老師隻是在課上無意推薦過一次,讓我們閱讀不同譯本,對比不同的思想背景和翻譯風格,領悟譯者所傳導的不同思想和意境。那時候,我經常泡在圖書館裏,一整天不齣來,圖書館能找到的和尼采相關的書籍,一本都不放過,那時的滿足和興...
評分戴麵具的狄奧尼索斯——尼采的悲劇觀觀察 如果我們透過尼采拗口難懂的闡述,而且觀察到他大費周章地討論多種審美藝術形式,那麼我們就能懂得他為何要耗費如此多的筆墨於酒神和日神的錶述上。希臘文明是歐洲文化的起點,可近代統領整個歐洲的基督教,卻幾乎建立在反希臘價值的...
評分大學時候上過一學期話劇藝術欣賞。老師講過一個理論來說明我國的話劇藝術為何落後西方那麼多,幾無經典。他說,話劇或者說戲劇起源於希臘,而希臘的話劇源於宗教的祭祀,人們模擬這個世界,並用血和生命去祭奠。從一開始就具有嚴肅和悲劇色彩。而我國有記載的戲劇源於西漢,劉...
評分首先說明一下,這篇不是讀後感,充其量是讀書筆記。近來越發覺得自己的記憶力衰退厲害(還年輕啊,咋整- -……),所以很有必要對自己的閱讀作些劄記,不然以後除瞭書名外,其餘沒準都忘個一乾二淨。而豆瓣的短評有萬惡的字數限製,沒轍,唯有以書評形式來記錄吧。 接著說明的...
評分時隔半年重讀尼采的《悲劇的誕生》,不同於當初剛接觸哲學時的一片茫然,在對尼采有著一定的閱讀後再讀尼采的處女作,感受到的與之前相比多瞭許多。雖然尼采在後期將《悲劇的誕生》視為極不成熟之作,但其討論終生的母題已在此齣現—剋服虛無。 在西方,自現代性齣現伊始,人本...
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