Discusses the importance of the early history of Greek mathematics to education and civic life through a study of the Parthenon and dialogues of Plato.
The Parthenon and Liberal Education seeks to restore the study of mathematics to its original place of prominence in the liberal arts. To build this case, Geoff Lehman and Michael Weinman turn to Philolaus, a near contemporary of Socrates. The authors demonstrate the influence of his work involving number theory, astronomy, and harmonics on Plato’s Republic and Timaeus, and outline its resonance with the program of study in the early Academy and with the architecture of the Parthenon. Lehman and Weinman argue that the Parthenon can be seen as the foremost embodiment of the practical working through of mathematical knowledge in its time, serving as a mediator between the early reception of Ancient Near-Eastern mathematical ideas and their integration into Greek thought as a form of liberal education, as the latter came to be defined by Plato and his followers. With its Doric architecture characterized by symmetria (commensurability) and harmonia (harmony; joining together), concepts explored contemporaneously by Philolaus, the Parthenon engages dialectical thought in ways that are of enduring relevance for the project of liberal education.
“This synthesis of the architecture of the Parthenon, Plato, and Greek mathematical thought in the fifth century BC is one of the most comprehensive available in English.” — Vassilis Petrakis, External Research Collaborator, National Hellenic Research Foundation
“This book adds substantially to the field of studies on ancient Greek architecture, as viewed through the lens of Greek philosophy and education. It contains chapters that are intellectually the most exciting and innovative that I have read on the Parthenon in a long time.” — Robert Hannah, author of Time in Antiquity
Geoff Lehman is on the faculty of Art History at Bard College Berlin. Michael Weinman is Professor of Philosophy at Bard College Berlin and the author of Language, Time, and Identity in Woolf’s The Waves: The Subject in Empire’s Shadow and Pleasure in Aristotle’s Ethics.
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读到《帕特农神庙与自由教育》这个书名,我脑海中立刻浮现出两个截然不同的意象。一方面是雅典卫城上那座历经风雨、依旧巍峨的帕特农神庙,它代表着人类文明的辉煌成就,是理性、美学和民主精神的象征。另一方面,则是“自由教育”这个概念,它指向的是一种不拘泥于功利、不束缚于偏见、鼓励个体探索真理、发展潜能的教育模式。我很好奇作者是如何将这两个看似不直接相关的元素串联起来的。或许,作者会借帕特农神庙的建筑之美,来阐释自由教育所追求的和谐与完整性?也许,书中会探讨古希腊人对于哲学、艺术、科学和公民参与的重视,是如何体现在他们宏伟的建筑和教育实践中的?我尤其期待书中能够挖掘出帕特农神庙在古雅典社会中所扮演的角色,它不仅仅是一座神庙,更是雅典城邦民主制度和文化认同的象征。这种象征意义,或许与自由教育所要培养的独立个体和负责任的公民精神有着异曲同工之妙。我设想着,作者会如何用生动的语言,将古老的石头建筑与现代教育的理念融为一体,带领我们穿越时空,去感受那份源远流长的智慧。
评分这本书的标题《帕特农神庙与自由教育》立刻吸引了我,它勾起了我对古希腊文明以及教育本质的深刻思考。虽然我尚未有机会翻阅这本书的具体内容,但我可以想象它将是一场跨越时空的思想之旅。帕特农神庙,作为古典主义建筑的巅峰之作,其精妙的比例、宏伟的结构和承载的文化意义,早已被世人所赞颂。而“自由教育”的概念,更是教育哲学中永恒的议题,关乎个体独立思考、批判性思维的培养,以及公民责任感的塑造。我猜想,作者可能会从帕特农神庙的设计理念出发,将其与古希腊哲学家们所倡导的教育理念进行巧妙的联系。或许,神庙的和谐与秩序,象征着理想教育所追求的内在平衡与理性启蒙;神庙的坚固与永恒,则寓意着知识的传承与文明的延续。我期待书中能够深入探讨,在现代社会信息爆炸、知识更新迭代如此之快的背景下,我们如何才能真正实现“自由教育”,而不仅仅是知识的堆砌。这本书的标题本身就蕴含着一种宏大的叙事,将一座物质的建筑与一种抽象的教育理念紧密结合,这无疑为读者打开了一个广阔的想象空间,让人不禁想要探寻两者之间那深刻而微妙的联系。
评分一看到《帕特农神庙与自由教育》这个书名,我的思绪便开始天马行空。帕特农神庙,这座在历史长河中屹立不倒的希腊标志,它不仅是建筑艺术的奇迹,更是古希腊文明智慧的结晶。而“自由教育”,则是我一直以来所向往的一种教育模式,它强调的是个体的独立思考、对知识的好奇探索以及心灵的解放。我好奇的是,作者究竟会如何将这两者联系起来?是否会从帕特农神庙宏伟的设计中,阐释出自由教育所追求的逻辑、和谐与比例?又或者,作者会借用古希腊哲学家们对教育的思考,比如苏格拉底的诘问法,柏拉图的理念论,亚里士多德的德育观,来解读自由教育的内涵,并将其与帕特农神庙所代表的理想城邦精神相融合?我期待书中能够呈现一种动态的视角,展现出自由教育并非一成不变,而是随着时代的发展不断演进,正如帕特农神庙虽然历经沧桑,却依然能够激发人们的敬畏与思考。这本书的标题本身就透露着一种对西方文明源头的追溯,以及对当下教育困境的深刻反思,让我迫不及待地想要一探究竟。
评分《帕特农神庙与自由教育》这个书名,给我一种强烈的学术探索的预感。帕特农神庙,这个在人类历史上留下了浓墨重彩一笔的建筑杰作,本身就蕴含着丰富的历史、艺术和哲学信息。而“自由教育”,更是教育学领域一个经久不衰的讨论主题。我预想这本书将是一次深入的跨学科研究,将建筑史、古希腊文化、哲学思想以及教育理论巧妙地编织在一起。我会好奇作者是否会从神庙的建筑比例、雕塑细节、乃至建造过程中的技术和材料选择中,解读出关于理性、秩序、和谐以及追求卓越的精神,并将这些精神与自由教育所强调的个体发展、批判性思考和审美情趣的培养联系起来。或许,作者会深入剖析古希腊城邦的社会结构和教育体系,探讨在那个时代,“自由”的教育是如何为公民提供独立思考的能力和参与公共事务的素养的。这本书的标题本身就充满了启发性,它暗示了一种将物质文明的最高成就与精神文明的理想追求相结合的视角,让人对书中可能包含的深刻洞见充满期待。
评分《帕特农神庙与自由教育》这样一个书名,给我一种将宏大叙事与个人成长相结合的感觉。帕特农神庙,这个宏伟的建筑,是人类理性与创造力的巅峰体现,它象征着人类对完美和永恒的追求。而“自由教育”,则是我一直以来思考的教育的最终目标,它不是知识的灌输,而是能力的培养,是心灵的解放,是让个体能够独立自主地去认识世界、理解自己。我猜想,作者或许会通过分析帕特农神庙的建筑美学,例如黄金分割比例、视觉矫正等,来引申出自由教育中对于精准、和谐以及追求卓越的理念。或许,书中还会探讨古希腊哲学中关于“知道你自己”的命题,以及这种自我认知如何与公民的自由意识紧密相连。我非常好奇,作者将如何把一个具体的建筑与一个抽象的教育概念进行类比和融合,从而揭示出某种普遍的真理。这本书的标题本身就具有一种召唤力,它邀请读者去思考,在现代社会,我们如何才能在追求物质繁荣的同时,不丢失对精神家园的建设,如何才能培养出真正能够独立思考、勇于探索的下一代。
评分Revisiting the first part on Plato's critical appropriation of Philolaus' music scale with respect to a program of philosophical education. One should seriously engage with mathematical arts but ultimately transcend them, and advance to dialectics, which is more of an art than science. It comes down to an open-minded orientation to the world.
评分Revisiting the first part on Plato's critical appropriation of Philolaus' music scale with respect to a program of philosophical education. One should seriously engage with mathematical arts but ultimately transcend them, and advance to dialectics, which is more of an art than science. It comes down to an open-minded orientation to the world.
评分Revisiting the first part on Plato's critical appropriation of Philolaus' music scale with respect to a program of philosophical education. One should seriously engage with mathematical arts but ultimately transcend them, and advance to dialectics, which is more of an art than science. It comes down to an open-minded orientation to the world.
评分Revisiting the first part on Plato's critical appropriation of Philolaus' music scale with respect to a program of philosophical education. One should seriously engage with mathematical arts but ultimately transcend them, and advance to dialectics, which is more of an art than science. It comes down to an open-minded orientation to the world.
评分Revisiting the first part on Plato's critical appropriation of Philolaus' music scale with respect to a program of philosophical education. One should seriously engage with mathematical arts but ultimately transcend them, and advance to dialectics, which is more of an art than science. It comes down to an open-minded orientation to the world.
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