Anil's Ghost

迈克尔•翁达杰，加拿大小说家、诗人。他一九四三年出生于斯里兰卡科伦坡，十一岁时随母亲移居英国，十九岁移居加拿大，加入加拿大国籍。先后毕业于多伦多大学和皇后大学，曾长期在约克大学教授英语文学。自一九六二年出版第一部诗集以来，迈克尔•翁达杰已经出版六部长篇小说、童年回忆录《世代相传》、多部诗集、剧本、文学评论集。他也积极参与加拿大独立出版社马车房出版社的诗歌编辑工作。他于一九九二年出版的小说《英国病人》荣获布克奖，后被改编成同名电影。二〇〇〇年出版的小说《安尼尔的鬼魂》获加拿大吉勒奖、加拿大总督文学奖、法国美第奇奖、《爱尔兰时报》国际小说奖。二〇〇七年出版的小说《遥望》又获加拿大总督文学奖。迈克尔•翁达杰和同为作家的妻子琳达•斯伯丁住在多伦多。译者简介：陶立夏，作家、翻译、摄影师。已出版《分开旅行》《练习一个人》《岛屿来信》，译著《夜航西飞》《一切破碎，一切成灰》等。

出版者:Picador

作者:[加拿大] 迈克尔·翁达杰

页数:0

出版时间:2001-05-04

价格:GBP 7.99

装帧:Paperback

isbn号码:9780330480772

图书标签:FictionAnil'sGhost

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读后感

书名源自安尼尔为一具尸骸查明死因确认身份，也许你以为这只是一本斯里兰卡的《洗冤录》，其实不然。这本刻画了80年代内乱不断的斯里兰卡，也许是政治争议，也许是一种信仰对另一种信仰的罪行。“谁将十三岁的孩子送上火线，又是出于怎样的深仇大恨？为某位德高望重的领袖？为...  

本来找的是麦克尔*翁达奇另一部，也可能是他最出名的小说，那部被好莱坞打红的《英国病人》，居然搜索不到。 而这本少有人知的Anil's Ghost居然一下儿就找到了。 在斯里兰卡出生，在加拿大长大的麦克尔*翁达奇自认是个诗人。写小说不过是“副业。” 看《英国病人》时，深深地...  

《人物》杂志2016.6《安尼尔的鬼魂》书评 加拿大人迈克尔 · 翁达杰最早以诗闻名。但使他跻身国际著名作家行列的是1992年的小说《英国病人》。这本如梦似幻的小说首先获得了当年的布克奖——英语小说的最高奖项；几年后，根据小说改编的同名电影经由安东尼 · 明格拉的导筒...  

如果思想有不能言说之无，那么可以祈求另一种语言。“菩萨凝视的岛屿”就完美的诠释了“Anil’s Ghost”， 必须要说，谢谢陈建铭的翻译，让西方世界的幽灵在宗教文化里寻找到了共同的“无”，这也正是安霓尤，瑟拉斯， 帕利帕拿，迦米尼，安南达在残暴，在灾难，在绝望中寻找到...  

参加世相第二期的读书活动时，收到了这本书。当时自己正在经历一段艰难的过渡。做着一份曲线救国的工作，平日里努力维持着向上的姿态，尽量与人与己相安无事。到了夜深人静不得不独处时，却觉得生活中的一切离自己梦想的人生状态又近又远。内心深处偶尔觉得压抑至极，甚至无法...  

用户评价

When figures poping up at first, they seem random, sooner I realise each of them has his own place in Anil's search for her "ghost" and "truth". They all represent huam being wounded or traumatised someway in the civil war in Sir Lanka. Ondaatje's composition touches very basic of human context during the war, deeply, daintily, with grief.

When figures poping up at first, they seem random, sooner I realise each of them has his own place in Anil's search for her "ghost" and "truth". They all represent huam being wounded or traumatised someway in the civil war in Sir Lanka. Ondaatje's composition touches very basic of human context during the war, deeply, daintily, with grief.

When figures poping up at first, they seem random, sooner I realise each of them has his own place in Anil's search for her "ghost" and "truth". They all represent huam being wounded or traumatised someway in the civil war in Sir Lanka. Ondaatje's composition touches very basic of human context during the war, deeply, daintily, with grief.

When figures poping up at first, they seem random, sooner I realise each of them has his own place in Anil's search for her "ghost" and "truth". They all represent huam being wounded or traumatised someway in the civil war in Sir Lanka. Ondaatje's composition touches very basic of human context during the war, deeply, daintily, with grief.

When figures poping up at first, they seem random, sooner I realise each of them has his own place in Anil's search for her "ghost" and "truth". They all represent huam being wounded or traumatised someway in the civil war in Sir Lanka. Ondaatje's composition touches very basic of human context during the war, deeply, daintily, with grief.