Anil's Ghost

迈克尔•翁达杰，加拿大小说家、诗人。他一九四三年出生于斯里兰卡科伦坡，十一岁时随母亲移居英国，十九岁移居加拿大，加入加拿大国籍。先后毕业于多伦多大学和皇后大学，曾长期在约克大学教授英语文学。自一九六二年出版第一部诗集以来，迈克尔•翁达杰已经出版六部长篇小说、童年回忆录《世代相传》、多部诗集、剧本、文学评论集。他也积极参与加拿大独立出版社马车房出版社的诗歌编辑工作。他于一九九二年出版的小说《英国病人》荣获布克奖，后被改编成同名电影。二〇〇〇年出版的小说《安尼尔的鬼魂》获加拿大吉勒奖、加拿大总督文学奖、法国美第奇奖、《爱尔兰时报》国际小说奖。二〇〇七年出版的小说《遥望》又获加拿大总督文学奖。迈克尔•翁达杰和同为作家的妻子琳达•斯伯丁住在多伦多。译者简介：陶立夏，作家、翻译、摄影师。已出版《分开旅行》《练习一个人》《岛屿来信》，译著《夜航西飞》《一切破碎，一切成灰》等。

出版者:Picador

作者:[加拿大] 迈克尔·翁达杰

页数:0

出版时间:2001-05-04

价格:GBP 7.99

装帧:Paperback

isbn号码:9780330480772

图书标签:FictionAnil'sGhost

读后感

译者说，之所以把Anil’s Ghost 直译为《安尼尔的鬼魂》，是因为要为那些无辜惨死、无处伸冤的鬼魂，那些痛失至亲至爱而在人世踯躅的鬼魂守灵。安尼尔等人让已逝的鬼魂得到真正的安息。 作者迈克尔•翁达杰，代表作《英国病人》获得英国布克奖，他成为第一位获得该奖项的加...  

本来找的是麦克尔*翁达奇另一部，也可能是他最出名的小说，那部被好莱坞打红的《英国病人》，居然搜索不到。 而这本少有人知的Anil's Ghost居然一下儿就找到了。 在斯里兰卡出生，在加拿大长大的麦克尔*翁达奇自认是个诗人。写小说不过是“副业。” 看《英国病人》时，深深地...  

如果思想有不能言说之无，那么可以祈求另一种语言。“菩萨凝视的岛屿”就完美的诠释了“Anil’s Ghost”， 必须要说，谢谢陈建铭的翻译，让西方世界的幽灵在宗教文化里寻找到了共同的“无”，这也正是安霓尤，瑟拉斯， 帕利帕拿，迦米尼，安南达在残暴，在灾难，在绝望中寻找到...  

封面是夕晖笼罩的一片石壁与粼粼水光，纸张同油墨气息芬芳，于是放在枕边，日日睡前醒来看几页，一切看上去平静宁和，殊不知字里行间，处处混杂着鲜血与杀戮，亦有真情，不过是疲惫麻木之后的了悟，翁达杰以冷调涂写这幅画卷，淡然叙述一件又一件惨剧，如小说最后，菩萨低眉...  

买来好久才看完的书。小说的原名是：Anil’s Ghost。太厉害，竟然翻成菩萨凝视的岛屹。太厉害了。 看翻译的小说，总会心怀戒备，是否完全忠于小说，是否在文字转化的过程中，把一种优美用另一种优美加以很好的诠释。而译者如能对西方文化及历史有很好的理解，那就可为上乘了。...  

用户评价

When figures poping up at first, they seem random, sooner I realise each of them has his own place in Anil's search for her "ghost" and "truth". They all represent huam being wounded or traumatised someway in the civil war in Sir Lanka. Ondaatje's composition touches very basic of human context during the war, deeply, daintily, with grief.

When figures poping up at first, they seem random, sooner I realise each of them has his own place in Anil's search for her "ghost" and "truth". They all represent huam being wounded or traumatised someway in the civil war in Sir Lanka. Ondaatje's composition touches very basic of human context during the war, deeply, daintily, with grief.

When figures poping up at first, they seem random, sooner I realise each of them has his own place in Anil's search for her "ghost" and "truth". They all represent huam being wounded or traumatised someway in the civil war in Sir Lanka. Ondaatje's composition touches very basic of human context during the war, deeply, daintily, with grief.

When figures poping up at first, they seem random, sooner I realise each of them has his own place in Anil's search for her "ghost" and "truth". They all represent huam being wounded or traumatised someway in the civil war in Sir Lanka. Ondaatje's composition touches very basic of human context during the war, deeply, daintily, with grief.

When figures poping up at first, they seem random, sooner I realise each of them has his own place in Anil's search for her "ghost" and "truth". They all represent huam being wounded or traumatised someway in the civil war in Sir Lanka. Ondaatje's composition touches very basic of human context during the war, deeply, daintily, with grief.