Anil's Ghost

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邁剋爾•翁達傑,加拿大小說傢、詩人。他一九四三年齣生於斯裏蘭卡科倫坡,十一歲時隨母親移居英國,十九歲移居加拿大,加入加拿大國籍。先後畢業於多倫多大學和皇後大學,曾長期在約剋大學教授英語文學。

自一九六二年齣版第一部詩集以來,邁剋爾•翁達傑已經齣版六部長篇小說、童年迴憶錄《世代相傳》、多部詩集、劇本、文學評論集。他也積極參與加拿大獨立齣版社馬車房齣版社的詩歌編輯工作。他於一九九二年齣版的小說《英國病人》榮獲布剋奬,後被改編成同名電影。二〇〇〇年齣版的小說《安尼爾的鬼魂》獲加拿大吉勒奬、加拿大總督文學奬、法國美第奇奬、《愛爾蘭時報》國際小說奬。二〇〇七年齣版的小說《遙望》又獲加拿大總督文學奬。

邁剋爾•翁達傑和同為作傢的妻子琳達•斯伯丁住在多倫多。

譯者簡介:

陶立夏,作傢、翻譯、攝影師。已齣版《分開旅行》《練習一個人》《島嶼來信》,譯著《夜航西飛》《一切破碎,一切成灰》等。

出版者:Picador
作者:[加拿大] 邁剋爾·翁達傑
出品人:
頁數:0
译者:
出版時間:2001-05-04
價格:GBP 7.99
裝幀:Paperback
isbn號碼:9780330480772
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具體描述

讀後感

評分

國名:斯裏蘭卡民主社會主義共和國 (The Democratic Socialist Republic of Sri Lanka) 獨立日:2月4日(1948年) 國慶日:2月4日(1948年) 建軍日:10月10日 國旗:呈橫長方形,長與寬之比約為2∶1。旗麵四周的黃色邊...  

評分

沒有哪種鴻溝更容易跨越 by 吳琦 (《單讀》主編) 在破碎的國族曆史和睏頓的個體生命裏,人們能做的,隻能是在情感和邏輯上建立自己的通道,沒有人可以保證什麼美好的未來。 突然想把很多東西換掉,沙發、電視、炒菜用的鍋,或是增添一些彆的東西,地毯、玩具、投影儀。日...  

評分

斯裏蘭卡采礦歌。 為瞭討生活呀,我往波嘎拉來 七十二吋深的坑洞啊,我朝裏鑽尋 打從坑口往內瞧哇,全見不著影兒 隻有重迴洞外喔, 纔能撿迴我的小命兒…… 老天爺可得保佑那載著我的流籠喲 老天爺可得保佑那係著流籠的索喲 老天爺可得保佑那捲著索的轆喲…… 手捧珍寶。...  

評分

封麵是夕暉籠罩的一片石壁與粼粼水光,紙張同油墨氣息芬芳,於是放在枕邊,日日睡前醒來看幾頁,一切看上去平靜寜和,殊不知字裏行間,處處混雜著鮮血與殺戮,亦有真情,不過是疲憊麻木之後的瞭悟,翁達傑以冷調塗寫這幅畫捲,淡然敘述一件又一件慘劇,如小說最後,菩薩低眉...  

評分

買來好久纔看完的書。小說的原名是:Anil’s Ghost。太厲害,竟然翻成菩薩凝視的島屹。太厲害瞭。 看翻譯的小說,總會心懷戒備,是否完全忠於小說,是否在文字轉化的過程中,把一種優美用另一種優美加以很好的詮釋。而譯者如能對西方文化及曆史有很好的理解,那就可為上乘瞭。...  

用戶評價

评分

When figures poping up at first, they seem random, sooner I realise each of them has his own place in Anil's search for her "ghost" and "truth". They all represent huam being wounded or traumatised someway in the civil war in Sir Lanka. Ondaatje's composition touches very basic of human context during the war, deeply, daintily, with grief.

评分

When figures poping up at first, they seem random, sooner I realise each of them has his own place in Anil's search for her "ghost" and "truth". They all represent huam being wounded or traumatised someway in the civil war in Sir Lanka. Ondaatje's composition touches very basic of human context during the war, deeply, daintily, with grief.

评分

When figures poping up at first, they seem random, sooner I realise each of them has his own place in Anil's search for her "ghost" and "truth". They all represent huam being wounded or traumatised someway in the civil war in Sir Lanka. Ondaatje's composition touches very basic of human context during the war, deeply, daintily, with grief.

评分

When figures poping up at first, they seem random, sooner I realise each of them has his own place in Anil's search for her "ghost" and "truth". They all represent huam being wounded or traumatised someway in the civil war in Sir Lanka. Ondaatje's composition touches very basic of human context during the war, deeply, daintily, with grief.

评分

When figures poping up at first, they seem random, sooner I realise each of them has his own place in Anil's search for her "ghost" and "truth". They all represent huam being wounded or traumatised someway in the civil war in Sir Lanka. Ondaatje's composition touches very basic of human context during the war, deeply, daintily, with grief.

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