Film Festivals pdf epub mobi txt 電子書下載2025

☆☆☆☆☆

Marijke de Valck studied Theatre, Film and Television Studies at Utrecht University. She graduated cum laude with a thesis on transmedial storytelling in film, television and new media. After having worked two years for an internet company, she joined the University of Amsterdam to conduct her Ph.D. on international film festivals, which she completed cum laude in 2006. Afterwards she taught courses in the film programme and the MA programme Preservation and Presentation of the Moving Image at UvA, while working on a CMI-studies (communication, media and information) project for the Royal Netherlands Academy of Arts and Sciences. Marijke now works as an assistant professor in the department of Media Studies.

出版者:Amsterdam University Press

作者:Marijke de Valck

出品人:

頁數:250

译者:

出版時間:2008-7-15

價格:USD 41.95

裝幀:Paperback

isbn號碼:9789053561928

叢書系列:

圖書標籤:

電影研究
電影節
電影節研究
迷影
電影史
歐洲
外
參考書

下載連結在頁面底部

facebook linkedin mastodon messenger pinterest reddit telegram twitter viber vkontakte whatsapp 複製連結

想要找書就要到本本書屋

onlinetoolsland.com

立刻按 ctrl+D收藏本頁

你會得到大驚喜!!

The film festival has come a long way from its relatively humble origins in Venice in 1932—when nine nations presented twenty-five feature films screened in an open-air cinema where men had to adhere to standards of formal evening attire. Hugely popular events that attract diverse lovers of cinema worldwide, today’s most famous film festivals—Cannes, Berlin, Venice, and Rotterdam—continue the story of a phenomenon that began in the midst of geopolitical disputes in war-torn Europe. Film Festivals shows how these festivals turned impediments into advantages and developed a successful global network that addresses issues as diverse as programming and prizes, national legitimation, city marketing, cinephilia, glamour, and audience. Discussing the festival as a media event and looking closer at various festival visitors, this volume also questions whether “successful” is in fact the appropriate term for understanding developments that could be considered dogmatic in their insistence on framing filmmakers as auteurs and films as belonging to “new waves.” An essential title for everyone interested in the culture, politics, and history that surround the celebration of cinema, Film Festivals proves that the movies are still our greatest—and most fêted—escape

具體描述

讀後感

評分☆☆☆☆☆

用戶評價

评分☆☆☆☆☆

今天就要見到偶像瞭！！！開會簡直學術追星！

评分☆☆☆☆☆

今天就要見到偶像瞭！！！開會簡直學術追星！

评分☆☆☆☆☆

我還是覺得她用ANT的同時使用Castell的“space of flows”和Luhmann的system theory是太討巧（甚至自相矛盾；她jump還蠻多的）的做法，Latour應該不會高興哈哈…敘述方式受ANT影響，隻寫有行動的actors，喜歡她這種把理論散置的寫法，但mediators明顯不全啊啊啊

评分☆☆☆☆☆

今天就要見到偶像瞭！！！開會簡直學術追星！

评分☆☆☆☆☆

比較係統全麵地介紹瞭電影節的發展曆史和運作模式。但是觀點比較平實，缺乏新意。論述時不時伴隨著冗長而不必要的理論外延。