From Publishers Weekly Exotic locales, intrigue, passion and an ominous prediction are ingredients in this altogether standard potboiler that spans 20 eventful years in the lives of four female friends. In 1965, Catriona, Gwynneth and Jess are attending an English boarding school when Victoria Raven enters their ranks. Exuding an air of mystery, sophisticated Victoria claims to possess "second sight" and she predicts their futures over a Ouija board with the aid of her "magical" amethyst ring. Victoria foresees that the four will reunite in 20 years, but "be one less." During those two decades, Catriona discovers that her husband is a homosexual in love with Victoria's manipulative bisexual brother, Tancredi; Gwynneth, who adores Tancredi, becomes a fashion model; artist Jess is romantically linked with an eminent Mexican surgeon; Victoria heads for the world's trouble spots as a journalist. In 1985, Tancredi summons them all to the Ravens' castle in Scotland for the fateful reunion. Hayes ( The Winter Women ) keeps readers plowing along doggedly, then supplies a sordid ending that makes gratuitous, moralistic use of AIDS. All four women survive Victoria's dire prediction, rendering the novel even less satisfying. 150,000 first printing; $150,000 ad/promo. Copyright 1989 Reed Business Information, Inc. From Library Journal Dutton has put a big advertising budget ($150,000) and a big printing (150,000) into this novel by Hayes ( The Winter Women) . Four women meet in boarding school; one prophesies their future. In 20 years , on June 30, 1985, they will come together to fulfill the final part of the prophecy. Unfortunately, the reader has to follow them for the next 20 years--in the worlds of English high society and American high fashion and art. But there is nothing real or vivid about the worlds they inhabit; the characters just move through them, having the requisite number of love affairs, encountering the appropriate concerns for the times (anorexia, AIDS), in their inexorable drift toward the present. This is yet another entry in the best-seller sweepstakes for the "women's" market, but not a winner. Promotion may create demand.- Francine Fialkoff, "Library Journal"Copyright 1989 Reed Business Information, Inc.
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这是一本让人读完后需要静坐许久,整理思绪的书。它的世界观构建之宏大,完全超出了我的预期。作者似乎构建了一个完整且逻辑自洽的平行宇宙,其中的规则、历史和文化都经过了严谨的推敲。更难得的是,在这个庞大的体系下,作者没有忘记关注个体命运的微小震动。那些小人物的悲欢离合,在史诗般的背景下显得格外具有震撼力。我尤其喜欢作者对“时间”和“记忆”的探讨,它以一种非常新颖的视角切入,让人对自身所处的现实产生了全新的审视。这种既能带来娱乐性,又能引发深刻反思的作品,在当今的出版市场上实在太稀缺了。
评分我对这本书的结构设计佩服得五体投地。它采用了非线性的叙事手法,在不同的时间轴和视角之间自如切换,但每一次切换都像是一块拼图恰到好处地归位,推动着整体故事向更深处发展。起初可能会感到有些晕眩,但当关键的线索开始汇合时,那种“原来如此”的恍然大悟感是无与伦比的。作者对悬念的设置也十分高明,从不采用廉价的惊吓手段,而是通过细微的暗示和潜藏的伏笔,让读者自己去猜测,去构建不安。这种高智商的互动方式,让阅读过程充满了挑战和乐趣。我强烈推荐给所有喜欢那种需要动脑筋、不满足于平铺直叙故事的读者。
评分我必须承认,这本书的文笔极其老辣,有一种老派文学的韵味,但内核却充满了现代的思辨。它不仅仅是一个简单的故事,更像是一面镜子,折射出人性深处的复杂和矛盾。我特别欣赏作者处理冲突的方式,不落俗套,不急于给出简单的答案,而是将那些道德的灰色地带展现得淋漓尽致。读到某些段落时,我需要停下来反复咀嚼,思考作者那看似轻描淡写实则掷地有声的观点。这种需要读者主动参与思考的阅读过程,反而让整个体验更加充实和有价值。那些哲学的探讨巧妙地融入了情节之中,没有丝毫说教的意味,完全是自然而然地流淌出来,显示出作者深厚的学养和驾驭文字的非凡功力。
评分说实话,这本书的开篇节奏有点慢,我一开始差点就要放弃,但坚持下来之后,我发现那铺陈的每一笔都是为后来的爆发做足了铺垫。一旦情节真正展开,那种犹如精密机械般运作的叙事结构就开始展现出它的威力。人物之间的关系错综复杂,每一次对话都暗藏玄机,仿佛每一句话后面都隐藏着另一层未言明的意图。我喜欢这种需要读者自己去“解码”的阅读过程,这极大地提升了阅读的乐趣和成就感。特别是作者对环境氛围的营造,简直是大师级别的,无论是阴森的密室还是广袤无垠的星空,都能让你身临其境,感受到那种扑面而来的压迫感或开阔感。
评分这本小说读起来简直像是一场穿越时空的奇妙冒险。作者对细节的把控令人惊叹,无论是对古代文明的考据,还是对未来科技的想象,都显得那么的真实可信。书中的人物性格塑造得极其饱满,他们的挣扎、抉择和成长,都深深地牵动着读者的心弦。特别是主角面对困境时展现出的那种坚韧不拔的精神,着实让人敬佩。故事线索复杂却又不失清晰,层层递进,高潮迭起,每一次翻页都充满了对未知的好奇。那种沉浸式的阅读体验,让人仿佛真的置身于那个光怪陆离的世界,与角色们一同呼吸,一同面对挑战。我已经很久没有读到如此引人入胜的作品了,它成功地在宏大的叙事和细腻的情感之间找到了一个完美的平衡点。
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