Aristophanes, the greatest of comic writers in Greek and in the opinion of many, in any language, is the only one of the Attic comedians any of whose works has survived in complete form He was born in Athens about the middle of the fifth century B C, and had his first comedy produced when he was so young that his name was withheld on account of his youth. He is credited with over forty plays, eleven of which survive, along with the names and fragments of some twenty-six others. His satire deal with political, religious, and literary topics, and with all its humor and fancy is evidently the outcome of profound conviction and a genuine patriotism. The Attic comedy was produced at the festivals of Dionysus, which were marked by great license, and to this, rather than to the individual taste of the poet, must be ascribed the undoubted coarseness of many of the jests. Aristophanes seems, indeed, to have been regarded by his contemporaries as a man of noble character. He died shortly after the production of his "Plutus," in 388 B. C. "The Frogs" was produced the year after the death of Euripides, and laments the decay of Greek tragedy which Aristophanes attributed to that writer. It is an admirable example of the brilliance of his style, and of that mingling of wit and poetry with rollicking humor and keen satirical point which is his chief characteristic. Here, as elsewhere, he stands for tradition against innovation of all kinds, whether in politics, religion, or art. The hostility to Euripides displayed here and in several other plays, like his attacks on Socrates, is a result of this attitude of conservatism. The present play is notable also as a piece of elaborate if not over-seriousliterary criticism from the pen of a great poet.
發表於2024-11-23
The Frogs 2024 pdf epub mobi 電子書 下載
維基上斷斷續續看的,也不知道是什麼版本。 尼采<悲劇的誕生>中提到阿裏斯托芬對歐裏畢德斯的評價還是很忠實,文本最後的確提到蘇格拉底,並且將其並入歐裏畢德斯 及其他智者一類,規勸雅典人少跟他們交談,勿玷汙悲劇女神: to pass an idle life reeling off grandiloquent ...
評分維基上斷斷續續看的,也不知道是什麼版本。 尼采<悲劇的誕生>中提到阿裏斯托芬對歐裏畢德斯的評價還是很忠實,文本最後的確提到蘇格拉底,並且將其並入歐裏畢德斯 及其他智者一類,規勸雅典人少跟他們交談,勿玷汙悲劇女神: to pass an idle life reeling off grandiloquent ...
評分維基上斷斷續續看的,也不知道是什麼版本。 尼采<悲劇的誕生>中提到阿裏斯托芬對歐裏畢德斯的評價還是很忠實,文本最後的確提到蘇格拉底,並且將其並入歐裏畢德斯 及其他智者一類,規勸雅典人少跟他們交談,勿玷汙悲劇女神: to pass an idle life reeling off grandiloquent ...
評分維基上斷斷續續看的,也不知道是什麼版本。 尼采<悲劇的誕生>中提到阿裏斯托芬對歐裏畢德斯的評價還是很忠實,文本最後的確提到蘇格拉底,並且將其並入歐裏畢德斯 及其他智者一類,規勸雅典人少跟他們交談,勿玷汙悲劇女神: to pass an idle life reeling off grandiloquent ...
評分維基上斷斷續續看的,也不知道是什麼版本。 尼采<悲劇的誕生>中提到阿裏斯托芬對歐裏畢德斯的評價還是很忠實,文本最後的確提到蘇格拉底,並且將其並入歐裏畢德斯 及其他智者一類,規勸雅典人少跟他們交談,勿玷汙悲劇女神: to pass an idle life reeling off grandiloquent ...
圖書標籤: Aristophanes 阿裏斯托芬 埃斯庫羅斯 蘇格拉底 歐裏庇得斯 WUH Socrates Euripides
在阿裏斯托芬第一部成功的喜劇《阿卡奈人》中,他以代錶樂精神的歌隊齣場間離地錶徵瞭喜劇詩人麵具來為詩意一辯並且講到詩人是幫助並且強迫人民去理解真正民主原則的城邦文化教師。然而在本劇《蛙》中,他第一次在西方直接展現瞭文藝批評與競技的場麵,並以喜劇形式闡述且批評瞭悲劇詩人歐裏庇得斯“做民主”。這兩者之間産生瞭洛剋式政治哲學的悖論。事實上,分析阿裏斯托芬這樣一個復雜的新喜劇作傢是到底是一位“溫和的民主派”還是一位“激進的保守主義者”的爭論其實更多的是一種命題論文貼標簽式的套路,更可取的方法論依然是似拙實巧地在曆史語境的互文本中條分縷析其真正的思想觀。他更看重埃斯庫羅斯的舊悲劇的崇高但又否定瞭其唱紅歌的一味宏大敘事建構,而在反駁青年蘇格拉底、歐裏庇得斯及剋利翁的智術傾嚮時揭開的隱微像極瞭朗佩特的施公。
評分我敬佩Aeschylus,卻更願意和Euripides風格的人一起做朋友。而作為一個神,這裏麵的Dionysus也太好笑瞭。
評分在阿裏斯托芬第一部成功的喜劇《阿卡奈人》中,他以代錶樂精神的歌隊齣場間離地錶徵瞭喜劇詩人麵具來為詩意一辯並且講到詩人是幫助並且強迫人民去理解真正民主原則的城邦文化教師。然而在本劇《蛙》中,他第一次在西方直接展現瞭文藝批評與競技的場麵,並以喜劇形式闡述且批評瞭悲劇詩人歐裏庇得斯“做民主”。這兩者之間産生瞭洛剋式政治哲學的悖論。事實上,分析阿裏斯托芬這樣一個復雜的新喜劇作傢是到底是一位“溫和的民主派”還是一位“激進的保守主義者”的爭論其實更多的是一種命題論文貼標簽式的套路,更可取的方法論依然是似拙實巧地在曆史語境的互文本中條分縷析其真正的思想觀。他更看重埃斯庫羅斯的舊悲劇的崇高但又否定瞭其唱紅歌的一味宏大敘事建構,而在反駁青年蘇格拉底、歐裏庇得斯及剋利翁的智術傾嚮時揭開的隱微像極瞭朗佩特的施公。
評分我敬佩Aeschylus,卻更願意和Euripides風格的人一起做朋友。而作為一個神,這裏麵的Dionysus也太好笑瞭。
評分我敬佩Aeschylus,卻更願意和Euripides風格的人一起做朋友。而作為一個神,這裏麵的Dionysus也太好笑瞭。
The Frogs 2024 pdf epub mobi 電子書 下載