Selling Sounds

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David Suisman is Associate Professor of History at the University of Delaware.

出版者:Harvard University Press
作者:David Suisman
出品人:
頁數:368
译者:
出版時間:2009-5-31
價格:USD 32.50
裝幀:Hardcover
isbn號碼:9780674033375
叢書系列:
圖書標籤:
  • 音樂 
  • 藝術與音樂 
  • 美國 
  • 商業 
  • 曆史 
  • musicology 
  • SHL 
  • 商業與金融 
  •  
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From Tin Pan Alley to grand opera, player-pianos to phonograph records, David Suisman's "Selling Sounds" explores the rise of music as big business and the creation of a radically new musical culture. Around the turn of the twentieth century, music entrepreneurs laid the foundation for today's vast industry, with new products, technologies, and commercial strategies to incorporate music into the daily rhythm of modern life. Popular songs filled the air with a new kind of musical pleasure, phonographs brought opera into the parlor, and celebrity performers like Enrico Caruso captivated the imagination of consumers from coast to coast. "Selling Sounds" uncovers the origins of the culture industry in music and chronicles how music ignited an auditory explosion that penetrated all aspects of society. It maps the growth of the music business across the social landscape - in homes, theaters, department stores, schools - and analyzes the effect of this development on everything from copyright law to the sensory environment. While music came to resemble other consumer goods, its distinct properties as sound ensured that its commercial growth and social impact would remain unique. Today, the music that surrounds us - from iPods to ring tones to Muzak - accompanies us everywhere from airports to grocery stores. The roots of this modern culture lie in the business of popular song, player-pianos, and phonographs of a century ago. Provocative, original, and lucidly written, "Selling Sounds" reveals the commercial architecture of America's musical life.

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用希臘數字串聯成的17頁,是我迄今為止看過最長的序言,而重要的不是這總共17頁的字符,而是我並沒看齣它是一篇序言,這徐徐道來更像是在跟我說一個人的生平、一個故事。 “歌麯在唱之前是什麼樣子的呢?”作者提到瞭流行音樂的演變,從一開始指嚮本土的音樂,即産生在生活中,...  

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商業與藝術聯姻,喜憂參半。這不難理解:藝術傢也要生活,商業的保障是藝術的助推,盡管時有對市場的迎閤。大衛·伊斯曼在《販賣音樂:美國音樂的商業進化》一書中迴顧瞭十九世紀以降,商業參與的音樂史,直言:“在音樂産業的行話裏,'創作'的意思並非是寫歌,而是使歌麯走紅...  

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