Sophocles' Theban Plays- Oedipus the King, Oedipus at Colonus, and Antigone-lie at the core of the Western literary canon. They are extensively translated, universally taught, and frequently performed. Chronicling the downfall of Oedipus, the legendary king of Thebes, and his descendants, the Theban Plays are as relevant to present-day thought about love, duty, patriotism, family, and war as when they were written 2,500 years ago. Recent translations of the plays, while linguistically correct, often fail to capture the beauty of Sophocles' original words. In combining the skills of a distinguished poet, Ruth Fainlight, and an eminent classical scholar, Robert J. Littman, this new edition of the Theban Plays is both a major work of poetry and a faithful translation of the original works. Thoughtful introductions, extensive notes, and glossaries frame each of the plays within their historical contexts and illuminate important themes, mythological roots, and previous interpretations. This elegant and uncommonly readable translation will make these seminal Greek tragedies accessible to a new generation of readers.
首先,對於“悲劇”的定義,不是在通常漢語語境中的“苦情戲”,而是指“通過莊嚴肅穆的輪專場展開劇情”的敘事藝術(詳見劉小楓《哲人王俄狄浦斯》),與戲劇戲謔狂歡的敘事方式相對,因此劉小楓認為定名為“肅劇”更恰當。劉小楓先生這是從悲劇的的表演形式來講,而從悲...
评分我在读《俄狄浦斯王》,《俄狄浦斯在克洛诺斯》,《安提戈涅》这部三联剧的时候,一次又一次的感慨索福克勒斯或者说是希腊人的智慧。《俄狄浦斯》这系列的作品,连同后人对他的不同侧面的阐释,构成了一个精深而庞大的世界。今天我要和大家分享的是我站在很多很多巨人的肩膀上...
评分好烂的翻译。。。
评分好烂的翻译。。。
评分好烂的翻译。。。
评分好烂的翻译。。。
评分好烂的翻译。。。
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