This essay proposes for the first time the confrontation and ensuing resonance of two clearly distinct areas in the writings of Andre Breton: on the one hand, the great lyrical prose that, interwoven with images, converges with the poetics of the pseudo-Longinus; on the other, a poetry often announced as mainly 'automatic' by its author, but whose pictures trace cultural forms that are systematically explored in this book: theogonies, cosmogonies, but also symbolical spaces of intimacy and loci amoeni, which one often doesn't suspect to find in Breton's poetry. A systematic study of his oeuvre's stylistical figures enhances this publication even more.
具体描述
读后感
用户评价
相关图书
本站所有内容均为互联网搜索引擎提供的公开搜索信息，本站不存储任何数据与内容，任何内容与数据均与本站无关，如有需要请联系相关搜索引擎包括但不限于百度，google,bing,sogou 等
© 2025 onlinetoolsland.com All Rights Reserved. 本本书屋 版权所有