Pygmalion, by George Bernard Shaw - Akasha Classics, AkashaPublishing.Com - As will be seen later on, Pygmalion needs, not a preface, but a sequel, which I have supplied in its due place. The English have no respect for their language, and will not teach their children to speak it. They spell it so abominably that no man can teach himself what it sounds like. It is impossible for an Englishman to open his mouth without making some other Englishman hate or despise him. German and Spanish are accessible to foreigners: English is not accessible even to English-men. The reformer England needs today is an energetic phonetic enthusiast: that is why I have made such a one the hero of a popular play. There have been heroes of that kind crying in the wilderness for many years past. When I became interested in the subject towards the end of the eighteen-seventies, Melville Bell was dead; but Alexander J. Ellis was still a living patriarch, with an impressive head always covered by a velvet skull cap, for which he would apologize to public meetings in a very courtly manner. He and Tito Pagliardini, another phonetic veteran, were men whom it was impossible to dislike. Henry Sweet, then a young man, lacked their sweetness of character: he was about as conciliatory to conventional mortals as Ibsen or Samuel Butler. His great ability as a phonetician (he was, I think, the best of them all at his job) would have entitled him to high official recognition, and perhaps enabled him to popularize his subject, but for his Satanic contempt for all academic dignitaries and persons in general who thought more of Greek than of phonetics. Once, in the days when the Imperial Institute rose in South Kensington, andJoseph Chamberlain was booming the Empire, I induced the editor of a leading monthly review to commission an article from Sweet on the imperial importance of his subject. When it arrived, it contained nothing but a savagely derisive attack on a professor of language and literature whose chair Sweet regarded as proper to a phonetic expert only. The article, being libelous, had to be returned as impossible; and I had to renounce my dream of dragging its author into the limelight. When I met him afterwards, for the first time for many years, I found to my astonishment that he, who had been a quite tolerably presentable young man, had actually managed by sheer scorn to alter his personal appearance until he had become a sort of walking repudiation of Oxford and all its traditions. It must have been largely in his own despite that he was squeezed into something called a Readership of phonetics there. The future of phonetics rests probably with his pupils, who all swore by him; but nothing could bring the man himself into any sort of compliance with the university, to which he nevertheless clung by divine right in an intensely Oxonian way. I daresay his papers, if he has left any, include some satires that may be published without too destructive results fifty years hence. He was, I believe, not in the least an ill-natured man: very much the opposite, I should say; but he would not suffer fools gladly.
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这是一次令人心潮澎湃的阅读之旅。作者的叙事方式非常独特,他擅长运用大量的象征和隐喻,使得故事的解读空间非常广阔。一开始,我可能需要花费一些精力去理解那些看似晦涩的文字,但一旦深入其中,便能感受到文字背后强大的力量。 人物的塑造方面,我更倾向于称他们为“灵魂的写照”。作者并没有刻意去美化他们,而是将他们赤裸裸地呈现在读者面前,包括他们的优点、缺点、欲望和恐惧。这种 unfiltered 的呈现方式,让我感到非常震撼,也让我对人性的复杂有了更深刻的认识。 故事的冲突和矛盾,并非是那种一览无余的对决,而是更多地体现在人物内心的挣扎和纠结。这种细腻的情感描绘,需要读者具备一定的感悟能力去体会。作者通过这些内心的冲突,展现了人性的脆弱与坚韧,以及在困境中寻求突破的勇气。 总的来说,这是一本需要静下心来,慢慢品味的著作。它不是那种读完之后就能立刻获得答案的书,而是会伴随你很久,让你在未来的日子里,不断地回想起其中的某些片段,并且从中获得新的启示。
评分简直是一场文学盛宴!这本书的语言风格极具特色,时而诙谐幽默,时而又深沉内敛,给我的阅读体验带来了极大的丰富性。作者在叙事上采用了非线性结构,巧妙地穿插着各种回忆和闪回,让故事的层次感更加丰富,也让人物的形象更加立体饱满。 让我印象深刻的是,作者对细节的把握达到了极致。无论是人物的微表情,还是环境的细微变化,都被描绘得惟妙惟肖,仿佛能让读者亲身感受到。这种细致入微的描写,使得整个故事更加生动真实,也更容易引起读者的共鸣。 书中探讨的主题非常广泛,涉及到爱、失去、成长、救赎等多个方面,而作者的处理方式却不落俗套。他并没有给读者一个简单的答案,而是引导读者去思考,去寻找属于自己的解读。这种开放式的叙事,让这本书具有了更强的生命力,也让每一次阅读都能有新的体会。 这本书就像一面镜子,照出了我们内心的深处。它让我们审视自己,反思过去,从而更好地走向未来。
评分这本书的魅力在于其深邃的思想内核和独特的艺术风格。作者的文字功底毋庸置疑,每一个词语都像是经过千锤百炼,精准而又富有表现力。阅读过程中,我常常被那些优美而富有哲理的句子所吸引,它们如同璀璨的星辰,点亮了我的思维。 故事中的人物,他们的成长轨迹和内心变化,都刻画得淋漓尽致。我能感受到他们所经历的痛苦、挣扎、迷茫,也能分享他们获得顿悟时的喜悦。作者并没有将人物塑造成完美的英雄,而是展现了他们的不完美,正是这份真实,让我对他们产生了深深的同情和理解。 此外,作者对社会现实的剖析也相当深刻。他通过故事中的人物和事件,揭示了社会中存在的种种问题,却又不失其温情。这种批判与关怀并存的笔触,使得整部作品在引人深思的同时,也传递出一种积极向上的力量。 读完这本书,我感到内心平静而又充实。它让我对人生有了更深刻的理解,也对未来充满了希望。
评分这是一部令人拍案叫绝的杰作!作者以其天马行空的想象力和炉火纯青的叙事技巧,为我们构建了一个既宏伟又充满细节的世界。刚翻开书页,我便被一股强大的吸引力卷入其中,无法自拔。人物塑造尤为成功,每个角色都栩栩如生,拥有独特的个性和鲜明的立场。他们之间的互动充满了张力,有时是激烈的冲突,有时又是默契的配合,每一次的对话都显得掷地有声,暗藏玄机。 情节设计更是精妙绝伦,如同一个巨大的谜团,层层剥开,引人入胜。作者善于设置伏笔,巧妙地将各种线索编织在一起,让读者在猜测中不断前进,直到最终揭晓真相时,那种豁然开朗的惊喜感是无与伦比的。我惊叹于作者构建的这个复杂而又逻辑严谨的体系,每一个细节都经过精心打磨,没有一丝多余。 最让我印象深刻的是,这本书不仅仅是在讲一个故事,更是在探讨一些深刻的哲学命题。它迫使我停下脚步,去思考关于勇气、牺牲、选择以及命运的本质。那些关于人性弱点与光辉的描绘,让我对现实世界有了更清醒的认识。 我强烈推荐这本书给所有热爱阅读的人。它不仅能带来一段奇妙的阅读体验,更能激发你的思考,拓展你的视野。
评分啊,这本书,真是让人回味无穷。读完之后,我感觉自己仿佛置身于一个光怪陆离的世界,又像是经历了一场深刻的心灵洗礼。作者的笔触细腻而富有张力,无论是对人物内心细微情感的刻画,还是对宏大叙事的铺陈,都显得游刃有余。我尤其喜欢他对场景描写的独到之处,那些文字仿佛带着画面感,让我能身临其境地感受到角色的喜怒哀乐,体会到他们所处的环境带来的压抑或解放。 故事的推进节奏把握得恰到好处,既有引人入胜的悬念,又不会让人感到仓促。每一个情节转折都水到渠成,仿佛是角色命运的必然。我发现自己常常在阅读的过程中,不自觉地放慢了节奏,细细品味那些精妙的比喻和深刻的哲理。作者对人性的洞察更是让我惊叹,他笔下的角色并非非黑即白,而是充满了复杂的矛盾和挣扎,这使得他们更加真实可信,也更能引起读者的共鸣。 这本书给我带来的不仅仅是阅读的乐趣,更多的是一种思考的启迪。它让我对生活有了新的认识,对人与人之间的关系有了更深的理解。我常常会因为某个角色的选择而陷入沉思,也会因为某个情节的发展而感到释然。那些看似平凡的对话,背后却蕴含着深刻的人生哲理,需要读者用心去体会。 总而言之,这是一本值得反复阅读的好书。每一次重读,都会有新的发现,新的感悟。它就像一坛陈年的老酒,越品越有味道。我相信,无论是什么样的读者,都能在这本书中找到属于自己的那份触动。
评分有太多可讲有太多想说,里面有太多太多了
评分结尾很有趣啊。
评分妙语连珠 人物十分有魅力 毒舌 专业 独身主义 恋母情结 语言洁癖 米尔顿死忠的教授真是光芒万丈 只是形式结构以及三个人的微妙感情让我有些困惑 或许作者最后那句话就是答案吧
评分读了作者的后记,一口血吐出来有没有……
评分读了作者的后记,一口血吐出来有没有……
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