Throughout his career, Daido Moriyama has sought new ways of recasting his images through the use of different printing techniques, installation, or by re-editing and re-formatting them. For this volume, Moriyama has returned to his contact sheets from the past five decades, selecting both classic and previously unpublished images. Included here are reproductions of original contact sheets; sequences of new contact sheets made from recombined negative strips that juxtapose images from the 1950s with those from the past ten years; and selections of individual images, both familiar and newly discovered. Together, they offer a comprehensive assembly of Moriyama's oeuvre, tracing recurring motifs and proposing startling new interpretations of some of his most iconic photographs. In opening up this private process of reexamination to a wider public, Moriyama continues to challenge the viewer, his own practice and the larger mechanisms by which photography makes meaning.
Daido Moriyama (born 1938) has been publishing and exhibiting his photography since the late 1960s, with a bibliography of more than 300 monographs to his name. A major retrospective, Daido Moriyama: Stray Dog, originated in 2000 at the San Francisco Museum of Modern Art, and subsequently toured internationally to the Metropolitan Museum of Art and Japan Society in New York, Fotomuseum Winterthur in Switzerland and numerous other venues. He is a recipient of the Cultural Award of the Deutsche Gesellschaft für Photographie and the 2012 Infinity Award for Lifetime Achievement. Exhibitions include a major retrospective, On the Road, presented at the Osaka National Museum of Art from June to October 2011, and William Klein/Daido Moriyama at Tate Modern from October 2012 to January 2013.
具体描述
读后感
用户评价
大量底片的展示，治好了我多年的颈椎病。底片这个媒介可以让你去间接感受摄影家拍摄时是什么样的状态和想法，这是数码所做不到。
评分再见啊摄影、北海道、Labyrinth，我是这样认为的
评分还得去对着作品集看。。
评分答案书
评分一种潜意识的拍摄，看似没有任何的技巧，但是因为捕捉的并不是画面而是画面带来的那种意识上的对冲。不过因为里面都是contact print, 不能完整的去琢磨单一画面，或者这就是作者本意？意识不能被描述，只能这样通过一系列的画面来“描述”了
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