吉爾·德勒茲,法國後現代主義哲學傢,生於巴黎,曾任教於索邦大學及梵森大學。思想影響後世甚廣,範圍包括哲學、政治、心理分析及哲學等。著有《差異與重復》、《什麼是哲學》和《韆重颱》等書。
First published in France in 1983, this is at once a revolutionary work in philosophy and a book about cinema. For Deleuze, philosophy cannot be a reflection of something else; philosophical concepts are, rather, the images of thought, to be understood on their own terms. Here he puts this view of philosophy to work in understanding the concepts-or images-of film. Cinema, to Deleuze, is not a language that requires probing and interpretation, a search for hidden meanings; it can be understood directly, as a composition of images and signs, pre-verbal in nature. Thus he offers a powerful alternative to the psychoanalytic and semiological approaches that have dominated film studies.
Drawing upon Henri Bergson's thesis on perception and C. S. Peirce's classification of images and signs, Deleuze is able to put forth a new theory and taxonomy of the image, which he then applies to concrete examples from the work of a diverse group of filmmakers—Griffith, Eisenstein, Pasolini, Rohmer, Bresson, Dreyer, Stroheim, Buñuel, and many others. Because he finds movement to be the primary characteristic of cinema in the first half of the twentieth century, he devotes this first volume to that aspect of film. In the years since World War II, time has come to dominate film; that shift, and the signs and images associated with it, are addressed in Cinema 2: The Time-Image.
"The appearance of [this book] is an exciting event for film study and one that well deserves serious attention and commentary." —Film Quarterly
發表於2024-10-31
Cinema 1 2024 pdf epub mobi 電子書 下載
麵對如此巨著,何敢惶稱書評?在此存檔。 德勒茲用《運動影像》和《時間影像》闡述瞭電影與哲學、時間與概念的關係。他認為“哲學理論本身以及他的對象是一種實踐,是一種概念的實踐。”他還認為“電影理論不涉及電影,而是涉及電影引發的概念,而且這些概念本身同其他時間的相...
評分之前短評已述,發現120頁之前的譯文與英譯本有數多齟齬之處。但都沒有120頁來的集中和嚴重(因此頁為德遼茲運動觀的核心之一) 事實上,我們已經談到瞭影像=運動的世界展現,……(黃譯本,p119) We find ourselves in fact faced with the exposition of a world where IMAGE=M...
評分之前短評已述,發現120頁之前的譯文與英譯本有數多齟齬之處。但都沒有120頁來的集中和嚴重(因此頁為德遼茲運動觀的核心之一) 事實上,我們已經談到瞭影像=運動的世界展現,……(黃譯本,p119) We find ourselves in fact faced with the exposition of a world where IMAGE=M...
評分麵對如此巨著,何敢惶稱書評?在此存檔。 德勒茲用《運動影像》和《時間影像》闡述瞭電影與哲學、時間與概念的關係。他認為“哲學理論本身以及他的對象是一種實踐,是一種概念的實踐。”他還認為“電影理論不涉及電影,而是涉及電影引發的概念,而且這些概念本身同其他時間的相...
評分一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一一...
圖書標籤: deleuze 電影理論 電影 法國 Deleuze Cinema 哲學 德勒茲
這本書真的很難懂,但是又是當地電影理論的必讀之作
評分現在纔看懂
評分Deleuze的書,讀完不敢說自己讀過,盡管原則性的哲學都是那套(恐怕在difference and repetition,尼采與哲學中就已經闡明瞭),對這套理論的實踐則是多樣以緻無窮的
評分這本書真的很難懂,但是又是當地電影理論的必讀之作
評分不推薦讀,讀完腦殼疼
Cinema 1 2024 pdf epub mobi 電子書 下載