Harold Pinter CH CBE (/ˈpɪntər/; 10 October 1930 – 24 December 2008) was a Nobel Prize-winning British playwright, screenwriter, director and actor. One of the most influential modern British dramatists, his writing career spanned more than 50 years. His best-known plays include The Birthday Party (1957), The Homecoming (1964), and Betrayal (1978), each of which he adapted for the screen. His screenplay adaptations of others' works include The Servant (1963), The Go-Between (1971), The French Lieutenant's Woman (1981), The Trial (1993), and Sleuth (2007). He also directed or acted in radio, stage, television, and film productions of his own and others' works.
Pinter was born and raised in Hackney, east London, and educated at Hackney Downs School. He was a sprinter and a keen cricket player, acting in school plays and writing poetry. He attended the Royal Academy of Dramatic Art but did not complete the course. He was fined for refusing National service as a conscientious objector. Subsequently, he continued training at the Central School of Speech and Drama and worked in repertory theatre in Ireland and England. In 1956 he married actress Vivien Merchant and had a son, Daniel, born in 1958. He left Merchant in 1975 and married author Lady Antonia Fraser in 1980.
Pinter's career as a playwright began with a production of The Room in 1957. His second play, The Birthday Party, closed after eight performances, but was enthusiastically reviewed by critic Harold Hobson. His early works were described by critics as "comedy of menace". Later plays such as No Man's Land (1975) and Betrayal (1978) became known as "memory plays". He appeared as an actor in productions of his own work on radio and film. He also undertook a number of roles in works by other writers. He directed nearly 50 productions for stage, theatre and screen. Pinter received over 50 awards, prizes, and other honours, including the Nobel Prize in Literature in 2005 and the French Légion d'honneur in 2007.
Despite frail health after being diagnosed with oesophageal cancer in December 2001, Pinter continued to act on stage and screen, last performing the title role of Samuel Beckett's one-act monologue Krapp's Last Tape, for the 50th anniversary season of the Royal Court Theatre, in October 2006. He died from liver cancer on 24 December 2008.
发表于2024-12-23
The Dumb Waiter 2024 pdf epub mobi 电子书
很久之前看一本小册子的时候注意到了《送菜升降机》,介绍写的狗血无比,一看之下却完全不是那么回事。另外一种狗血,也就是看荒诞剧的时候你才能肆无忌惮的嘲笑荒诞。 通篇无意义,却实在让人喜欢。很喜欢Gus,如果生活中有这种饶舌男人,我一定会像Ben一样上去揍他两拳。 ...
评分很久之前看一本小册子的时候注意到了《送菜升降机》,介绍写的狗血无比,一看之下却完全不是那么回事。另外一种狗血,也就是看荒诞剧的时候你才能肆无忌惮的嘲笑荒诞。 通篇无意义,却实在让人喜欢。很喜欢Gus,如果生活中有这种饶舌男人,我一定会像Ben一样上去揍他两拳。 ...
评分很久之前看一本小册子的时候注意到了《送菜升降机》,介绍写的狗血无比,一看之下却完全不是那么回事。另外一种狗血,也就是看荒诞剧的时候你才能肆无忌惮的嘲笑荒诞。 通篇无意义,却实在让人喜欢。很喜欢Gus,如果生活中有这种饶舌男人,我一定会像Ben一样上去揍他两拳。 ...
评分很久之前看一本小册子的时候注意到了《送菜升降机》,介绍写的狗血无比,一看之下却完全不是那么回事。另外一种狗血,也就是看荒诞剧的时候你才能肆无忌惮的嘲笑荒诞。 通篇无意义,却实在让人喜欢。很喜欢Gus,如果生活中有这种饶舌男人,我一定会像Ben一样上去揍他两拳。 ...
评分很久之前看一本小册子的时候注意到了《送菜升降机》,介绍写的狗血无比,一看之下却完全不是那么回事。另外一种狗血,也就是看荒诞剧的时候你才能肆无忌惮的嘲笑荒诞。 通篇无意义,却实在让人喜欢。很喜欢Gus,如果生活中有这种饶舌男人,我一定会像Ben一样上去揍他两拳。 ...
图书标签: 戏剧 英国 HaroldPinter 荒诞 英国文学 剧本 荒诞派 TheatreOfAbsurdity
Gus and Ben are on the job, waiting and listening. Into the waiting silence rattles the dumb waiter with extraordinary demands for dishes they cannot supply - and who is operating the dumb waiter in an empty house? In a while their victim will come and they will know what to do.
appalling
评分i am totally get lost
评分准备火车上重读
评分“送菜”一段颇有意思,这么短的剧本能写出这么多内容不容易啊
评分又一部荒诞剧
The Dumb Waiter 2024 pdf epub mobi 电子书