Harold Pinter CH CBE (/ˈpɪntər/; 10 October 1930 – 24 December 2008) was a Nobel Prize-winning British playwright, screenwriter, director and actor. One of the most influential modern British dramatists, his writing career spanned more than 50 years. His best-known plays include The Birthday Party (1957), The Homecoming (1964), and Betrayal (1978), each of which he adapted for the screen. His screenplay adaptations of others' works include The Servant (1963), The Go-Between (1971), The French Lieutenant's Woman (1981), The Trial (1993), and Sleuth (2007). He also directed or acted in radio, stage, television, and film productions of his own and others' works.
Pinter was born and raised in Hackney, east London, and educated at Hackney Downs School. He was a sprinter and a keen cricket player, acting in school plays and writing poetry. He attended the Royal Academy of Dramatic Art but did not complete the course. He was fined for refusing National service as a conscientious objector. Subsequently, he continued training at the Central School of Speech and Drama and worked in repertory theatre in Ireland and England. In 1956 he married actress Vivien Merchant and had a son, Daniel, born in 1958. He left Merchant in 1975 and married author Lady Antonia Fraser in 1980.
Pinter's career as a playwright began with a production of The Room in 1957. His second play, The Birthday Party, closed after eight performances, but was enthusiastically reviewed by critic Harold Hobson. His early works were described by critics as "comedy of menace". Later plays such as No Man's Land (1975) and Betrayal (1978) became known as "memory plays". He appeared as an actor in productions of his own work on radio and film. He also undertook a number of roles in works by other writers. He directed nearly 50 productions for stage, theatre and screen. Pinter received over 50 awards, prizes, and other honours, including the Nobel Prize in Literature in 2005 and the French Légion d'honneur in 2007.
Despite frail health after being diagnosed with oesophageal cancer in December 2001, Pinter continued to act on stage and screen, last performing the title role of Samuel Beckett's one-act monologue Krapp's Last Tape, for the 50th anniversary season of the Royal Court Theatre, in October 2006. He died from liver cancer on 24 December 2008.
Gus and Ben are on the job, waiting and listening. Into the waiting silence rattles the dumb waiter with extraordinary demands for dishes they cannot supply - and who is operating the dumb waiter in an empty house? In a while their victim will come and they will know what to do.
發表於2024-12-22
The Dumb Waiter 2024 pdf epub mobi 電子書 下載
很久之前看一本小冊子的時候注意到瞭《送菜升降機》,介紹寫的狗血無比,一看之下卻完全不是那麼迴事。另外一種狗血,也就是看荒誕劇的時候你纔能肆無忌憚的嘲笑荒誕。 通篇無意義,卻實在讓人喜歡。很喜歡Gus,如果生活中有這種饒舌男人,我一定會像Ben一樣上去揍他兩拳。 ...
評分很久之前看一本小冊子的時候注意到瞭《送菜升降機》,介紹寫的狗血無比,一看之下卻完全不是那麼迴事。另外一種狗血,也就是看荒誕劇的時候你纔能肆無忌憚的嘲笑荒誕。 通篇無意義,卻實在讓人喜歡。很喜歡Gus,如果生活中有這種饒舌男人,我一定會像Ben一樣上去揍他兩拳。 ...
評分很久之前看一本小冊子的時候注意到瞭《送菜升降機》,介紹寫的狗血無比,一看之下卻完全不是那麼迴事。另外一種狗血,也就是看荒誕劇的時候你纔能肆無忌憚的嘲笑荒誕。 通篇無意義,卻實在讓人喜歡。很喜歡Gus,如果生活中有這種饒舌男人,我一定會像Ben一樣上去揍他兩拳。 ...
評分很久之前看一本小冊子的時候注意到瞭《送菜升降機》,介紹寫的狗血無比,一看之下卻完全不是那麼迴事。另外一種狗血,也就是看荒誕劇的時候你纔能肆無忌憚的嘲笑荒誕。 通篇無意義,卻實在讓人喜歡。很喜歡Gus,如果生活中有這種饒舌男人,我一定會像Ben一樣上去揍他兩拳。 ...
評分很久之前看一本小冊子的時候注意到瞭《送菜升降機》,介紹寫的狗血無比,一看之下卻完全不是那麼迴事。另外一種狗血,也就是看荒誕劇的時候你纔能肆無忌憚的嘲笑荒誕。 通篇無意義,卻實在讓人喜歡。很喜歡Gus,如果生活中有這種饒舌男人,我一定會像Ben一樣上去揍他兩拳。 ...
圖書標籤: 戲劇 英國 HaroldPinter 荒誕 英國文學 劇本 荒誕派 TheatreOfAbsurdity
i am totally get lost
評分Haven't developed a taste for the Theater of the Absurd. The most amusing thing about this play is perhaps the translated title in Chinese!
評分absurdity
評分封閉和現代社會的壓抑
評分The saddest moment comes when Gus says he wants a window for a bit of view.
The Dumb Waiter 2024 pdf epub mobi 電子書 下載