Jane Eyre (originally published as Jane Eyre: An Autobiography) is a novel by English writer Charlotte Brontë, published under the pen name "Currer Bell", on 16 October 1847, by Smith, Elder & Co. of London, England. The first American edition was published the following year by Harper & Brothers of New York.[citation needed]
Primarily a bildungsroman, Jane Eyre follows the experiences of its eponymous heroine, including her growth to adulthood and her love for Mr. Rochester, the Byronic master of Thornfield Hall. The focus is on the gradual unfolding of Jane's moral and spiritual sensibility, and Jane Eyre revolutionised the art of fiction in the way that all the events are coloured by a heightened intensity that was previously the domain of poetry. Charlotte Brontë has been called the 'first historian of the private consciousness' and the literary ancestor of writers like Proust and Joyce. The novel contains elements of social criticism, with a strong sense of Christian morality at its core, and is considered by many to be ahead of its time because of Jane's individualistic character and how the novel approaches the topics of class, sexuality, religion, and feminism.
Charlotte Brontë ( 21 April 1816 – 31 March 1855) was an English novelist and poet, the eldest of the three Brontë sisters who survived into adulthood and whose novels have become classics of English literature.
She enlisted in school at Roe Head in January 1831, aged 14 years. She left the year after to teach her sisters, Emily and Anne, at home, returning in 1835 as a governess. In 1839 she undertook the role as governess for the Sidgwick family, but left after a few months to return to Haworth where the sisters opened a school, but failed to attract any students. Instead they turned to writing and they each first published in 1846 under the pseudonyms of Currer, Ellis and Acton Bell. Her first novel The Professor was rejected by publishers, her second novel Jane Eyre was published in 1847, although it was not initially well received; one critic described it as a "pre-eminently an anti-Christian composition". The sisters admitted to their Bell pseudonyms in 1848, and by the following year were celebrated in London literary circles.
Brontë experienced the early deaths of all her siblings. She became pregnant shortly after her marriage in June 1854 but died on 31 March 1855 of tuberculosis or possibly typhus.
身心俱乏,消極避世,窩在床上讀治愈係之《簡愛》。讀瞭二百來頁,猛然發現,簡愛絕對是維多利亞早期的女吊絲(無貶義,親切認同),她的故事堪稱女吊絲的逆襲。除瞭相貌平平、齣身寒微、不惹人注目外,簡愛還有女屌絲的兩個特質:重口味和強大的生命力。 首先,簡愛小姐在性...
評分 評分很多人會認為《簡·愛》是一部愛情小說,可是它已誕生瞭150多年,至今被讀者列在人生必讀之位,這就不能僅僅是用愛情小說來定義得瞭的瞭。《簡·愛》還是一部女性成長史和自我抗爭史。其實有關本書的讀後感和評論已有太多太多,對各個時期的讀者影響頗大。它不僅是一部偉大的文...
評分重讀瞭夏洛蒂·勃朗特的《簡·愛》,距離上一次讀它已經有20年的時間。對於一個故事充斥的年代來說,這部19世紀並不以情節齣眾的小說和小說的女主人公的外貌一樣平平,甚至有些乏味,但是,還是有很多細節,很值得去深深體味一番。 《簡·愛》首先並不是一部超越瞭時代的作品...
評分名著之所以成為名著,首先它需要滿足於大眾讀者的原始期待,在閤該起承轉閤的關口描繪地漂亮舒服,如果再能夠在意料之外的地方添加上反“經典”的非莊重,就像《百年孤獨》中諸多限製級cult片演示,將這種隆重的“權威性”拉下馬來讓讀者先一步獲得一種閱讀的飽腹感,當然會更...
說實話,初讀時我差點被那種略顯古舊的語言風格勸退,感覺像是在啃一本厚厚的年代久遠的文獻,但一旦適應瞭那種古典的韻律和復雜的句式,你會發現其中蘊含著無與倫比的美感。它構建瞭一個極為完整的、幾乎可以觸摸到的十九世紀英國社會圖景,從宏大的莊園到鄉村的簡陋,從貴族的虛僞到底層人民的堅韌,無一不展現齣作者對時代背景的深刻洞察。這種細節的豐富性,絕非簡單的背景介紹所能比擬,它已經融入瞭角色的血液和呼吸之中。我特彆佩服作者構建世界觀的能力,她沒有刻意去歌頌或批判,而是客觀地展示瞭那個時代對女性的束縛與期待,這種沉甸甸的曆史感,使得人物的每一次反抗和妥協都顯得尤為沉重和真實。它不是一本讓你輕鬆閱讀的消遣讀物,更像是一場沉浸式的曆史體驗,每一次翻頁,都感覺自己更深入地走進瞭那個充滿規矩和暗湧的年代,那種壓抑的美學讓人沉醉。
评分這本書最讓我震撼的是它對“獨立”主題的探討,那種毫不妥協、甚至有些近乎慘烈的自我堅守。主角的成長軌跡絕非一帆風順的“開掛”模式,她經曆瞭無數次的跌倒、被誤解、被邊緣化,但她始終沒有放棄對自身價值的認知和追求。這種追求不是浮於錶麵的對物質的渴望,而是對精神自由和人格完整性的執著。讀到某些關鍵性的衝突點時,我甚至會替書中人物感到心跳加速,仿佛自己也站在瞭那個十字路口,必須做齣選擇。這種強烈的代入感,使得這本書超越瞭一般的愛情故事範疇,上升到瞭對個體生命意義的追問。它在提醒著我們,真正的力量往往源自內心的清晰和堅定,而非外界的認可或憐憫。這種精神力量的展現,讓這本書在眾多文學作品中熠熠生輝,每次重讀,都能從中汲取到新的勇氣。
评分我對書中某些配角的塑造給予最高的贊譽,他們雖然不是故事的主角,但其存在感卻異常強大,是推動情節發展和揭示主題深度的關鍵錨點。他們每個人都代錶瞭一種極端的人生哲學或社會現象,像一麵麵棱鏡,摺射齣主角所處的環境的復雜性。比如,那些看似溫和卻暗藏偏見的人物,他們的每一次言行都精準地釘在瞭那個時代的社會弊病之上。作者在處理這些次要人物時,絕沒有臉譜化處理,而是賦予瞭他們真實的、多維的動機和情感缺陷,這使得整個故事世界更加立體和可信。正是這些鮮活的“他者”,襯托齣瞭主角的獨特性和抗爭的艱難。這種對群像的精妙把握,使得這本書不僅是個人的史詩,更是一幅描繪特定社會生態的宏大畫捲,其厚重感和真實感,令人久久不能忘懷。
评分這本書簡直是情感的過山車,我讀完後整個人都陷在那種壓抑又熱烈的氛圍裏無法自拔。作者對於人物內心世界的刻畫達到瞭令人咋舌的深度,那些細微的掙紮、自我懷疑,甚至是那種不為人知的狂熱,都被毫不留情地攤開在讀者麵前。我尤其欣賞那種細膩的筆觸,它不像某些作品那樣空泛地描述“痛苦”或“愛戀”,而是通過具體的場景、環境的渲染,讓你真切地感受到主角在那個特定時刻的生理和心理反應。比如,某個雨夜,窗外的風聲似乎都成瞭她內心不安的具象化,那種孤獨感透過紙張都能撲麵而來。而且,故事的敘事節奏掌握得極好,它不是那種平鋪直敘的流水賬,而是充滿瞭張力和轉摺,總是在你以為一切塵埃落定時,又拋齣一個更復雜的謎團或更深層的矛盾,讓人欲罷不能,恨不得一口氣讀完,又怕讀完那種與書中世界告彆的失落感。這本書的魅力就在於,它讓你思考的不僅僅是情節本身,更是人性深處的復雜性,那種在社會規範與個人渴望之間撕扯的永恒主題。
评分如果讓我用一個詞來形容這本書的氛圍,那一定是“迷離”與“對照”。書中總是有一些場景,光影的運用簡直是大師級的,比如那片籠罩著神秘感的古老宅邸,白日的寜靜與夜間的詭譎形成瞭強烈的反差,讓人始終處於一種既好奇又警惕的狀態。這種視覺上的對比,完美地映射瞭書中人物復雜多麵的性格,以及他們之間那種亦敵亦友、愛恨交織的復雜關係。作者非常擅長使用象徵和暗示,很多看似不經意的物品或天氣變化,都隱藏著對未來情節走嚮的預示,這使得整個閱讀過程充滿瞭智力上的樂趣,總忍不住停下來揣摩作者的深意。這種層層遞進的敘事結構,讓這本書具備瞭極高的重讀價值,每一次深入挖掘,都能發現新的綫索和更深一層的解讀空間,絕非一讀即棄的快餐文學。
评分夏洛特·勃朗特的文字確實遊刃有餘,簡愛的自尊與自卑隻有她能用這樣的文字道齣。
评分If it was at the age of 14 or 15, I would definitely like it. Now it seems to be a little bit over jiaoqing...
评分突然想起很早時讀過... 4星僅是衝著作者文筆,不喜人物性格
评分很悶很瓊瑤
评分很悶很瓊瑤
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