While visiting Russia in his twenties, Rainer Maria Rilke, one of the twentieth century's greatest poets, was moved by a spirituality he encountered there. Inspired, Rilke returned to Germany and put down on paper what he felt were spontaneously received prayers. Rilke's Book of Hours is the invigorating vision of spiritual practice for the secular world, and a work that seems remarkably prescient today, one hundred years after it was written.
Rilke's Book of Hours shares with the reader a new kind of intimacy with God, or the divine--a reciprocal relationship between the divine and the ordinary in which God needs us as much as we need God. Rilke influenced generations of writers with his Letters to a Young Poet, and now Rilke's Book of Hours tells us that our role in the world is to love it and thereby love God into being. These fresh translations rendered by Joanna Macy, a mystic and spiritual teacher, and Anita Barrows, a skilled poet, capture Rilke's spirit as no one has done before.
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还以为这本是里尔克的第一个诗歌集子，本着查缺补漏的心态随便买了个电子版看看，但其实是还蛮重要的一本(里尔克自认为他的第一部重要之作)。和《哀歌》《献诗》一样，这本也是灵感突袭的成果，三个部分，第一部分二十五天写了六十七首，第二三部分都是只用一个礼拜就各完成了三十四首，覆盖了里尔克二十四岁到三十岁之间的三个重要生命时段: 认识莎乐美，同其游俄，与妻子克拉拉成婚生女，去巴黎做罗丹助手。从《时辰簿》到《哀歌》，最大的感受就是前者诗里的对象都非常好辨认(大多数呼吁的对象就是上帝)，而《哀歌》里的各个人称代词指向的对象都非常费解模糊(读《哀歌》的时候就觉得把这些代词所指都搞明白也就读懂了)，这中间是二十年的距离，诗人思想和诗艺的变化，再次印证了我之前对好的文学作品都有歧路花园性质的看法。
评分可能因为我第一本读的是Letters To A Young Poet，可能因为诗歌不是我最热衷的形式，也可能因为我最近读了很多有宗教倾向的东西——所以读这本的时候，就不那么激动了。
评分Death faith young poet’s diligence
评分别人26岁游历欧亚大陆写出来将近三百页给上帝的情书 我 一样的年纪 天天在电脑前昏厥在办公室里痛哭 不想当人了想当狗
评分别人26岁游历欧亚大陆写出来将近三百页给上帝的情书 我 一样的年纪 天天在电脑前昏厥在办公室里痛哭 不想当人了想当狗
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