拉约什·埃格里(Lajos Egri,1888-1967)生于原奥匈帝国的埃格(今匈牙利境内),十岁就写出了一部三幕剧。1908年,埃格里移民美国。一战期间,他加入纽约的左派戏剧组织,成为导演和剧作家,后于20世纪30年代创立写作学校。埃格里同时也是一位新闻工作者,并曾撰写过电视剧本。
高远, 2004年毕业于北京电影学院,获硕士学位,现为专职编剧,作品有电视剧《大汉口》等。
发表于2025-05-28
Art of Dramatic Writing Its Basis in the Creative Interpretation of Human Motives 2025 pdf epub mobi 电子书
如今怀揣编剧理想的年轻人有若过江之鲫,于是市面上的编剧教程也便多如牛毛。此前出版的教程尽管各有各的参考价值,不过缺点也都非常明显:所选片目太多太杂,若非骨灰级西片影迷,很难参悟个中真谛。相形之下,这部《编剧的艺术》具备许多其他书籍所不具备的优势。 首先,它...
评分 评分 评分这本书哪里谈的只是编剧的艺术,简直是宇宙的真理(绝对不完全是开玩笑),编剧的写小说的写影评的等等文青看了自然有用,就是贩夫走卒看了,细细领会,也绝对能领悟得到比天朝及其西北宇宙强国宣讲的更为靠谱的宇宙真理。 何以见得?比如谈到冲突时。书中有这样的...
图书标签: 编剧 写作 Writing 电影 UMFILM RHUL PM MediaArt
Lajos Egri examines a play from the inside out, starting with the heart of any drama: its characters. For it is people - their private natures and their inter-relationships - that move a story and give it life. All good dramatic writing depends upon an understanding of human motives. Why do people act as they do? What forces transform a coward into a hero, a hero into a coward? What is it that Romeo does early in Shakespeare's play that makes his later suicide seem inevitable? Why must Nora leave her husband at the end of A Doll's House? These are a few of the fascinating problems which Egri analyzes. He shows how it is essential for the author to have a basic premise - a thesis, demonstrated in terms of human behaviour - and to develop his dramatic conflict on the basis of that behaviour. Premise, character, conflict: this is Egri's ABC. His book is a direct, jargon-free approach to the problem of achieving truth in a literary creation.
三星半 有些观点过于武断和陈旧 但在当时那个年代算是很好的指导类书籍 学到了不少东西 但是书中给出的建议不能照单全收
评分方法都懂,依然写不出来Play writing的作业_( :3 」∠)_
评分对个人而言点出戏剧冲突核心所在的一本书。
评分方法都懂,依然写不出来Play writing的作业_( :3 」∠)_
评分我就喜欢这种作者说什么话都有理有据不瞎编的书。如果剧作,无论是戏剧,电影还是小说,只能推荐一本书的话,那我就推荐这本。挖到根里了。
Art of Dramatic Writing Its Basis in the Creative Interpretation of Human Motives 2025 pdf epub mobi 电子书