Art of Dramatic Writing Its Basis in the Creative Interpretation of Human Motives

Art of Dramatic Writing Its Basis in the Creative Interpretation of Human Motives pdf epub mobi txt 电子书 下载 2025

出版者:Simon & Schuster
作者:Lajos Egri
出品人:
页数:304
译者:
出版时间:2004
价格:95.58元
装帧:Paperback
isbn号码:9780671213329
丛书系列:
图书标签:
  • 编剧
  • 写作
  • Writing
  • 电影
  • UMFILM
  • RHUL
  • PM
  • MediaArt
  • Dramatic Writing
  • Creative Interpretation
  • Human Motives
  • Theater
  • Storytelling
  • Character Development
  • Emotional Depth
  • Narrative Structure
  • Motive Analysis
  • Scriptwriting
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具体描述

Lajos Egri examines a play from the inside out, starting with the heart of any drama: its characters. For it is people - their private natures and their inter-relationships - that move a story and give it life. All good dramatic writing depends upon an understanding of human motives. Why do people act as they do? What forces transform a coward into a hero, a hero into a coward? What is it that Romeo does early in Shakespeare's play that makes his later suicide seem inevitable? Why must Nora leave her husband at the end of A Doll's House? These are a few of the fascinating problems which Egri analyzes. He shows how it is essential for the author to have a basic premise - a thesis, demonstrated in terms of human behaviour - and to develop his dramatic conflict on the basis of that behaviour. Premise, character, conflict: this is Egri's ABC. His book is a direct, jargon-free approach to the problem of achieving truth in a literary creation.

作者简介

拉约什·埃格里(Lajos Egri,1888-1967)生于原奥匈帝国的埃格(今匈牙利境内),十岁就写出了一部三幕剧。1908年,埃格里移民美国。一战期间,他加入纽约的左派戏剧组织,成为导演和剧作家,后于20世纪30年代创立写作学校。埃格里同时也是一位新闻工作者,并曾撰写过电视剧本。

高远, 2004年毕业于北京电影学院,获硕士学位,现为专职编剧,作品有电视剧《大汉口》等。

目录信息

读后感

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其实,我也曾是一个编剧。 在最无聊且最悲惨的高中时段,除去偷偷瞄一眼前排的姑娘,我将大量的时间用在剧本的写作上,我曾写过的最好剧本是《华山论剑》。这是一个神奇的剧本,之所以神奇是因为它一无是处。它讲述林冲一路向东直奔梁山的故事,林老师奔了一月复一月,抬头一望...  

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其实,我也曾是一个编剧。 在最无聊且最悲惨的高中时段,除去偷偷瞄一眼前排的姑娘,我将大量的时间用在剧本的写作上,我曾写过的最好剧本是《华山论剑》。这是一个神奇的剧本,之所以神奇是因为它一无是处。它讲述林冲一路向东直奔梁山的故事,林老师奔了一月复一月,抬头一望...  

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知北游: 本书手把手地教你如何写出好的剧本,但是它表达的是写好剧本的充分非必要条件,意即,即使你不遵守其中的若干条规则,一样也可能写出好的,甚至是更好的剧本。 作者将剧本归为了三个要素,分别是前提、人物与冲突,重要性依次递减。作者认为,情节(冲突)在...  

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用户评价

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方法都懂,依然写不出来Play writing的作业_( :3 」∠)_

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The best writing book there is, be it playwriting, screenwriting, or novel-writing. Packed with truths I haven't got a hold on.

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对个人而言点出戏剧冲突核心所在的一本书。

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The best writing book there is, be it playwriting, screenwriting, or novel-writing. Packed with truths I haven't got a hold on.

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我就喜欢这种作者说什么话都有理有据不瞎编的书。如果剧作,无论是戏剧,电影还是小说,只能推荐一本书的话,那我就推荐这本。挖到根里了。

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