2017 - Senior Lecturer in Screen Studies, Drama, School of Arts, Languages and Cultures, The University of Manchester
2013 - 2017 Lecturer in Screen Studies, Drama, School of Arts, Languages and Cultures, The University of Manchester
April – July 2013 Visiting Senior Research Fellow, Asia Research Institute, National University of Singapore
2008 - 2013 RCUK Fellow in Film, Media and Transnational Cultures, School of Arts, Languages, and Cultures, The University of Manchester
2005 - 2008 Research Associate (Comparative Film Studies), Centre for Media Research, School of Media, Film and Journalism, University of Ulster
Cinema is a fertile ground for the production of cosmopolitan ideals. Films are produced, reviewed and watched worldwide, often circulating between cultural contexts. The book explores cosmopolitanism and its debates through the lens of East Asian cinemas from Hong Kong, China, Malaysia and Singapore, throwing doubt on the validity of national cinemas or definitive cultural boundaries. Case studies illuminate the ambiguously gendered star persona of Taiwanese-Hong Kong actress Brigitte Lin, the fictional realism of director Jia Zhangke, the arcane process of selection for the Best Foreign Film Oscar and the intimate connection between cinema and identity in Hirokazu Koreeda’s Afterlife (1998). Considering films, their audiences and tastemaking institutions, the book argues that cosmopolitan cinema does not smooth over difference, but rather puts it on display.
發表於2024-12-25
Cosmopolitan Cinema 2024 pdf epub mobi 電子書 下載
圖書標籤: 電影節研究 電影 跨文化 Film_Studies
突然抓起這本,意外發現還挺有趣!把cosmopolitanism和affect和film festival結閤起來可以有效為電影節研究體係(尤其是東亞電影節)提供一個audience perspective的切入方式;東亞電影的multilingual和self-reflexive沒那麼新鮮但是歸在cosmopolitanism裏有瞭新的趣味;最後講到的cosmopolitan body也很有意思,the most effective way to be cosmopolitan is to know yourself and the limits of translation. Very true.
評分突然抓起這本,意外發現還挺有趣!把cosmopolitanism和affect和film festival結閤起來可以有效為電影節研究體係(尤其是東亞電影節)提供一個audience perspective的切入方式;東亞電影的multilingual和self-reflexive沒那麼新鮮但是歸在cosmopolitanism裏有瞭新的趣味;最後講到的cosmopolitan body也很有意思,the most effective way to be cosmopolitan is to know yourself and the limits of translation. Very true.
評分突然抓起這本,意外發現還挺有趣!把cosmopolitanism和affect和film festival結閤起來可以有效為電影節研究體係(尤其是東亞電影節)提供一個audience perspective的切入方式;東亞電影的multilingual和self-reflexive沒那麼新鮮但是歸在cosmopolitanism裏有瞭新的趣味;最後講到的cosmopolitan body也很有意思,the most effective way to be cosmopolitan is to know yourself and the limits of translation. Very true.
評分突然抓起這本,意外發現還挺有趣!把cosmopolitanism和affect和film festival結閤起來可以有效為電影節研究體係(尤其是東亞電影節)提供一個audience perspective的切入方式;東亞電影的multilingual和self-reflexive沒那麼新鮮但是歸在cosmopolitanism裏有瞭新的趣味;最後講到的cosmopolitan body也很有意思,the most effective way to be cosmopolitan is to know yourself and the limits of translation. Very true.
評分突然抓起這本,意外發現還挺有趣!把cosmopolitanism和affect和film festival結閤起來可以有效為電影節研究體係(尤其是東亞電影節)提供一個audience perspective的切入方式;東亞電影的multilingual和self-reflexive沒那麼新鮮但是歸在cosmopolitanism裏有瞭新的趣味;最後講到的cosmopolitan body也很有意思,the most effective way to be cosmopolitan is to know yourself and the limits of translation. Very true.
Cosmopolitan Cinema 2024 pdf epub mobi 電子書 下載