Maurice Blanchot, the eminent literary and cultural critic, has had a vast influence on contemporary French writers - among them are Jean Paul Sartre and Jacques Derrida. From the 1930s through the present day, his writings have been shaping the international literary consciousness. "The Space of Literature", first published in France in 1955, is central to the development of Blanchot's thought. In it, he reflects on literature and the unique demand it makes upon our attention. Thus he explores the process of reading as well as the nature of artistic creativity, all the while considering the relation of the literary work to time, to history, and to death. This book consists not so much in the application of a critical method or the demonstration of a theory of literature as in a patiently deliberate meditation upon the literary experience, informed most notably by studies of Mallarme, Kafka, Rilke, and Holderlin. Blanchot's discussions of those writers are among the finest in any language. Ann Smock's fluent translation retains the tone and sense of the French; her introduction situates Blanchot in the French and American cultural spectrum and outlines the history of his critical concerns. Ann Smock, an associate professor of French at the University of California, Berkeley, also translated Blanchot's "The Writing of the Disaster" for the University of Nebraska Press in 1986.
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玫瑰與星星在鐵製的平底鍋裏跳躍，火焰在牆壁上投下濃黑的陰影。如果我們要重繪一副中古世紀裏巫師煉金的情景，那麼還必須加上黑暗背景裏烘托齣來的中心，一位布滿皺紋的老人，他發齣的喃喃自語，將周圍的每一件事物，都帶迴瞭原初的寂靜中。世界通過冷與熱，火與水的辨證...
評分玫瑰與星星在鐵製的平底鍋裏跳躍，火焰在牆壁上投下濃黑的陰影。如果我們要重繪一副中古世紀裏巫師煉金的情景，那麼還必須加上黑暗背景裏烘托齣來的中心，一位布滿皺紋的老人，他發齣的喃喃自語，將周圍的每一件事物，都帶迴瞭原初的寂靜中。世界通過冷與熱，火與水的辨證...
評分玫瑰與星星在鐵製的平底鍋裏跳躍，火焰在牆壁上投下濃黑的陰影。如果我們要重繪一副中古世紀裏巫師煉金的情景，那麼還必須加上黑暗背景裏烘托齣來的中心，一位布滿皺紋的老人，他發齣的喃喃自語，將周圍的每一件事物，都帶迴瞭原初的寂靜中。世界通過冷與熱，火與水的辨證...
評分忽然發現，自己變成瞭一個文盲。 曾幾何時每天讀至少幾十頁的書是為瞭活下去必須完成的事情，就像上廁所和吃飯一樣。事實上這三件事情完全是綁在一起的——沒有書讀，在廁所裏怎麼打發時間？ 然後忽然就齣現瞭一個叫ipad的東西。異軍突起的蘋果商品讓我的空閑時間裏充滿瞭嘔...
評分《文學空間》 布朗肖 商務印書館2003 存在主義籠罩下的審視 p26 這個中心點就是語言的完成和語言的消失的偶閤之點，正是在這點上，一切在自訴，一切都是話語，但是在那裏，話語不再是其自身，隻是已消失東西的錶象，它是想象物，是永不停歇，永無止境。 《依吉蒂爾》。。。...
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不明覺厲的典範！
评分隻讀瞭Rilke這章。前半部分很清晰，從death transmutes in itself開始好難...personal/disinterested death，death/dying。不愧是死亡哲學本體布朗肖...對Orpheus的分析精彩！Orpheus-Angel的本質區彆在於前者是Werden而後者是Gewordensein。哀歌和十四行詩的復雜關係果然相當有趣...
评分隻讀瞭Rilke這章。前半部分很清晰，從death transmutes in itself開始好難...personal/disinterested death，death/dying。不愧是死亡哲學本體布朗肖...對Orpheus的分析精彩！Orpheus-Angel的本質區彆在於前者是Werden而後者是Gewordensein。哀歌和十四行詩的復雜關係果然相當有趣...
评分卡夫卡日記中對文學（或在他身體裏那個小說傢）的復雜心態，由文學轉嚮宗教，Zionism和anti-Zionism的矛盾，從《審判》到《城堡》K.形象的轉變。總結：For there exists for him only the outside.
评分隻讀瞭Rilke這章。前半部分很清晰，從death transmutes in itself開始好難...personal/disinterested death，death/dying。不愧是死亡哲學本體布朗肖...對Orpheus的分析精彩！Orpheus-Angel的本質區彆在於前者是Werden而後者是Gewordensein。哀歌和十四行詩的復雜關係果然相當有趣...
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