Acknowledgments vii Introduction 3
janine marchessault and susan lord
PART I. EXPANDING CINEMA – IMMERSION
1 Multi-Screens and Future Cinema: The Labyrinth Project at Expo 67 29
janine marchessault
2 Sounds Complicated: What Sixties Audio Experiments Can Teach Us about the New Media Environments 52
stephen crocker
3 The Networked Screen: Moving Images, Materiality, and the Aesthetics of Size 74
haidee wasson
4 The ‘Iterative Circle’: Transformation of Web Narrative in Amika 96
sheila petty
5 Handcrank That Globalism: A Digi-Dialogue 111
abigail child
6 From Photography to Imography: New Media as Metaphor 126
ron burnettvi Contents
PART II. DIGITAL TIME – ARCHIVE
7 Feminist Digital Aesthetics: The Everyday and Yesterday 145
caitlin fisher
8 The Sight of Sound: The Last Angel of History 160 rinaldo walcott
9 History and Histrionics: Vision Machine’s Digital Poetics 177
michael uwemedimo and joshua oppenheimer
10 From Sequence to Stream: Historiography and Media Art 192
susan lord
11 The Birth of Tragedy in Digital Aesthetics 210
glenn willmott
PART III. LIQUID SPACE – MOBILITY
12 Armed Vision and the Banalization of War: Full Spectrum Warrior 231
nick dyer-witheford and greig de peuter
13 TheDialecticsofCanadianFilmLabour:Technology,Globalization, Nation 251
john mccullough
14 Screening the Call: Cell Phones, Activism, and the Art of Connection 270
kirsty robertson
15 Immigrant Semiosis 284
laura u. marks
16 Precepts for Digital Artwork 304
sean cubitt
Afterword: What We Must Do 321
gene youngblood
Bibliography 327 Contributors 341 Index 349
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