'Tomas Plaenkers is one of the very few psychoanalysts who has a deep and long relationship with the development of psychoanalytic thinking in China. He and his research group have made a substantial empirical contribution to our understanding of the psychodynamic impact and aftermath of the Chinese Cultural Revolution, foregrounding their understanding of intergenerational trauma. This is an important and timely book that should be read both by those who have a specific interest in the development of psychoanalysis in China and also more broadly, as it provides a fascinating example of how psychoanalytic understanding can be used to investigate intergenerational trauma and its consequences for a culture in transition.'- Dr David Bell, training analyst, British Psychoanalytical Society 'This fascinating book deals with fundamental issues interwoven in mass phenomena, political violence, trauma, and the tension between oblivion and memory, explored in the life of first and second generations of the victims. There is an ethical perspective in "the attempt to penetrate the past as meaningful and clarifying for the present - and as an aid to preventing any future repetition of such events".'- Clara Nemas de Urman, training and child analyst, Buenos Aires Psychoanalytic Association'In this remarkable book, we get an insight into the consequences of the social upheaval caused by the Cultural Revolution in China. The book demonstrates how psychoanalysis integrated with insights from other disciplines can give a culturally sensitive perspective on how the consequences of massive social traumatisation lives on in everyday life and make demands on the coming generations. Destabilising upheavals in a society where social harmony is preferred set in motion complicated processes that are difficult to heal. This book represents an opening to what may be necessary for reconciliation and recovery to happen.'- Sverre Varvin, MD, Dr Philos, training analyst, Norwegian Psychoanalytical Society'Thirty-seven years after the ending of the Cultural Revolution, this compelling and groundbreaking book explores its historical, social, and personal dimension, giving a language of meaning to what has been a traumatic and violent past for millions of Chinese. This book is a must read for anyone interested in understanding modern China and in reflecting on the de-humanising impact of historical events.'- Maria Teresa Hooke, training analyst, Australian Psychoanalytical Society
Tomas Plaenkers is a member of the Sigmund Freud Institute in Frankfurt am Main, working in private practice and as a training analyst member of the Frankfurt Psychoanalytic Institute. From 2000 to 2005 he taught analytic psychotherapy at the Shanghai Mental Health Center in China, training Chinese psychiatrists and psychologists. He heads the research project ’Forms of Biographical Processing of Social Upheavals, as Exemplified by the so-called Cultural Revolution in China’.
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这本书的语言密度和节奏感令人印象深刻,它有一种老派文人的沉稳,却又带着现代观察者的犀利。作者似乎对词语的重量有着近乎偏执的考量,每一个动词和形容词都被精确地放置在最能发挥其效力的地方。我发现自己不得不放慢语速,反复咀嚼那些措辞精妙的句子,因为稍微走神,就可能错过作者精心埋设的意象。比如,他对某一特定地方特有工艺品的描述,没有直接给出技术规格,而是用了一系列充满触感的比喻——“如同凝固的琥珀中封存的叹息”,这种手法极大地拓宽了读者的想象空间。这本书的阅读体验,更像是在跟随一位技艺精湛的雕刻家工作,他不仅雕刻出形体,更雕刻出了形体背后的历史沉淀和集体记忆。它成功地在宏大的历史背景和个体生命经验之间架起了一座桥梁,使人真切感受到,时间是如何在这些古老土地上留下不可磨灭的痕迹,而这些痕迹又是如何塑造了生活在其中的人们的内在世界。
评分这本书的独到之处在于其跨越学科的知识整合能力。它不仅仅是地理志或文化人类学的记录,其中还穿插了大量关于地质变迁、传统手艺的工艺流程,甚至是特定气候下植物生长的生态学观察。但最令人称奇的是,这些看似散乱的知识点,都被作者巧妙地内化到了整体的氛围营造之中,它们不是用来炫耀学识的注脚,而是构成环境真实感的基石。例如,对某种特定土壤的描述,立刻让人理解了当地建筑材料的局限性,进而推导出当地人性格中的坚韧与保守。这种知识的无缝融入,使得叙事显得格外厚重和可信,读者不是在阅读一个故事,而是在体验一个真实、多层次的生态系统。这种融合的力量,使得整部作品具有了一种罕见的厚度和深度,值得反复品读,每次都能从中挖掘出新的层次和关联。
评分这本书的叙事方式简直是一场对心灵的深度探险,它没有采用那种宏大叙事的框架,而是将镜头聚焦于那些细微的、近乎被遗忘的角落。作者对地方风物的描摹,不是简单地罗列地理特征,而是将它们编织成一张密不透风的情感之网。我尤其欣赏作者捕捉光影变幻的能力,那种清晨雾气氤氲,或是黄昏时分夕阳给古老石墙镀上的那一层暖金色,都仿佛触手可及。阅读过程中,我好几次停下来,闭上眼睛,试图在脑海中重构那些文字所勾勒出的场景,那种对“在场感”的极致追求,让这本书超越了单纯的游记范畴,更像是一部充满诗意的哲学沉思录。它探讨的不是‘在哪里’,而是‘如何存在于那里’,这需要一种极其敏锐的洞察力和长久的凝视,绝非走马观花式的记录可以比拟。每一个章节都像是一首独立的短诗,韵律微妙,却又在整体结构中形成了一种强大的内在张力,让人迫不及待地想要知道,下一处“风景”又会揭示出怎样的人性侧面。
评分我被这本书中对“静默”的描绘深深吸引。在许多当代作品都追求信息轰炸和快速反馈的时代,作者却愿意花费大篇幅去描绘那些“无声的时刻”——比如雨夜里屋檐下水滴的规律声响,或是山峦之间日复一日的寂静。这些寂静并非空无一物,而是充满了未被言说的力量。通过对这些细节的捕捉,这本书揭示了一种与现代生活节奏截然不同的时间观和存在观。它仿佛在邀请读者慢下来,去倾听那些被日常喧嚣所压制的声音。阅读此书,如同进行了一次深度的“数字排毒”,它迫使你重新校准感官,去重新学习如何“看见”和“感受”那些需要耐心才能体会的维度。这种对慢节奏生活的致敬,在当代语境下显得尤为珍贵和富有启发性,让人在合上书本后,依然能感受到内心的某个角落被熨帖得异常平滑和宁静。
评分坦白说,这本书的结构并非线性叙事,这对于习惯了传统故事线的读者来说,可能需要一定的适应期。它更像是一组错综复杂的蒙太奇镜头,场景与场景之间,时间点与时间点之间,存在着一种非逻辑的、纯粹情感驱动的连接。然而,一旦读者适应了这种跳跃和回溯的节奏,便会发现其高明之处:生活本身就是碎片化的,记忆也是如此。作者通过这种方式,成功地模拟了一种潜意识的流动状态,将地理空间变成了一种心理地图。书中对不同社群间微妙的社会等级和文化冲突的呈现,处理得极其细腻和克制,没有进行简单的好坏评判,而是让事实本身在读者的面前慢慢沉淀、发酵。我特别赞赏作者在保持客观距离的同时,又毫不掩饰其对某些传统生活方式的深刻眷恋,这种矛盾的张力,正是这本书魅力所在。它不是在提供答案,而是在提出更深刻的问题,关于我们如何定义“根源”和“归属”。
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