Eileen Chang (1920-1995) was born into an aristocratic family in Shanghai. Her father, deeply traditional in his ways, was an opium addict; her mother, partly educated in England, was a sophisticated woman of cosmopolitan tastes. Their unhappy marriage ended in divorce, and Chang eventually ran away from her father who had beaten her for defying her stepmother, then locked her in her room for nearly half a year. Chang studied literature at the University of Hong Kong, but the Japanese attack on the city in 1941 forced her to return to occupied Shanghai; where she was able to publish the stories and essays (collected in two volumes, Romances, 1944, and Written on Water, 1945) that soon made her a literary star. In 1944 Chang married Hu Lancheng, a Japanese sympathizer whose sexual infidelities led to their divorce three years later. The rise of Communist influence made it increasingly difficult for Chang to continue living in Shanghai; she moved to Hong Kong in 1952, then immigrated to the United States three years later. She remarried (an American, Ferdinand Reyher, who died in 1967) and held various posts as writer-in-residence; in 1969 she obtained a more permanent position as a researcher at Berkeley. Two novels, The Rice Sprout Song and Naked Earth, were followed by a third, The Rouge of the North (1967), which expanded on her celebrated early novella, “The Golden Cangue.” Chang continued writing essays and stories in Chinese, scripts for Hong Kong films, and began work on an English translation of the famous Qing novel The Sing-Song Girls of Shanghai. In spite of the tremendous revival of interest in her work that began in Taiwan and Hong Kong in the 1970s, and that later spread to mainland China, Chang became ever more reclusive as she grew older. Eileen Chang was found dead in her Los Angeles apartment in September 1995.

Yiyun Li is a novelist and short story writer. She is the author of two short story collections, A Thousand Years of Good Prayers and Gold Boy, Emerald Girl, and two novels, The Vagrants and Kinder Than Solitude. She lives in Oakland, California.

After leaving the Mainland for Hong Kong in 1952, Eileen Chang was commissioned by the United States Information Service to write two books, one of which was her magnificent novel Naked Earth. Far from being a simplistic exercise in anti-Communist propaganda (two previous novels Chang wrote were pro-Communist), Naked Earth is a powerfully moving, Balzacian tale that follows two young students, Liu Ch’uen and Su Nan, who fall in love at a time when, as Chang writes, “the whole country lay stretched out like an open palm, ready to close around any one person at any minute.” Mao’s land reform movement is in full force, and Liu and Su Nan are sent to a farm to help the peasants take over the fields. The work is hard, the nights long, and slowly it becomes clear that spies abound. Both Liu and Su Nan harbor festering secrets that are pulling them apart and Liu is eventually imprisoned by his enemies and sent to fight on the Korean front. A romance, a thrilling drama, a tragedy, Naked Earth is a stunning work of twentieth-century fiction by one of China’s most revered modern novelists.