尼爾•麥格雷戈
大英博物館前館長,倫敦古文物學會成員,英國著名藝術史學者。
1975年至1981年,在英國雷丁大學教授藝術與建築史。
1981年至1987年,主編英語世界曆史最悠久的美術及裝飾藝術期刊《伯林頓雜誌》。1987年至2002年,主持英國國傢美術館。
2002年至2015年,任大英博物館館長。
2010年,獲英國女王頒贈功績勛章。
主要作品有《大英博物館世界簡史》《大師之作的誕生》《莎士比亞的動蕩世界》等。
From Neil MacGregor, the author of A History of the World in 100 Objects, this is a view of Germany like no other. For the past 140 years, Germany has been the central power in continental Europe. Twenty-five years ago a new German state came into being. How much do we really understand this new Germany, and how do its people now understand themselves? Neil MacGregor argues that uniquely for any European country, no coherent, over-arching narrative of Germany's history can be constructed, for in Germany both geography and history have always been unstable. Its frontiers have constantly floated. Konigsberg, home to the greatest German philosopher, Immanuel Kant, is now Kaliningrad, Russia; Strasbourg, in whose cathedral Johann Wolfgang von Goethe, Germany's greatest writer, discovered the distinctiveness of his country's art and history, now lies within the borders of France. For most of the five hundred years covered by this book Germany has been composed of many separate political units, each with a distinct history. And any comfortable national story Germans might have told themselves before 1914 was destroyed by the events of the following thirty years. German history may be inherently fragmented, but it contains a large number of widely shared memories, awarenesses and experiences; examining some of these is the purpose of this book. Beginning with the fifteenth-century invention of modern printing by Gutenberg, MacGregor chooses objects and ideas, people and places which still resonate in the new Germany - porcelain from Dresden and rubble from its ruins, Bauhaus design and the German sausage, the crown of Charlemagne and the gates of Buchenwald - to show us something of its collective imagination. There has never been a book about Germany quite like it. Neil MacGregor has been Director of the British Museum since August 2002. He was Director of the National Gallery in London from 1987 to 2002. His previous books include A History of the World in 100 Objects and Shakespeare's Restless World, now between them translated into more than a dozen languages.
發表於2025-01-31
Germany 2025 pdf epub mobi 電子書 下載
- 閱讀這本書是個十分享受的過程. 雖然書本十分厚, 有五百多頁, 但插圖及設計精美, 文字亦譯得流暢, 每個章節有自己的小主題, 十分易讀, 深入淺齣, 難得的好書呀. - 我是在逛樂文時偶然碰見此書, 應該是剛到貨不久。但這種'磚頭'式的書, 我也很懷疑樂文會入多少本, 甚至整個香...
評分分權體製的Compromise:The decentralized stucture of the Holy Roman Empire,with its patchwork of interlocking but independent states, meant that an overarching iconoclasm never took root。這種分權的方式值得德國人擁有宗教自由,可以信封基督教或者新教或者加爾文...
評分圖文並茂,非常好看,不輸於同一作者的另一套書《大英博物館世界簡史》,我個人甚至更偏愛《德國》這一本。和《大英博物館世界簡史》一樣是通過物品講述曆史,不過看到最後纔發現這本書其實是“德國:一個國傢的記憶”這一主題當中的第三部分,另外兩個部分分彆是大英博物館的...
評分對於這本書的內容來說,豆瓣滿分根本毫無意義。 如若使用“圖文並茂”這種詞來形容這本書,感覺是對作者(包括譯者)的侮辱。 由於明天要把書藉給美女,今天匆匆忙忙翻瞭一下之前沒細看的內容。 趴在床上,3個小時看到瞭拿戰這章。因為我本身對歐洲中世紀到三十年戰爭的曆史看...
評分分權體製的Compromise:The decentralized stucture of the Holy Roman Empire,with its patchwork of interlocking but independent states, meant that an overarching iconoclasm never took root。這種分權的方式值得德國人擁有宗教自由,可以信封基督教或者新教或者加爾文...
圖書標籤: 曆史 德國 文化 Germany 德國 History 歷史 英國
很基礎的德國讀物啊,對國界、國民身份的定義,思潮的産生和發展都有清晰的梳理。
評分非常精彩,以有形文物串聯曆史與分析,有些視角非常有趣。可惜錯過瞭大英的展覽,待來日再細細遊德國瞭。
評分這本書的英文版很通俗,結構設計像博物館裏的專題講解,作者從每個物件上挖掘曆史上的故事,於是自己感覺發現瞭好多影片裏熟悉的鏡頭。
評分很基礎的德國讀物啊,對國界、國民身份的定義,思潮的産生和發展都有清晰的梳理。
評分斷續一個月讀完,喜歡作者講述曆史的方式,沒有宏大的敘事,從一個物件、一個人、一個生活片段引齣背後的時代故事,趣味和邏輯兼具,德國是一個特彆吸引人的國度,期待下次造訪#6318
Germany 2025 pdf epub mobi 電子書 下載