Assistant Professor of Chinese,Hamilton College,Instructor of a variety of courses covering Chinese film, literature, history, culture, politics, education, and language.
A comprehensive history of how the conflicts and balances of power in the Maoist revolutionary campaigns from 1951 to 1979 complicated and diversified the meanings of films, this book offers a discursive study of the development of early PRC cinema. Wang closely investigates how film artists, Communist Party authorities, cultural bureaucrats, critics, and audiences negotiated, competed, and struggled with each other for the power to decide how to use films and how their extensively different, agonistic, and antagonistic power strategies created an ever-changing discursive network of meaning in cinema.
發表於2024-11-26
Revolutionary Cycles in Chinese Cinema, 1951-1979 2024 pdf epub mobi 電子書 下載
圖書標籤: 電影 當代中國史 中國電影研究 中國政治 p PRC
當sourcebook看吧。。
評分當sourcebook看吧。。
評分反對使用“top-down"的角度來研究共和國的革命電影,認為並不僅僅是革命電影政治宣傳動員的工具,強調在電影製作、發行、放映的過程中,參與人員的不同傾嚮,指齣電影是如何被”閱讀“和”誤讀“。曆史背景多於文本分析。
評分當sourcebook看吧。。
評分背景介紹bla bla bla+電影受到政治影響bla bla bla+背景介紹again bla bla bla
Revolutionary Cycles in Chinese Cinema, 1951-1979 2024 pdf epub mobi 電子書 下載